TrueMendous describes her debut album as the best project she has ever created, and she’s eager for fans to finally hear it. Misdiagnosis of Chyvonne Johnson, released on April 1, marks a major step forward for the Birmingham artist after building momentum through a series of EPs and mixtapes.

“I’d never created an album before,” she shared. “I had to make sure it stood apart from everything I’ve released in the past. Listening to it from start to finish, I feel like it’s stronger than anything I’ve made so far. Everything about it is on another level. All the elements made it better.”

That vision extends beyond the music itself. From the visuals for the new tracks to the album artwork designed by Father of Cain—which also appears on new merch—every detail has been carefully considered. Although the writing process wrapped up months ago and the final mixes were completed last summer, taking time to plan the rollout proved valuable.

“It’s frustrating to sit on music, but it makes me even more excited to release it,” she explained. “It’s good, too, because I get to plan the music videos properly and figure out the best way to put it out there.”

The album was shaped by a mix of Birmingham-based producers and collaborators from her label, High Focus. “It’s great to have a team that pushes and supports you,” she said. “They help amplify your voice without making it feel toxic or stifling.”

The album title is inspired by Lauryn Hill, one of her biggest storytelling influences. Following the success of her 2020 HUH? EP, expectations are high. That EP led to unexpected opportunities—Adidas used the beat from “Sweetheart” in a campaign, while “Hmm” landed on the FIFA 21 soundtrack. She also appeared in major ads for Pepsi Max and McVities.

This time, she’s aiming for more film placements. “‘Cause A Scene,’ which has an animated music video, would be perfect for a wild fight scene,” she said. The track kicks off the 17-song record, which blends rap, R&B, and pop, showcasing her versatility. “I’m a bit of a chameleon,” she explained. “I love adapting to different sounds.”

She even made the tough decision to remove some songs from the final tracklist for the first time. The result is a mix that ranges from the nine-minute “Selfish Behaviour” to a 99-second burst of energy on “You Don’t Wanna.” “I don’t plan song lengths—it just feels right,” she said. “When the lyrics ended with the beat, it felt like the perfect close.”

This variety keeps listeners engaged, appealing to fans who enjoy both long, intricate stories and quick, punchy tracks. “If you’re good enough as an artist, it doesn’t matter how long the song is,” she added. “If Drake put out a 30-minute song, people wouldn’t just stop listening halfway.”

Lyrically, the album blends her personal experiences with stories inspired by friends and documentaries, creating a unique and heartfelt perspective. “My older songs were all story-based,” she said. “I used to tell other people’s stories through my voice as a narrator. It’s only in the last two years that I’ve started opening up more about myself.”

The final track, “Yvonne’s Daughter,” is her most personal yet. For someone who admits, “I don’t reveal anything about anything,” it’s a raw look at her relationship with her mother. Family ties keep her grounded in Birmingham, even as her career grows in London.

“Birmingham’s slower than London,” she reflected. “It doesn’t lack talent—it just needs to be seen and heard. London has the labels, A&Rs, and events. I go back to Birmingham to slow down.”

That calm may not last long, with more projects in the pipeline and global ambitions ahead. She’s particularly excited about performing in places where fans don’t speak English but still know the lyrics.

“More than anything, I just want the album to do well,” she said. “I know how much effort went into it, and it’s a really good project. I’m confident and comfortable with it, and I can’t wait to see how people respond.”

Misdiagnosis of Chyvonne Johnson by TrueMendous is out now on High Focus Records.

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Clinton Brand III – better known as CBIII – is a California-based rapper. His new single, titled “I Won’t Quit,” is a motivational and relatable message for everyone “going through it.”

The track, with a beat by Tunna Beats, has a Blurry Face vibe. It starts with a violin and the soft “ahh”s of featured singer Alex Brinkley. When the beat drops, piano, bass and drums enter along with CBIII’s lyrical meditations on “overthinking, contemplating, and debating” why he “won’t quit.”

Sad but I should be filled with joy.
Played with my heart just like it was a toy.
But the truth is I’m tired of venting.
This constant feeling is relentless.
Nobody wants to listen and everyone is a critic.
Hate my life but I won’t give up, I can’t give in.

 

As the final line makes clear, the song is a study in contradictory mindsets. There’s the fear of failure – what if I’m not good enough? – and then the contrast of relentlessness as stated in the title.

The lyrics of the song’s final quattrain are especially strong. Beginning with an example of CBIII’s wordplay (phenomenal and astronomical anomaly), the final message is one of inspiration: I’m tired of this, so I’m going to make it better.

Phenomenal and astronomical anomaly – that’s what I would like to be
I don’t want to eat, I don’t want to sleep
Tired of this life, the way that I’ve been living
It’s time to make a change – for the greater good.

 

This struggle with nagging self-doubt and overthinking makes “I Won’t Quit” very relatable. In the end, CBIII wants listeners to be inspired, to not give in when they find themselves in similar circumstances.

Brand’s inspiration for “I Won’t Quit” was intensely personal. Following the death of his parents at a young age, he was raised by his grandmother and then was placed in foster care. A recent visit found his grandmother’s memory fading; this was painful, considering that she had once been his biggest supporter.

This episode left him feeling abandoned, in a dark place.

He says, “I wrote the song ‘I Won’t Quit’ because at that time I was suicidal. I didn’t have nobody else to turn to because my grandma didn’t really care anymore.”

The vulnerability expressed in the lyrics made CBIII unsure if he wanted to release the song at all. He says, “I actually sat on the song for like five months before even thinking about releasing it because it’s so close to home that I wasn’t even sure if I was going to have the courage to share it.”

Now that the song is out, its vulnerability is its strength. Brand’s struggle is real, and the general contours – missing family support, doubting yourself, knowing you need to persevere – will be familiar to many.

In addition to his personal desire to live up his dream of greatness, Brand has another reason not to give up: his younger brother, who is currently in foster care. Knowing his brother looks up to him, he wants to remind him that giving in to doubt is the easy way out.

Brand says, “I want to encourage him, to show him that if you set your mind to it, bro, there’s nothing you can’t do.”

In the end, CBIII wants listeners to learn from his pain, to ask themselves, “What if I don’t give up?

Stream “I Won’t Quit” now, wherever you listen to music.

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