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TrueMendous describes her debut album as the best project she has ever created, and she’s eager for fans to finally hear it. Misdiagnosis of Chyvonne Johnson, released on April 1, marks a major step forward for the Birmingham artist after building momentum through a series of EPs and mixtapes.

“I’d never created an album before,” she shared. “I had to make sure it stood apart from everything I’ve released in the past. Listening to it from start to finish, I feel like it’s stronger than anything I’ve made so far. Everything about it is on another level. All the elements made it better.”

That vision extends beyond the music itself. From the visuals for the new tracks to the album artwork designed by Father of Cain—which also appears on new merch—every detail has been carefully considered. Although the writing process wrapped up months ago and the final mixes were completed last summer, taking time to plan the rollout proved valuable.

“It’s frustrating to sit on music, but it makes me even more excited to release it,” she explained. “It’s good, too, because I get to plan the music videos properly and figure out the best way to put it out there.”

The album was shaped by a mix of Birmingham-based producers and collaborators from her label, High Focus. “It’s great to have a team that pushes and supports you,” she said. “They help amplify your voice without making it feel toxic or stifling.”

The album title is inspired by Lauryn Hill, one of her biggest storytelling influences. Following the success of her 2020 HUH? EP, expectations are high. That EP led to unexpected opportunities—Adidas used the beat from “Sweetheart” in a campaign, while “Hmm” landed on the FIFA 21 soundtrack. She also appeared in major ads for Pepsi Max and McVities.

This time, she’s aiming for more film placements. “‘Cause A Scene,’ which has an animated music video, would be perfect for a wild fight scene,” she said. The track kicks off the 17-song record, which blends rap, R&B, and pop, showcasing her versatility. “I’m a bit of a chameleon,” she explained. “I love adapting to different sounds.”

She even made the tough decision to remove some songs from the final tracklist for the first time. The result is a mix that ranges from the nine-minute “Selfish Behaviour” to a 99-second burst of energy on “You Don’t Wanna.” “I don’t plan song lengths—it just feels right,” she said. “When the lyrics ended with the beat, it felt like the perfect close.”

This variety keeps listeners engaged, appealing to fans who enjoy both long, intricate stories and quick, punchy tracks. “If you’re good enough as an artist, it doesn’t matter how long the song is,” she added. “If Drake put out a 30-minute song, people wouldn’t just stop listening halfway.”

Lyrically, the album blends her personal experiences with stories inspired by friends and documentaries, creating a unique and heartfelt perspective. “My older songs were all story-based,” she said. “I used to tell other people’s stories through my voice as a narrator. It’s only in the last two years that I’ve started opening up more about myself.”

The final track, “Yvonne’s Daughter,” is her most personal yet. For someone who admits, “I don’t reveal anything about anything,” it’s a raw look at her relationship with her mother. Family ties keep her grounded in Birmingham, even as her career grows in London.

“Birmingham’s slower than London,” she reflected. “It doesn’t lack talent—it just needs to be seen and heard. London has the labels, A&Rs, and events. I go back to Birmingham to slow down.”

That calm may not last long, with more projects in the pipeline and global ambitions ahead. She’s particularly excited about performing in places where fans don’t speak English but still know the lyrics.

“More than anything, I just want the album to do well,” she said. “I know how much effort went into it, and it’s a really good project. I’m confident and comfortable with it, and I can’t wait to see how people respond.”

Misdiagnosis of Chyvonne Johnson by TrueMendous is out now on High Focus Records.

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Marla Lewis might not be a name that everyone immediately recognizes, but she has spent years building a remarkable career that has earned her a loyal global fan base, countless streams, and even a Grammy Award for Best Children’s CD. Today, Music-News had the chance to talk with Marla about her new single “Kill The Lights,” a smooth, feel-good jazz track that captures the magic of walking through New York City in winter with a warm smile on your face.




Tell us about Marla Lewis?
Born in New Jersey, wrote my first song at the tender age of 12 called “Hopeless Love” (LOL). From the time I could talk, music has always been my closest friend. I sang and played guitar in clubs, got disenchanted, went back to school for my Masters, and became an English as a Second Language teacher in a Harlem elementary school for 23 years. That’s when I started writing songs for kids, to help them learn English. I released two children’s albums, WE ALL LAUGH IN THE SAME LANGUAGE and I LOVE TO TALK TO PLANTS. One tune from PLANTS, called “Leap of Faith,” appears on a Grammy-winning Children’s CD called ALL ABOUT BULLIES... BIG AND SMALL, with my incredible friend and producer, Bob Stander.

Who are some of your musical influences? What else inspires you?
Ella Fitzgerald, the Beatles, Michael Franks, Phoebe Snow, Carole King, to name a few. My mom aspired to be a jazz singer, so we had lots of Big Band music playing in the house. Besides music, the rhythm of conversation inspires me.

Congrats on the release of “Kill the Lights”! We love it. What’s the story behind the song?
Thanks so much! Bob (my producer) said to me, “We need another R&B flavored song with a catchy chorus.” So, I played around with a new idea about love on the rebound. I wrote the lyrics first, a very rough draft, and put music to it - that’s how songs usually evolve for me. I was really “in the zone” when I was working on this one, fiddling around with it until it felt complete. The song went through many incarnations before I got the “actors in a play” metaphor right. I don’t think it’s autobiographical – unless it’s about an affair that I’ve totally forgotten about!

Who is one artist you’d love to tour with?
Nora Jones! Oh, yes!

What’s your favorite thing to do when you’re not doing music?
Walking the dogs, hanging out with friends, watching a great TV series.

What's the 2022 plans for your musical journey?
I want to continue live streaming - it’s fun! My show is called “Marla in La La Land.” You can tune in every Wednesday evening at 7:30 PM Eastern. I already have enough songs for my next smooth jazz album, and I’m calling it, “Livin’ the Dream.” The songs are very socially conscious – I can’t write in a bubble any longer, with what’s going on in the world. I hope to record and release that album in 2022. And perhaps, I’ll muster the courage to do live shows!

How can our readers find you online?
Lots of places! First, my website: www.marlalewis.com
My Facebook group: MarlaTheMuse
My YouTube channels: Smooth Jazz I Children’s

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