Lebanese artist Elie Al Hajj — better known as Ely — is ready for connection.
His new rock song, “My Falling Star,” dropped last month. The track is a showcase for Ely’s versatility and passion. The song and its 80s vibes will appeal to audiences eager for their next heartbreak anthem.
The lyrics recount a love that ended too soon, and the reminiscence of a night under a sky full of shooting stars. Amidst thundering drums and a big guitar solo, Ely’s pleading voice is the main focus, with a Cher-like tone quality and vibrato.
Ely’s persistent passion is reflected in the song’s repeating four chords. Like that night with the shooting star that he can’t forget, the music returns again to remind him:
I feel the pain inside my broken heart
I never felt this way before, girl
I never want to feel this way again
Goodbye to you, my falling star
Your love will always shine on me
I’ll close my eyes and there you’ll be
With English lyrics, Ely, 43, aims to reach beyond the Mediterranean basin to connect with international fans. While he also releases songs in Arabic, he has broader plans for his music.
He says, "In Lebanon, most of the people and the known artists sing in Arabic... But I can do both. I can do English, I can do Arabic. By recording in English, I'm aiming to appeal to a more international audience."
He knows it won’t be easy to reach his fans, but he is not afraid to put in the work. His songs, like “My Falling Star,” are beacons to the like-minded lovers and dreamers out there in the world somewhere.
Ely says, "I just want my fans, if it happens, I just want them to respect what I do in the same way that I respect them and the same way that I give them my music from the heart."
Ely’s creative background extends beyond music. A filmmaker, he is known for directing and starring in the 2018 romantic comedy, I'd Prefer Your Problems Princess. His filmmaking prowess is also put to use as he directs his music videos. This includes the beautiful outdoor locations for “My Falling Star”.
With “My Falling Star,” Ely is committed to building a genuine audience for his own songs — not just covers, not just regional radio play, but an international fan base connected by shared emotion and respect.
His wistful lyrics and emotive instrumental playing may have been born from heartbreak, but Ely insists they point toward something larger: persistence, hope, and the belief that music still has the power to bridge worlds. He doesn’t want to wait any longer.
“I’m 43 now — there’s no more wasting time,” Ely says. “I just want people to hear about me, to feel what I feel, and to know that I give them everything from the heart. If I can reach fans who give that back, I’ll have done what I set out to do.”
With the passion and progress of songs like “My Falling Star,” it’s clear that Elie al Hajj is ready to make the leap. Fans can dive into Ely’s work and listen to “My Falling Star” at the links below:
As Belle & Sebastian share their buoyant 2026 Scotland World Cup anthem ‘It Only Takes One Lion’, frontman Stuart Murdoch has spoken to NME about capturing the feeling back home and his hopes for the team since childhood.
Released today (Tuesday June 2), the Scottish indie heroes’ bid for their nation’s tournament anthem was written after the team’s surprise 4-2 qualifying win against Denmark.
“I felt like we were watching history in the moment, like the hand of God from the old National Lottery adverts was pointing at us,” Murdoch told NME about that game-changing victory. “It was meant to be. Scotland aren’t a terrific team and Denmark are better, but it just felt that day that Scotland were destined to win. Three out of the four goals were things of beauty.”
Produced by and co-written with Pete Ferguson and premiered at the band’s recent London Royal Albert Hall show as part of the anniversary tour for their classic first two albums ‘Tigermilk’ and ‘If You’re Feeling Sinister’, the soaring song is intrinsically Belle & Sebastian as it morphs from a hymn to a an orchestral disco jam as Murdoch sings of a nation’s hopes and his own boyhood dreams.
NME spoke to Murdoch from the band’s North American tour, where we found him in a graveyard in Texas. “I was just looking for a park because Austin is a pretty scary place downtown now, so I’ve ended up in the Texas Cemetery,” he shared via Zoom.
Was there anyone famous buried there?
“I was looking around and I found the founder of Austin City Limits, which is pretty cool as that’s where we’re playing tonight. I’m looking at one now and it just says, ‘Martin: he loved the law’. Then underneath it says, ‘Billie Louise: she loved the lawyer’.”
We joke that there’s the opening to a Belle & Sebastian song if there ever there was one. “It’s great! It’s given me inspiration.”
For now, read the rest of interview with Murdoch below as he tells us about Scotland’s chances, 30 years of hurt, if fans will be singing it at the top of their lungs in Canada, the US and Mexico this summer, and what’s next for the band.
NME: Hello Stuart. Here we are with ‘It Only Takes One Lion’ Who needs three?
Stuart Murdoch: “Who needs three? Good question. I wouldn’t know!”
What’s the mood been like in Scotland since you qualified?
“It’s funny. I’ve noticed this everywhere: with the World Cup there’s a mixture of cynicism and anticipation. When the actual tournament starts, everyone will get excited about it. Because of FIFA, the peace prize, the ticket prices, people seem quite down about it. I found that in Mexico. They were quite fed up with the general hype about it. I’m in the States just now and you shouldn’t believe all the hype: people are people. The States are just as ‘great’ as ever. We love coming here, we love the cities. The general sense of North American optimism will make for a good tournament.”
“With Scotland though, people will definitely be excited about it. You have to understand, it’s been 30 years since Scotland qualified so I think everybody and their dog has written a song for the team.”

How do you meet the challenge of penning a World Cup anthem, when there have been so many legendary bangers and absolutely shite duds?
“I never planned it. I woke up with a tune in my head and a feeling. That’s the way it should always be for songs. I couldn’t control myself and it was quite straight-forward. I wrote this initial bit about how I felt about the current World Cup team and the qualifying game. It was more introspective.
“When it starts off with, ‘The days are dark and long…’, it’s just my general feeling about football. I’ve been going to see my own team quite a lot recently. It’s my little anthem for how I feel about football and following Scotland for the last 50 years, just the ups and downs. It’s quite a heartfelt thing. When I was eight or nine, the Scottish team meant so much to me, it the thing I was most invested in. There’s a line in there about how I used to memorise the whole squad before ‘78 and 82.”
Tell us about lyric: “This is Scotland, where everyone knows you start with nothing… where you can join an army for peace”…
“My wife made the video for it and she said, ‘I’m not sure I like that line about everyone starting with nothing’. Our first game is against Haiti and they really have nothing. Their country is pretty poor and they’re going through hard times. It was almost a throwaway line and I’m not sure what I meant by it, but in a footballing sense every game starts with nothing. Even if it’s against Brazil, you’ve always got a chance!
“The army refers to The Tartan Army, which has really been quite a remarkable institution for the past 30 years. We changed from drunken buffoons that used to wreck things to this excellent supporting brigade.”

It’s not your standard football sing-along. Can you see it being sung in the terraces?
“I’m not sure, I didn’t cynically design it for that. Many people have said to me in the past, ‘None of your songs have a chorus, you need to write one’. ‘This is Scotland’ is a chorus! They things need to happen organically. I’m sure the fans will still be singing ‘Yes sir, I can boogie’ for years to come.”
What do you actually think of Scotland’s chances right now?
“With the last Euros, they maybe got stage fright or didn’t have that tournament experience. I think Andy Robertson [captain] will be telling them, ‘We really need to produce our best stuff’. If they do and we see them actually playing football, then I don’t really care about the results that much. I just want to see Scotland exceeding our expectations of them. That Denmark game was so crazy that everything after just feels like a bonus.”
If miracles do happen and Scotland make it to the final, how will you celebrate? A free gig in Glasgow?
“Of course, yes! Free everything. If we even got close, I think the whole country would shut down for a year and the GDP would drop. We’d go into a massive recession but no one would care.
“We were playing a gig in Mexico City and I told the crowd, ‘It’s you and us, Mexico and Scotland in the final’. Mexico have never really got close either. I told them it would be five goals a piece, even after everyone takes a penalty and we have to share the trophy. I would settle for that.”

You released two albums in quick succession with 2022’s ‘A Bit of Previous’, 2023’s ‘Late Developers’ and then your debut novel Nobody’s Empire in 2024. You’ve been busy! Is there any progress on new material?
“We went through a period where we recorded a lot and we said, ‘Let’s not record for a while and give ourselves a couple of cycles off’. We’re doing these 30th anniversary shows so we’re just going to lean on the back catalogue and cruise for a while. We’re doing a year on and a year off so everyone can focus on different things.
We’re not looking at new Belles stuff for a while. I’m meant to be developing Nobody’s Empire into a film, so that’s my next task. It’s a long way off from being made but I’m going to write the script for that.”
Scotland’s first World Cup tournament match is against Haiti on Sunday June 14, before they go on to play Morocco on Friday June 19 and Brazil on Wednesday June 24.
The band’s ‘Tigermilk’ and ‘If You’re Feeling Sinister’ anniversary tour continues throughout the summer, performing the iconic albums in full during across the UK, Europe, North America, Mexico, Australia, Singapore and Japan. Visit here for tickets and more information.