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P!nk was among the people watching at home on Sunday night helping to lift the 78th annual Tony Awards to their biggest broadcast audience since 2019. But the pop superstar seemed more keyed in on the action in her own living room than the best and brightest Broadway stars dancing and belting across the Radio City Music Hall stage.
That’s because her daughter and sometime musical companion Willow had cooked up her own homebrew tribute to the Great White Way. According to E! News, In a since-expired video on her Instagram Story on Monday, P!nk gushed about the teen hopping up on the coffee table in the family living room to sing her take on the Tony-nominated Boop! musical’s “Where I Wanna Be.”
Commenting on the impromptu performance, P!nk wrote, “I like when she sings at me.”
In an accompanying Instagram post, P!nk shared snaps of Willow watching the broadcast with rapt attention, standing on the coffee table in their living room in a costume of her own design. “This girl is where she wants to be,” the singer wrote of her 14-year-old first born. “Dressed up in her Great Gatsby the Musical costume (which she designed herself) watching the Tony’s!”
It’s not the first time P!nk has commented on Willow’s love of musical theater. In October, she shared a video of the teen losing it after getting to do some choreo with the cast of The Great Gatsby musical. “I am happy as long as my kids are being their authentic selves, and they’re not a–holes,” she wrote. “I am happy as long as there is a light in their eyes. I am under no illusion that any of this is easy. Parenting, being a kid, being on this earth, any of it. As long as we are doing ‘almost our best’, and allowing others to be their true selves- then I think we’re nailing it. But having a theater kid? Ultimate dream slash best case scenario. And being able to take her and expose her to this artform that lives? Great Gatsby? Jeremy Jordan? She is obsessed.”
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Slayyyter played her take on Turnstile’s ‘Birds’ onstage for the first time in Atlanta. You can watch footage of the performance below.
Slayyyter is currently touring with her ‘Wor$t Girl In The World’ show. She added the cover to her set at The Eastern on Monday night (September 21).
She sang ‘Birds: Slayyyter Version’ near the end of the main set, following ‘Brittany Murphy’. She then came back for an encore featuring ‘Brand New Chanel$’ and ‘Beat Up Chanel$’.
It was her first live performance of the song. She originally recorded it for Turnstile’s ‘Never Enough: Versions’, a collection of reworked tracks released on August 28.
The 22 track release brings together new interpretations of songs from Turnstile’s fourth album. Contributors include Elton John, Hayley Williams, Blood Orange, A. G. Cook, Faye Webster, Four Tet, Oklou, Floating Points, Nourished By Time, Alex G, Julien Baker and Mustafa.
Panda Bear recorded a new take on ‘Magic Man’, while Dying Fetus gave ‘Birds’ another interpretation rooted in death metal.
See Slayyyter perform the track live and listen to her studio recording here:
Slayyyter trades the original song’s hardcore intensity for a bigger electronic sound that feels at home alongside her latest album, ‘Wor$t Girl In America’.
Turnstile first released ‘Birds’ on their 2025 album ‘Never Enough’. The song won Best Metal Performance at the 2026 Grammy Awards, where the album also won Best Rock Album.
In its five star review of ‘Never Enough’, NME pointed to ‘Birds’ and ‘Sole’ as reminders of Turnstile’s hardcore beginnings. It also praised the album for “furthering their unique, pop-facing take on hardcore”.
Slayyyter will join Turnstile on another stage next month. She and Die Spitz are set to support the band at the University of Kansas in Lawrence on October 6 for the ‘Never Enough Tour Pt. 2’.
It has been a big year for Slayyyter. Her third album, ‘Wor$t Girl In America’, came out in March, and NME’s review highlighted its mix of “brash, sleazy pop” and late 2000s indie sleaze sounds.
Last month, she performed Hole’s ‘Violet’ for triple J’s Like A Version. Courtney Love called the cover “a delight” and encouraged Slayyyter to “keep wiping the floors with us”.
A few weeks later, Slayyyter took ‘Wor$t Girl In America’ to Reading Festival. NME’s live review declared that there was “undoubtedly a star before us on stage” and praised her “rasped, rocked-up delivery” and growing confidence as a performer.
