July 31-August 3, Cornbury Park, Oxfordshire: This eclectic weekender has cross-generational appeal, as blistering dance tunes go head-to-head with Britpop revivalism and cutting-edge indie

Rhian Teasdale swaggers onto the main stage at Wilderness Festival, turns her back to the audience and flexes her muscles like a prize-fighter. The Wet Leg singer has every reason to be feeling cocksure, given that the band recently topped the UK album charts with their sugar rush of a second album, ‘Moisturizer’.

Drawing a huge crowd on the Sunday evening of this fabulous weekender, the reigning indie champions leave no doubt as to why they beat Oasis’ best-of ‘Time Flies’ to the top spot. Their muscular guitar anthems are so full of wit that the audience responds in kind: one little kid down the front waves a sign that reads: “I’m your smallest fan.”

Wet Leg at Wilderness Festival 2025. CREDIT: Chloe Hashemi

The band’s gritty performance shows how many ways you can ‘ave it at Wilderness. Held on the picturesque Cornbury Park and now in its 14th iteration, the festival has cultivated a reputation as the glammest on the boutique circuit. Yes, there’s a Veuve Clicquot champagne bar. And, yes, there’s a spa (and another champagne bar) beside one of the two lakes sunk into the site. Here pampered punters watch on as families enjoy a spot of wild swimming, minding not to disturb the people doing yoga on a cluster of paddle boats.

So, much of it’s very genteel and this is a distinctly family friendly do, with parents weaving kids’ trolleys around the throng (Wilderness has a capacity of 30,000 but it feels like the enormous site could accommodate double that number, which prevents any chance of overcrowding). At night, though, the freaks come out to play in a designated dance section that begins roughly at a secret garden-themed bar called The Riddle and leads to The Valley, an expanse of woodland that’s been transformed into a vast dancefloor.

Wilderness Festival 2025. CREDIT: Alline Beatrici

Vibes-wise, this side of Wilderness is Charli XCX in her shades and Vivienne Westwood wedding dress, demurely smoking a Vogue. Late on Saturday night, Confidence Man move a packed crowd with their DJ set at The Valley, lasers zinging overhead as the Aussie dance dons pump out the likes of ‘Gossip’, their sassy, Spanish guitar-adorned collab with JADE. The freewheeling atmosphere is pretty well summed up by the lad good-naturedly dunking his fox tail-wearing mate face-down into a recycling bin.

There’s decidedly less neon on display at The Dive, a small venue that’s new to Wilderness this year. With an exterior that’s styled to resemble an American roadhouse, this gloriously dingy bar hosts scuzzy indie bands such as Goodbye, a five-piece who blend fragile, Cocteau Twins-style vocals with a guitar tone that’s by turns dreamy and full-on grunge. They’ve yet to release any music but are clearly one to watch.

Wilderness Festival 2025. CREDIT: Alline Beatrici

If there’s a single band that embodies the louche side of Wilderness though, it’s Air who grace a main stage framed by a white oblong box. The minimalist set-up indicates the effortlessly cool approach that the French space-pop duo (rounded out by a live drummer) take to noodling through their 1998 masterpiece ‘Moon Safari’, which they began to play in full last year.

The band’s crisp beats, snaking basslines and neon-hued synths conjure images of, well, people sipping champagne in a hot tub overlooking a lake, which you couldn’t quite say of Kent ravers Orbital who obliterate the same stage with a sonic assault later in the evening. At one point the pair – cast in shadow, with flashing white lights affixed to their heads like eyes – are accompanied by a pre-recorded video of Sleaford Mods’ Jason Williamson, who barks class war missives during their pulverising collaboration ‘Dirty Rat’.

AURORA at Wilderness Festival 2025. CREDIT: Chloe Hashemi

Norwegian singer AURORA is also outspoken the following evening, as she intersperses arty synth-pop with pleas for a better planet. “We see the world in so much pain and we want to do so much,” she says, “but it’s hard to know what to do.” In the end, she concludes, “our voices help and everything we do matters so much”. In that spirit, she dedicates the delicate, heartbreaking ‘Through The Eyes Of A Child’ to “the children of Palestine”.

She’s followed on the main stage by local lads Supergrass, who batter through their sensational debut album ‘I Should Coco’ to mark its 30th birthday. Peppering the set with other classic tracks that didn’t appear on that record, Gaz Coombes and co. put on a weekend highlight for all-ages audience who prove the Britpop revival continues apace.

Supergrass at Wilderness Festival 2025. CREDIT: Chloe Hashemi

After Wet Leg display their mettle on the final night, with Teasdale at one point dousing her hair in water, looking like a boxer who’s just floored the competition, Basement Jaxx close the main stage with a truly jaw-dropping show. The London dance duo rock out from a circular hole cut into the floor, aided in their big beat bonanza by a rotating cast of vocalists and dancers in space-age silver tutus, all of whom strut fearlessly down the tilted stage.

After a 10-year break from performing, the lads are certainly back with a bang. It’s yet another KO at a triumphant Wilderness Festival, the heavyweight glamp-ion of the UK.

NME is an official media partner of Wilderness Festival

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

CONTINUE READING