July 4-19, Montreux, Switzerland: Bloc Party, Pulp, FKA Twigs, Benson Boone and Jamie xx among the legends and rising stars to pay deference to this magical spot where history is made

Did you know that laws around privacy in Switzerland are so strong that paparazzi is essentially illegal? Maybe that’s why FKA Twigs is spotted eating dinner and hanging out carefree with her pals around her ‘Eusexua’ main stage spectacular at Montreux Jazz Festival 2025? There’s also just something in the air around here.

Freddie Mercury used to retreat here to recharge and find his muse (he and Queen would record here often), David Bowie used to live down the road, and Prince loved coming here so much he immortalised it in his song ‘Lavaux’. Sitting on the crystal Lake Geneva beneath the majestic Alps, the Swiss paradise is enough of a massage for the senses without all the sweet sounds along the waterfront. Since 1967, music’s finest and most cutting-edge have flocked to Montreux Jazz Festival. You’ve probably heard a live album recorded here by Nina SimoneTracy ChapmanBowieIggy PopThe Smile or RAYE. This is where music thrives and history is made.

With that comes a whole lot of deference. When NME arrives, people are still talking about Jamie xx building his downpour headline set with a nod to Montreux by splicing in a little Marvin Gaye, and the vibe bleeds into Bloc Party’s sunset show on The Lake Stage. “As it’s not every day you play Montreux Jazz Festival, we thought we’d do something special and play something we don’t normally play,” frontman Kele Okereke tells the crowd. “Why not?” They break from the punchy ‘Silent Alarm’-heavy 20th anniversary celebration hit set to let the show breathe with a crisp and soulful outing of ‘Hymns’ rarity ‘Only He Can Heal Me’.

Bloc Party live at Montreux Jazz Festival 2025. Credit: MJF Prénom Nom/Emilien Itim
Bloc Party live at Montreux Jazz Festival 2025. Credit: MJF Prénom Nom/Emilien Itim

Whether it’s the sight lines, the pumping sound or the magic in the air, this marks the best time we’ve seen Bloc Party this summer – and the same amazingly goes for headliners Pulp.

“Bonsoir!” Jarvis Cocker greets the crowd, fluent in French as he charms us and introduces new album “‘Plus’, ou en Anglais, ‘More’”. He’s been making himself comfortable. Earlier in the day, he gave a talk to festival-goers on the importance of outsider art, where he offered the advice: “The trick is to try and do it with your mind semi-turned off”. It’s that idea that inspires hope when Cocker and band rock up at The Memphis after completing their headliner duties (one of the 80 per cent of stages at the festival that are free to attend, and where anyone can jam – with big names like RAYE known to come have a tinkle or a sing-song).

Sadly, he just waits in the wings as Pulp’s live bassist and backing singers let rip. Still, one mustn’t grumble after that absolute worldie of a headline set. New album cuts ‘Slow Jam’ and ‘Got To Have Love’ effortlessly fly high alongside indie disco classics ‘Babies’ and ‘Disco 2000’, with Cocker’s arm aloft in silhouette as a wiry reflection of the Freddie Mercury statue just outside the venue. ‘L.O.V.E.’ is a universal language.

Pulp live at Montreux Jazz Festival 2025. Credit: Lionel Flusin/©MJF Prénom Nom
Pulp live at Montreux Jazz Festival 2025. Credit: Lionel Flusin/©MJF Prénom Nom

MJF has already seen sets from the likes of JadeRAYECelesteNeil YoungLondon GrammarBeth Gibbons and James Blake, with SantanaEzra CollectiveThe Black KeysSigrid and Alanis Morissette set to close it out. Sam Fender sadly pulled out for a second time due to illness, leaving live-love-laugh cheese popper Benson Boone to step up and headline our last night here. Even he senses the weight of the occasion, with the classy move of a spirited cover of ‘Seventeen Going Under’ before later doing one of his not-tedious-at-all backflips into the lake.

We swing by the Casino stage for the silky snake-charmer tones of Latin-pop icon Jorge Drexler and avante-garde Mexican folklore wisdom of Natalia Lafourcade before strolling the lakefront. By the water, there’s rave, some local rock and the sight of hundreds trying to scale the free, packed-out Spotlight Stage to catch a glimpse of French rapper Jolagreen23. MJF is alive with a love of music; not least because the sound quality is impeccable – better than any music festival this writer can remember, perhaps even any standalone venue.

Montreux Jazz Festival 2025. Credit: Lionel Flusin/©MJF Prénom Nom
Montreux Jazz Festival 2025. Credit: Lionel Flusin/©MJF Prénom Nom

Next year will mark MJF’s 60th edition, with the town’s renovated and iconic Convention Centre – where so many historic shows have taken place – set to take centre stage once again as the main venue after The Lake Stage’s two-year tenure. Expect legends on the line-up alongside the cool and up-and-coming, with some unknowns who just want to jam.

Megastar, muso or just a nerd, it doesn’t matter. As big as they come, no one is bigger than Montreux Jazz Festival. As Jack White famously once put it: “Montreux Jazz is for people who really love music. It starts with that; everything else is secondary. Which is rare nowadays.”

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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