Tottenham Hotspur Stadium, July 22: The Grand National tour brings fire, ballads and animatronic ants to London – but a disjointed format mars this genre-defining spectacle

Kendrick Lamar and SZA’s Grand National tour is a strange beast. It should feel like a victory lap for the Compton king after his flawless sixth album ‘GNX’ – and a menacing win in his beef with Drake – cemented his status as the most popular rapper around. His musical sister, too, is riding high – she’s made her acting debut in the buddy comedy One Of Them Days and delivered her jam-packed ‘Lana’, a deluxe extension of her acclaimed ‘SOS’ album.

The format of the show, though, means things take on a different feel. It’s simultaneously brutal and delicate, constantly switching between the two artists and splitting the setlist into a jagged collage. One minute, you’re getting scorched by Lamar’s firestorm – hot venom flying through the air as he performs with his chest out. The next, you’re floating in SZA’s dreamy garden. The shifts are so abrupt, it’s full-on sonic whiplash – and this relentless toggling robs both artists of truly showcasing their brilliance and, instead, jolts us repeatedly between two very different universes.

Lamar immediately builds the energy to electric levels, bringing raw power to his first act. ‘Wacced Out Murals’ hits like acid spit, ‘Squabble Up’ snarls, and ‘King Kunta’ swaggers in defiant funk. Even a half-played ‘TV Off’ has the crowd delirious. SZA enters, rising through the floor in her own leafy Buick, giving a first glimpse of her and K.Dot’s sibling chemistry on ‘30 For 30’, but some of their connection is lost due to the nature of the 62,000-capacity stadium. Vocals echo and bass wobbles, dissipating through the open roof, sometimes muffling the moments that deserved to land hardest.

When SZA takes over for Act II, she does so with a lush, kaleidoscopic set full of ‘CTRL’ nostalgia. ‘Love Galore’, ‘Broken Clocks’, and ‘The Weekend’ all are sprinkled with a soft, smoky ache as she and her dancers float with effortless grace. But these beautiful moments are brief cinematic respites for the rage core that soon bubbles up when she hands the baton back to Lamar.

 
Kendrick Lamar
Kendrick Lamar credit: Greg Noire/pgLang

Back in the spotlight, the rapper unleashes his devastating arsenal of floor-shaking hits for the third and fifth acts. He’s petty, performing his initial Drake diss ‘Euphoria’ in full, before turning to crowd favourites ‘Humble’ and ‘Family Ties’ (minus cousin Baby Keem). Shockwaves ripple through the arena, energy building like a pressure cooker until it explodes. Mosh pits erupt and frenzied bodies collide in joyous chaos, every slam feeling like a communal victory.

It’s sad that SZA’s subsequent acts then drop the pace dramatically, ushering us back into her world of creepy crawlies as she goes on a journey of metamorphosis. The stadium witnesses her turn into a beautiful butterfly – if the screen doesn’t obstruct your view, at least. The fiery momentum of Lamar’s segments might come undone in this serene space, but SZA offers a chance to breathe, even if it does feel disorienting at times.

It’s a given that ‘Not Like Us’ is the apex of the night’s energy. As soon as the beat drops, the whole stadium screams every iconic line with a roar fit for a winning Championship goal. The encore, though, provides the true highlight of the night. After the crowd thins, Lamar and SZA reappear together – no fireworks, no pyrotechnics; just two voices, raw and vulnerable.

Basked in a hazy white glow, they deliver versions of ‘Luther’ and ‘Gloria’ with breathtaking tenderness. It’s a rare moment of collective softness after a sprawling, disjointed spectacle – proof of what the show could have been if the music had been allowed to breathe, to speak for itself. In London tonight, two stars collide, but even greatness can struggle to find the perfect balance.

SZA
SZA credit: Cassidy Meyers

Kendrick Lamar and SZA played:

Act I: Kendrick Lamar
‘Wacced Out Murals’
‘Squabble Up’
‘King Kunta’
‘ELEMENT.’
‘TV Off’

Act II: SZA
‘30 for 30’
‘What Do I Do’
‘Love Galore’
‘Broken Clocks’
‘The Weekend’

Act III: Kendrick Lamar
‘Euphoria’
‘Hey Now’
‘Reincarnated’
‘Humble.’
‘Backseat Freestyle’
‘Family Ties’
‘Swimming Pools’
‘m.A.A.d city’
‘Alright’
‘Man at the Garden’

Act IV: SZA
‘Scorsese Baby Daddy’
‘F2F’
‘Garden’
‘Kitchen’
‘Blind’
‘Consideration’
‘Low’

Act V: Kendrick Lamar & SZA
‘Doves in the Wind’
‘All the Stars’
‘LOVE.’

SZA Kendrick Lamar
SZA and Kendrick Lamar credit: Cassidy Meyers

Act VI: Kendrick Lamar
‘Dodger Blue’
‘Peekaboo’
‘Like That’
‘DNA.’
‘Good Credit’
‘Count Me Out’ / ‘Bitch Don’t Kill My Vibe’
‘Money Trees’
‘Poetic Justice’

Act VII: SZA
‘I Hate U’
‘Shirt’
‘Kill Bill’
‘Snooze’
‘Crybaby’
‘Nobody Gets Me’
‘Good Days’
‘Rich Baby Daddy’
‘BMF’
‘Kiss Me More’

Act VIII: Kendrick Lamar
‘N95’
‘TV Off’
‘Not Like Us’

Act IX: Kendrick Lamar & SZA (Encore)
‘Luther’
‘Gloria’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

CONTINUE READING