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In another life, Jin would still be a superstar. Instead of being one-seventh of BTS, though, he’d be the affable host of a variety show, turning charisma and humour into ratings gold. Tonight, at the first of two London shows on his ‘#RUNSEOKJIN_EP.TOUR’ outing, he lives that fantasy.
This is not your typical concert, nor your usual K-pop extravaganza. Instead, it feels like you’re inside an episode of Jin’s Run Jin series, the web show he created as a spin-off from BTS’ own Run BTS. The logo for the programme remains in the corner of the big screens throughout the night, and when the singer first appears on stage for buoyant versions of ‘Running Wild’ and ‘I’ll Be There’, he jumps around a lightning-shaped podium with a big game-show style button on it.
Between performances, he leads the crowd in a series of “challenges” – a telepathy game where he has to guess a word through fans’ gestures alone, another where he has to figure out the song from the crowd’s a cappella singing. “Korean’s difficult for you too, huh?” he quips after fans struggle to recreate the rap verses in ‘Boy With Luv’. Compared to the usual flash of K-pop shows, where dramatic, cinematic VCRs often appear at regular intervals to uphold the narrative of the night, Jin’s is refreshingly down-to-earth, with only one video game-themed clip running right before the encore.
Jin’s performances aren’t without some extra razzle-dazzle, though. Many come accompanied by pyrotechnics and explosions of streamers, or during a snippet of BTS’ ‘Dynamite’, rainbow-coloured confetti explosions that mirror a scene in the music video. ‘Super Tuna’, meanwhile, sees him performing dressed in an inflatable alien costume – a “prize” the crowd earns during the first game of the evening. As he finds out what he’ll be wearing, he tilts his head and laughingly winces, as if bemusedly regretting his choices leading up to this moment.
The challenges and games – and Jin the variety host – are only half of the night’s story. On the flipside is the role that Jin is more commonly known for – phenomenal performer. He shines brightest when he’s engaged in emotionally rich songs, like a beautiful rendition of ‘Abyss’, which finds him seated at a paint-splattered purple piano, lost in the melancholy of the song. He’s equally commanding for the thundering ‘Another Level’, but ‘Rope It’’s endless lasso moves, his arm circling his head, becomes a little awkward.
As fun as the rest of the show is, it’s the closing section – no games, just quality songs – that really hits. A medley of BTS songs – the aforementioned ‘Dynamite’, ‘Butter’, ‘Mikrokosmos’ and ‘Spring Day’ – is received rapturously, fans screaming back every word of each song. ‘The Astronaut’, ‘Epiphany’ and ‘Moon’, meanwhile, showcase what Jin does best – soaring, sentimental songs that allow his voice to dazzle.
Before he wraps up the show for good with a sweet version of ‘To Me, Today’, he takes a moment to reflect. “I think five or six years ago, we sang ‘Epiphany’ here, right?” he says, referring to BTS’ 2018 concerts at this same venue. As he continues, he promises to come back “next time” – a pledge that whips up even more excitement in the stands, given his group’s impending March 2026 return. As a badge he wears at the start of the concert declares, stay tuned for that, and the burgeoning growth of Jin’s fun-filled solo career.
‘Running Wild’
‘I’ll Be There’
‘With The Clouds’
‘Falling’
‘Don’t Say You Love Me’
‘Super Tuna’
‘I Will Come To You’
‘Abyss’
‘Background’
‘Another Level’
‘Loser’
‘Rope It’
‘Dynamite’ / ‘Butter’ / ‘Mikrokosmos’ / ‘Spring Day’
‘The Astronaut’
‘Nothing Without Your Love’
‘Epiphany’
‘Moon’
‘To Me, Today’
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It’s unusual for Sault, the elusive group headed by Little Simz’s past collaborator InFlo, to take the stage. So when All Points East revealed that they would be leading the opening day of this year’s festival (August 15), the excitement spread immediately. Even though they hinted at a global tour in 2023, their only live appearances to date were at London’s Drumsheds, where they delivered a sold-out extravaganza. This night, then, promised an experience no one wanted to miss.
The line-up throughout the day was stacked with strong names like Kirk Franklin, Sasha Keable, Nao, Ms Dynamite, and others. Sadly, every one of these sets was squeezed into a messy three-hour stretch, creating painful overlaps all across the park. After 6 pm, only Main Stage East stayed active, leaving festival-goers with a single option: to watch the headline run of Sault, Cleo Sol, and Chronixx. The latter two, both tied to the mysterious group, each had their slots as well as time performing with the collective.
Nothing quite sets us up for Sault’s epic five-hour showing, which proves both overwhelming and tangled. Dancers and a choir appeared cloaked in burnt ochre robes, resembling travelers from a fictional desert world, surrounded by sand, dunes, and golden-lined rocks. The production had serious funding – a full orchestra with piano, strings, harp, and guitars filled the soundscape, and in the middle of the crowd sat a dusty pyramid that most people ignored. Whispers carried through the audience about the spectacle’s grandeur, with one nearby voice remarking, “Doesn’t InFlo still owe Little Simz £1million?”
The pyramid stage design during Sault’s All Points East 2025 set. Photo credit: Jennifer McCord
Whatever meaning this grand production was meant to communicate was hard to grasp. The leading figures, who looked like InFlo and Sol, seemed to be chasing something, yet it was never clear exactly what. Perhaps it was freedom, since the lead vocalist echoed the refrain of ‘Free’, with additional nods to self-discovery and healing, but the storyline stayed muddy and difficult to follow.
Energy picked up once Sol and Chronixx emerged early in the performance, both in beige suits and reflective shades, slipping into the first act. Alongside the cloaked ensemble, they played through a range of Sault songs that stretched across all twelve albums. Fans were treated to hidden treasures like the mesmerizing ‘S.O.T.H.’ and emotional ‘Pray For Me’, alongside more recognizable tracks such as ‘I Just Want to Dance’ and ‘Why Why Why Why Why’. For many in the crowd, though, the event played more like a quirky encounter than the immersive artistic showcase Sault seemed to be aiming for.
It took nearly two hours for the night to loosen up, and that turning point came courtesy of Chronixx. His uplifting reggae and radiant spirit shifted the whole space, people skanked along to ‘Smile’ and swayed to ‘Likes’, and suddenly the atmosphere felt celebratory again. Once he exited, Yasiin Bey (fka Mos Def) appeared out of nowhere in a strange yet brilliant surprise. Over chirping bird sounds and glitchy electronic noise, he reshaped ‘Umi Says’, spinning across the stage in a checkered drape, embodying the song’s spirit of liberation with almost comic exaggeration.
Chronixx performing at All Points East on Friday, August 15. Photo credit: The pyramid stage design during Sault’s All Points East 2025 set. Photo credit: Jennifer McCord
After four relentless hours of spectacle, Cleo Sol finally claimed the spotlight for her whole performance. The shift was instant, her gentle voice floated across Victoria Park, drawing hips to sway and couples to curl into each other, the entire air easing at once. She shone in glittering silver cocktail wear, moving gracefully with the poise of someone fully aware of how badly we needed this release. ‘Rose In The Dark’ carried an almost ironic weight as she sang “Hold on a little longer / It’ll be alright”, mirroring exactly what the crowd had been doing throughout the marathon. Closing with ‘Know That You Are Loved’, she stood atop the glowing pyramid while voices from the crowd echoed every lyric back to her, delivering the emotional peak of the evening.
She tried to squeeze in ‘Why Don’t You’ as an encore, but curfew struck, the lights snapped on, and the moment ended abruptly. The intention was clear, to unveil the breadth of Sault’s world through an unconventional showcase, yet the finale, like the beginning, left more questions than answers. For a group as rare on stage as Sault, a little less mystery and a little more music might have made their All Points East appearance truly measure up to the highs of Drumsheds.
Sault played:
‘Glory’
‘Free’
‘Let Me Go’
‘Over’
‘I Just Wanna Dance’
‘Warrior’
‘Faith’
‘Up All Night’
‘Son Shine’
‘Masterpiece’
‘Why Why Why Why Why’
‘Stop Dem’
‘Black Is’
‘Pray For Me’
‘S.O.T.H.’
‘T.H.’
‘W.A.I.’
‘Wildfires’
‘This Generation’
Chronixx played:
‘Big Bad Sound’
‘Here Comes Trouble’
‘Exile’
‘Survivor’
‘Market’
‘Captureland’
‘They Don’t Know’
‘Don’t Be Afraid’
‘Family First’
‘Spanish Town Rockin”
‘Skankin Sweet’
‘Majesty’
‘Sweet Argument’
‘Way You Make Me Feel’
‘Resilient’
‘Eternal Light’
‘Tenement Yard’
‘Saviour’
‘Love Is On A Mountain’
‘Smile Jamaica’
Cleo Sol played:
‘Love Yourself’
‘Rose In The Dark’
‘When I’m In Your Arms’
‘There Will Be No Crying’
‘Things Will Get Better’
‘Reason’
‘Don’t Let Me Fall + Outro’
‘Promises’
‘Sunshine’
‘Don’t Let It Go To Your Head’
‘Blue’ (Unreleased)
‘Know That You Are Loved’
‘Why Don’t You’
