Spice, the Queen of Dancehall, emerges triumphant at Tottenham’s Drumsheds in a powerful affirmation of clash culture’s Jamaican roots

After nine years, Red Bull Culture Clash has returned to London, reigniting the art of “warring” that is foundational to UK music. Soundsystem culture was born in the vibrant streets of 1950s Jamaica, becoming its heartbeat before travelling to the UK via the Windrush generation. This laid the foundation for genres like skareggae, and later grime – the latter inspired by this legacy of crafted dubplates (well-known hits personalised to either diss others or back their affiliates) to fuel infamous clashes (rap battles) that echoed the competitive spirit of their predecessors. Between Nigeria’s dynamic scene in recent years and Drake and Kendrick Lamar’s infamous beef in 2024, this cultural phenomenon feels more relevant than ever.

So, Red Bull’s clash at Tottenham’s Drumsheds on March 8 serves as a testament to this voyage. Four crews – Homegrown, Spice Army, Native Soundsystem and Voice of the Streets – take to the stages with their unique sonic assassins. Spice Army – led by Spice, the reigning Queen of Dancehall – come out ready for war in gladiator costumes, signalling an uphill battle for the other crews from the very beginning.

There are rules to this – each group must survive four rounds, the first called Temperature’s Rising, where they must establish themselves and set the tone for the night. Spice kicks it off, playing 12 dubplates in a row, showcasing her enduring experience from toasting (rapping or MCing) on huge stages like the infamous Sting Festival. The other crews do try to send back: Kenny Allstar, the self-proclaimed Voice Of The Streets, tries adding humour with a Munya Chawawa skit but ultimately kills the mood. Jyoty’s Homegrown group is MCed by Flowdan and… is OK. Using Stush to do live dubs on the spot is unique, but the UKG or funky house refixes don’t move the crowd like the one Sting did for Spice rounds later.

Kenny Allstar performs during Red Bull Culture Clash 2025
Kenny Allstar performs during Red Bull Culture Clash 2025. Credit: Harry McCulloch/Red Bull Content Pool

Native Soundsystem, who are headed up by NSG and TeeZee, stick out like a sore thumb the majority of the clash because, despite the odd light jabs back at other leaders, they play it too safe, refusing to “shell down” the place with lethal dubs and heavy disses. Their only big moment is replying to Voice of the Streets, who play London’s unofficial anthem, Giggs’ ‘Talking Da Hardest’, with their own dub from Hollaman himself – a deliciously tasty bit of tea.

After Spice wins the first round, the other three rounds (The Selector, Sleeping with the Enemy and The Decider) become a dissing free-for-all. Native try to hit back with surprise guests in Unknown T and Not3s; whereas Voice Of The Streets get Ed Sheeran to flip his Number One stonker ‘Shape Of You’, and the hottest UK rapper right now Central Cee to do not one but two dubs, remixing ‘BAND4BAND’ and ‘Doja’. Homegrown – in the second-biggest tea-worthy moment of the night – bring out Mavado: a clashing legend who was one-half of the most infamous clash in history. Spice promptly chastises him for “sell[ing] out Jamaica” and aligning himself with the UK side.

Homegrown performs during the Red Bull Culture Clash 2025
Homegrown performs during Red Bull Culture Clash 2025. Credit: Joe Brady/Red Bull Content Pool 

Sound-wise, technical issues affect the overall experience: The echo from the viewing platform NME is stood on makes major moments on the mic sound muddy and takes away from the intensity. With soundsystem culture so deeply embedded in the night’s identity, crews care more about content rather than audio quality, so the art of it all wasn’t showcased to full effect.

But Spice is the clear victor from the start (winning on International Women’s Day, too, is a nice touch). She has over 25 dubs ready, gets Vybz Kartel to make a video appearance and brings out Sister NancyShaggy, UK rap legends Skrapz, D Double E and Chip as well as dancehall’s next-in-charge Skillibeng and Skeng (the latter making his London debut). This clash isn’t just a battle: it’s a reminder that the small but resilient island of Jamaica boasts cultural power that echoes far beyond its shores. As Spice Army remind us, it’s always “Jamaica to di world” – never backwards.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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