LIVE REVIEWS
Thursday nights at Heaven don’t often look like this. The London gay club is filled with messy-haired Zoomers wearing baggy jeans and heavy silver chains, who sold out the venue in seconds. They’re here to see 2hollis (real name Hollis Frazier-Herndon), who just last year was booed offstage while supporting Ken Carson on tour. Tonight, however, he gets nothing but adoration.
2hollis first became popular online for making medieval-themed trap and, alongside the likes of Nettspend and fakemink, has been a major influence on fashion and digital culture at large. And though the phrase ‘nepo baby’ has been thrown around (his mother managed Skrillex and founded a successful PR film, while his father is the drummer of American rock band Tortoise), tonight proves 2hollis is a genuine phenomenon with an undeniably organic fanbase.
As the 21-year-old jumps around on stage, his long platinum pigtails bouncing off his bare chest, he looks like a Dragon Age character that went to Central Saint Martins. “I love you, I love you, I love you,” he drawls in Auto-Tune to a rapturous response. It’s the most we hear from him all night, but he doesn’t need to be too talkative when his fans react to his presence by slamming their bodies together and waving his red-and-white branded flags like a call to battle.
In a world post-‘Whole Lotta Red’, kids want to be immersed in a wall of noise to get out of their heads and throw down. But with 2hollis, it’s different. His lyrics, though somewhat cringey, actually have sentiment. ‘Sister’ has the whole crowd singing: “Girl, I love you like a sister / Cross my fingers when I’m with you / Hold back a smile ’til my teeth hurt.” They’re lines that could be lifted from a noughties Bieber album, but backed by Drain Gang beats that propel it into the TikTok age.
In response, the crowd gives each song the big hitter treatment: every word is cried back at blistering volume, there’s no break in the moshing, and there’s never a moment to pop out for a quick ciggy (everyone’s vaping anyway).
Standouts include the sugary sweet ‘Crush’, which has an 80 per cent male crowd singing sweetly while smacking into each other; ‘Afraid’, with an appearance from support act and childhood friend Nate Sib (who had the crowd riled up nicely from his earlier set); and ‘Jeans’ – which goes down so well that he does it four times.
Though it does feel like 2hollis didn’t quite have control of the crowd to start, sheer excitement has them jumping incessantly to the first few songs that it almost doesn’t matter what he was playing. By the end, he manages to wrangle them into place. He reminds them to give each other space, perches on the side of the stage for slower moments like a real teenage pop star and even gets right up against the barrier for the final rendition of ‘Jeans’ before finally declaring: “That’s it!” After doing three encores, he needn’t say much else.
‘Gold’
‘Say It Again’
‘FORFEIT’
‘Trauma’
‘Poster Boy’
‘Sister’
‘Need That’
‘Lie’
‘Two Bad’
‘Crush’
‘GOD (Live Edit)’
‘Style’
‘Whiplash’
‘Cliche’
‘Afraid (With Nate Sib)’
‘Light’
‘Ouu (Alongside Rommulas)’
‘Jeans’
‘Jeans’
‘Jeans’
‘Jeans’
For the first time in two years, American singer-songwriter Jesse Malin returns to London after suffering a rare spinal stroke in 2023 that left him paralysed from the waist down, abruptly halting a career built on decades of restless touring.
In September 2024, a tribute album titled ‘Silver Patron Saints’ was released, featuring reinterpretations of Malin’s songs by fellow rock and roll royalty including Bruce Springsteen, Counting Crows and Billie Joe Armstrong. As with the tribute album, proceeds from Malin’s two London shows will go directly toward supporting his continued medical treatment. These Islington Assembly Hall gigs were a homecoming, and the feeling in the crowd was of pure love and affection.
We were presented with Jesse seated in the centre of the stage, however after a handful of songs, he stood up and the crowd went crazy. As a natural orator, he piled us with plenty of candid comments and intimate stories putting us all at immediate ease with his fragile state. Renown for his signature blend of rock, Americana, and punk, his 2-hour set of 24 songs had a fair few tracks from 2015’s ‘New York Before the War’ as well as highlighting different eras of his solo career, with nods to his punk roots in D Generation and Heart Attack.
Not only running through fan favourites, Jesse Malin and his band hit us with a few covers, ‘Sway’ by The Rolling Stones, Patti Smith’s ‘Free Money’ and one from The Pogues (If I Should Fall From Grace With God), as well as bringing legendary British folk singer-songwriter Billy Bragg on stage to sing ‘Ameri'ka’ and The Clash’s ‘Rudie Can't Fail’. We also had The Only Ones frontman Peter Perrett following on from Billy with their 1978 hit ‘Another Girl, Another Planet’ and a heartfelt message from him to Jesse.
You could tell his fans weren’t just there to hear the songs they loved. They came to stand by an artist whose vulnerability and courage have become as vital to his story as his lyrics. Jesse thanked everyone for coming out for him and, even more miraculously, walked (zimmer frame-assisted) off stage to raucous applauds.
Set list:
1. I Would Do It for You
2. Oh Sheena
3. Addicted
4. Downliner
5. If I Should Fall From Grace With God (The Pogues cover)
6. Room 13
7. Turn Up the Mains
8. The Way We Used to Roll
9. She Don't Love Me Now
10. Free Money (Patti Smith cover)
11. Brooklyn (Bellvue song)
12. The Archer (Jesse Malin & The Saint Marks Social cover)
13. State of the Art
14. Black Haired Girl
15. All the Way From Moscow (Jesse Malin & The Saint Marks Social cover)
16. She's So Dangerous
17. Sway (The Rolling Stones cover)
18. Wendy
19. Meet Me at the End of the World
20. Shining Down (with Aaron Lee Tasjan)
21. Ameri'ka (with Billy Bragg)
22. Rudie Can't Fail (The Clash cover) (with Billy Bragg)
23. Another Girl, Another Planet (The Only Ones cover) (with Peter Perrett)
24. You Know It's Dark When Atheists Start to Pray
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