The 22nd edition of Piacenza Jazz Fest begins with a bang as Calibro 35, the internationally renowned Italian band known for its originality and influence on the contemporary funk/jazz scene thanks to their innovative avant-garde work on soundtracks and cinema scores, open the festival. They have been sampled no less by artists such as Dr. Dre and Jay Z and have just released a super special EP called “Jazzploitation” that skillfully integrates every aspect of their musical world splendidly.

The Band formed in 2007 in Milan and is still made up with of its original members; Enrico Gabrielli on keyboards / flute / sax / bassoon, Massimo Martellotta on guitar/synth, Fabio Rondanini on drums and sound maestro Tommaso Colliva. Bass player Roberto Dragonetti plays with the combo in live gigs.
Ever since I heard a track called “Notte in Bovisa” I was drawn in to their world, hook line and sinker, where music conjures up images, exploits mood and creates ambience. It’s a great coup for Piacenza Jazz to get them involved in this year’s festival and a packed house proves how so.

Lots of old style equipment on stage like the Ludwig drum set, Stratocaster guitar, Hammond organ and antique synths and these are the spices that make the broth bite where each spoonful is so tasty that it leads you to take another.

The band get straight into the groove with the cracking rhythm section as tight and cool as any funk band, lots of Morricone style melodic runs with lots of reverb from the strat and then genial psychedelia from whatever instrument comes to hand to the genial Enrico Gabrielli. He seems like some sort of mad professor, definitely the leader of the band and indeed all eyes(band and public) are on him. He does not say one word all night until the very end where he thanks the Jazzfest organizers and introduces the band but his onstage demeanor suggests a total immersion; in the moment, as they say on the boards .

Interesting video sequences play on screen as a backdrop to the music and it’s all very appealing even though what I really want to do is get up and dance, not a phrase I use everyday I can tell you. Unfortunately in this jazz setting one is obliged to stay seated so I am air-drumming and shuffling my feet as I bop in my seat. It’s not to everyone’s taste as some of the jazz purists relate to me after the gig but I am won over by the vibe of this band, who play complicated arrangements, within a captivating soundscape that goes from chaotic psychedelia to cool, swinging 50’s and 60’s Italian / French movie scores; and it’s always grooving.

Lots of tracks played tonight are from their back catalogue as well as the new EP but no “Notte in Bovisa” unfortunately. It will have to be for another time. An encore of the very popular “…Lunedì Cinema” sends everyone (mostly) to the streets in a good mood. This is a band that continues to grow in importance and musicality, increasingly able to connect in the changing international musical landscape. Calibro 35 are a high caliber Italian band. No news of European or British tour dates yet for this year but please keep an eye open for any future live dates.

Foto: Angelo Bardini

For the first time in two years, American singer-songwriter Jesse Malin returns to London after suffering a rare spinal stroke in 2023 that left him paralysed from the waist down, abruptly halting a career built on decades of restless touring.

In September 2024, a tribute album titled ‘Silver Patron Saints’ was released, featuring reinterpretations of Malin’s songs by fellow rock and roll royalty including Bruce Springsteen, Counting Crows and Billie Joe Armstrong. As with the tribute album, proceeds from Malin’s two London shows will go directly toward supporting his continued medical treatment. These Islington Assembly Hall gigs were a homecoming, and the feeling in the crowd was of pure love and affection.

We were presented with Jesse seated in the centre of the stage, however after a handful of songs, he stood up and the crowd went crazy. As a natural orator, he piled us with plenty of candid comments and intimate stories putting us all at immediate ease with his fragile state. Renown for his signature blend of rock, Americana, and punk, his 2-hour set of 24 songs had a fair few tracks from 2015’s ‘New York Before the War’ as well as highlighting different eras of his solo career, with nods to his punk roots in D Generation and Heart Attack.

Not only running through fan favourites, Jesse Malin and his band hit us with a few covers, ‘Sway’ by The Rolling Stones, Patti Smith’s ‘Free Money’ and one from The Pogues (If I Should Fall From Grace With God), as well as bringing legendary British folk singer-songwriter Billy Bragg on stage to sing ‘Ameri'ka’ and The Clash’s ‘Rudie Can't Fail’. We also had The Only Ones frontman Peter Perrett following on from Billy with their 1978 hit ‘Another Girl, Another Planet’ and a heartfelt message from him to Jesse.

You could tell his fans weren’t just there to hear the songs they loved. They came to stand by an artist whose vulnerability and courage have become as vital to his story as his lyrics. Jesse thanked everyone for coming out for him and, even more miraculously, walked (zimmer frame-assisted) off stage to raucous applauds.

Set list:
1. I Would Do It for You
2. Oh Sheena
3. Addicted
4. Downliner
5. If I Should Fall From Grace With God (The Pogues cover)
6. Room 13
7. Turn Up the Mains
8. The Way We Used to Roll
9. She Don't Love Me Now
10. Free Money (Patti Smith cover)
11. Brooklyn (Bellvue song)
12. The Archer (Jesse Malin & The Saint Marks Social cover)
13. State of the Art
14. Black Haired Girl
15. All the Way From Moscow (Jesse Malin & The Saint Marks Social cover)
16. She's So Dangerous
17. Sway (The Rolling Stones cover)
18. Wendy
19. Meet Me at the End of the World
20. Shining Down (with Aaron Lee Tasjan)
21. Ameri'ka (with Billy Bragg)
22. Rudie Can't Fail (The Clash cover) (with Billy Bragg)
23. Another Girl, Another Planet (The Only Ones cover) (with Peter Perrett)
24. You Know It's Dark When Atheists Start to Pray

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