Darlene Love is one of the most talented voices of the past several decades. Sadly, she was not always credited as being the voice on some classic songs (case in point, "He's a Rebel" is credited to The Crystals, but it's Love manning the lead singer slot). A gem in the Phil Spector stable of acts where she sang on a myriad of his sessions and lead vocalist with the Spector-created trio, The Blossoms. In addition to all the artists and songs she sang with (too lengthy to list), she was a standout on the iconic holiday disc, "A Christmas Gift from Phil Spector".

Not to mention that she also played Danny Glover's charming wife in the four "Lethal Weapon" films.

Love performed a phenomenal show at The Cabot (the premier concert venue on the North Shore) in Beverly, Massachusetts on December 16, 2024.

The concert was a Christmas-themed show labeled as "Love for The Holidays 2024", and began with "Hark! The Herald Angels Sing" and a bouncy interpretation of "A Marshmallow World".

Love spoke of her friendship with Elvis Presley and their shared love of Gospel music. She reminded all that The Blossoms had performed with Presley on his massively successful television program, the "'68 Comeback Special" and Love then recreated the Gospel medley from the special with, "Where Could I Go But To The Lord"/"Up Above My Head"/"Saved".

After a sharp cover of Brenda Lee's "Rockin' Around the Christmas Tree", Love moved away from the Christmas theme for a spell. She then did a quintet of 60's-Spector related classics including: "He's a Rebel"; "Wait 'Til My Bobby Gets Home"; "He's Sure The Boy I Love" (which was brilliantly used in the 1990 film, "Goodfellas"; "(Today I Met) The Boy I'm Gonna Marry"; and "Da Doo Ron Ron (When He Walked Me Home)".

Tales of Spector filled the night. At one point, Love said that while he chose her stage name, she eventually changed her name to Darlene Love.

"Grown-Up Christmas List", a David Foster composition, and "All Alone on Christmas" (penned for Love by Steven Van Zandt and used in the film "Home Alone 2: Lost In New York" in 1992) ended the first set.

Returning for a second run, Love focused mostly on Christmas-related tunes.

Serious standouts were Irving Berlin's "White Christmas", an epic "Winter Wonderland" and a cover of Bobby Helms' "Jingle Bell Rock" (which was used as the opening song in the original "Lethal Weapon" film in 1987).

A great moment during the night was when a precocious eight-year-old girl in the front row, whose infectious dancing and energy caught Love's attention, and caused her to lightheartedly sing a snippet of Carl Carlton's, "She's a Bad Mama Jama," to the thrilled young lady.

Another epic moment came when Love revealed the range of her pipes on a powerful Gospel cut, "Marvelous", bringing the packed Cabot crowd to their feet in appreciation.

Love ended the night with the iconic "Christmas (Baby, Please Come Home)". While this has been covered by such diverse acts as U2 and Mariah Carey (and penned by Spector and Brill Building greats, Ellie Greenwich and Jeff Barry), Love did the original and has not lost a step in her voice all these many Decembers later.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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