December 4, First Direct Arena: The ‘People Watching’ touring cycle has lift off in the UK, as new material finally seeks to infiltrate Fender’s first-class live show

Tearing through the heaven-sent guitar solo of ‘The Borders’, Sam Fender has little idea that his beloved Newcastle United FC have just scored a last-minute equaliser against Liverpool. “Three-all? Fucking come on!” is his reaction when the crowd – comprising hundreds of black-and-white NUFC shirts that now characterise his concerts –  vivaciously wave him down to break the news, which only adds to his buoyant mood.

We’re inside Leeds’ First Direct Arena for the first UK date of Fender’s ‘People Watching’ tour, warming up for his third album – and stadium shows – next year. Since last performing here in 2021, the success of his second album ‘Seventeen Going Under’ has propelled him to megastar status – now arguably the greatest guitar act of his generation – via an NME Album of the Year and headlining performances at Reading & Leeds.

Another thing that’s changed since 2021 is the ticket price: £39 to £79 (including fees) to stand at this arena, with just a handful of songs released in that time period. Despite the tour’s instant sell-out, Fender’s new material comes with significant expectations to justify this price hike – although it does include a welcome £1 donation to Music Venue Trust.

The delicate ‘Wild Long Lie’, which was released on Monday, gradually ascends into a theatrical masterpiece as Fender whips out a Gibson Les Paul for its unmistakable War On Drugs-esque solo (frontman Adam Granduciel co-produced the track). The euphoric reaction to ‘People Watching’, meanwhile, confirms his golden touch with title tracks.Sam Fender

Sam Fender CREDIT: Dan Broadley

The upbeat ‘Nostalgia’s Lie’ is warm and cosy, almost like an older sibling to ‘Get You Down’, as Fender appears to contest with his stardom (“What is this place? / Can you take me back to somewhere, darling? / Where I feel safe”). The mellow ‘Arm’s Length’, however, never quite reaches the full form it teases, despite some glorious HAIM-style gang vocals at points. As Fender himself admits, perhaps too literally and self-consciously: “It’s got a shit little riff.”

Though warnings of mosh pit etiquette and a reminder that “You might have heard this song [‘Seventeen Going Under’] on TikTok” display Fender’s awareness of the mainstream audience he now commands, his rawer early material cuts through with unbelievable precision. ‘All Is On My Side’ is a delicate highlight, while the hell-raising one-two of ‘Spice’ (which briefly nods to Queens of the Stone Age’s ‘Song For The Dead’) and ‘Howdon Aldi Death Queue’ still refuse to budge from the setlist. ‘The Dying Light’ feels equally immovable, perhaps a lesson learnt from its omission at Monday’s show in Dublin.

The climax of ‘Seventeen Going Under’ and ‘Hypersonic Missiles’ reminds fans, in turn, of the two timeless albums that “got us into this mess in the first place” to coin an old phrase of Fender’s. There’s no radical shake-up of the setlist, but rather a sense of self-confidence to double down on a reliable approach that’s served him well. While tonight affirms that ‘People Watching’ material will have to fight for its place, a successful balance of old and new could hoist Sam Fender’s career to unprecedented heights. Glastonbury, anyone?

Sam Fender played:

‘The Kitchen’
‘Getting Started’
‘The Borders’
‘Wild Long Lie’
‘All Is On My Side’
‘Nostalgia’s Lie’
‘Arm’s Length’
‘Will We Talk?’
‘People Watching’
‘Spice’
‘Howdon Aldi Death Queue’
‘Get You Down’
‘Spit Of You’
‘The Dying Light’
‘Seventeen Going Under’
‘Hypersonic Missiles’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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