While many may choose to spend their birthdays giving themselves a well-earned break, Jaehyun wrote a song. “It was really sunny outside, so we had very positive thoughts in our head, and I think that’s why the mood and the vibe and the sound came out really bright and happy”, the 26-year-old NCT member says about his new single ‘Horizon’. It’s the latest song to come out under the NCT LAB project, where members of the K-pop boyband release standalone solo or unit tracks.
Like 2022’s ‘Forever Only’, his last ‘NCT LAB’ single, Jaehyun’s oaky baritone moulds to the bouncy R&B stylings of ‘Horizon’, a breezy and light song about piercing the clouds and finding the serenity above them. “I thought of horizontal moments, like when views are really calm and peaceful,” he says about ‘Horizon’, which he co-composed with regular NCT collaborator DEEZ and producer SoulFish. “The day that I mostly thought about while writing the song was a day that was really cloudy and gloomy. I was on a schedule to another place, so I rode an airplane and once I went up beyond the clouds, it was really calm and bright. And at that moment I thought that, even at the same time or in the same place, how you think is the easiest but biggest change you can make to feel different.”
There’s a sense of intentionality that runs through the core of Jaehyun, almost like the strong and stable slice of a skyline. It makes sense when you consider that his time, or sometimes the lack thereof, is such a commodity as he balances everything from music – in the shape of NCT at large, his homegroup NCT 127 and the recent debut of the sub-unit NCT DOJAEJUNG to acting to a partnership with Prada which, among other things, recently took him to Italy where he filmed the music video for ‘Horizon’. Deciding the course of his own mindset is just one of the ways that purposeful drive filters into his life.
His notes app is a precious trove of lyrics and half-songs that he tinkers with in scarce moments of downtime. He prefers to master a new craft or hobby before sharing it with the world and he approaches his own musical inspirations like a study session. “If I have an artist that I like, I like to listen to the album and then I watch some interviews. Then, if they talk about the music or the older songs that they like, then I search for those songs,” he says, continuing the cycle ad infinitum. “Then I take a look at those artists and find the artists that they like.” For those curious, the current favourites on his playlist are Kaytraminé’s debut album, Kool & The Gang and “all the ’90s.”
Even in moments that call for improvisation, like rare days without a schedule or two to tie him up, he plans his planlessness. Usually, it involves deciding not to set an alarm, even if that means waking up in the afternoon, but recently, he’s filled the blank canvas of his free days with exploring more of his own music. “I have lots of work, but when I’m composing or writing, like in the moments that I spend time in the recording room or working on a song, that’s one of the happiest and most satisfying parts of doing this job.”

2023 marks seven years since the official introduction of Jaehyun to the world, first as a part of the rotational unit NCT U with the single ‘The 7th Sense’ in April 2016, and then soon after in July with the debut of NCT 127. “That first year, the first thing that comes to my mind is our debut moment. For NCT, actually, it was in China, our first actual performance stage, and I really remember that atmosphere, the flashes of the cameras and just the crowd of people,” he says, a smile brightly hitting the tone of his words.
“And also, for 127, I remember wearing clothes that felt really young and unique, very ‘neo’. It was really ‘neo style’,” he says, referencing the maximalist styling for the group’s first single ‘Fire Truck’. “We had some long dresses over our pants, and our hair was really crazy and I remember doing this jump move with our legs up? There’s a move where we just keep jumping on the same spot.” He laughs, those seven years ago seeming much further back in time than they are.
Still, going from the final crest of teenagerdom to your mid-twenties can feel like experiencing three entirely different phases of life, especially when it comes with the pressure of work and the watchful gaze of adoring fans and a curious public. But while time has enveloped and shaped Jaehyun, he feels fairly unchanged by its current. “When I meet my school friends, they always say that I look so similar to our school days, and that my attitude and personality and my looks haven’t changed a lot. They always talk about that”, he reflects, turning the observation to be more introspective.

“But for me, I think I like the base is really the same, there’s nothing really different, but I think I got older. Lots of experiences and events happened that made me get older, but I still do feel like I’m 20 years old.” Reflecting on what he would tell his younger self given all those hardening moments of transformation, he simply says: “feel it all”. “Every up and down, feel it 100 per cent. When you feel happy, feel it 100 per cent, when you feel bad and are having a hard time, feel it 100 per cent.”
Like the horizon his sophomore solo ‘NCT LAB’ single is named after, Jaehyun’s path keeps heading out into the distance. There’s an imminent NCT comeback (which he coyly describes as “really good” after pondering over how much he can reveal) as well as a return to acting in the film You Willl Die In 6 Hours, which he just finished shooting. Before the end of the year, he also wants to go snowboarding and make progress on the surfing he learned while in LA last year with bandmates Johnny, Taeyong and Taeil: “That was my first and last time surfing. But I want to try it again because I really want to stay standing for a longer time.” Mostly, he just wants to release more music, the goods of his notes app heavy in his pocket. “I really want to share more.”
Jaehyun’s new ‘NCT LAB’ single ‘Horizon’ is out now
TrueMendous describes her debut album as the best project she has ever created, and she’s eager for fans to finally hear it. Misdiagnosis of Chyvonne Johnson, released on April 1, marks a major step forward for the Birmingham artist after building momentum through a series of EPs and mixtapes.
“I’d never created an album before,” she shared. “I had to make sure it stood apart from everything I’ve released in the past. Listening to it from start to finish, I feel like it’s stronger than anything I’ve made so far. Everything about it is on another level. All the elements made it better.”
That vision extends beyond the music itself. From the visuals for the new tracks to the album artwork designed by Father of Cain—which also appears on new merch—every detail has been carefully considered. Although the writing process wrapped up months ago and the final mixes were completed last summer, taking time to plan the rollout proved valuable.
“It’s frustrating to sit on music, but it makes me even more excited to release it,” she explained. “It’s good, too, because I get to plan the music videos properly and figure out the best way to put it out there.”
The album was shaped by a mix of Birmingham-based producers and collaborators from her label, High Focus. “It’s great to have a team that pushes and supports you,” she said. “They help amplify your voice without making it feel toxic or stifling.”
The album title is inspired by Lauryn Hill, one of her biggest storytelling influences. Following the success of her 2020 HUH? EP, expectations are high. That EP led to unexpected opportunities—Adidas used the beat from “Sweetheart” in a campaign, while “Hmm” landed on the FIFA 21 soundtrack. She also appeared in major ads for Pepsi Max and McVities.
This time, she’s aiming for more film placements. “‘Cause A Scene,’ which has an animated music video, would be perfect for a wild fight scene,” she said. The track kicks off the 17-song record, which blends rap, R&B, and pop, showcasing her versatility. “I’m a bit of a chameleon,” she explained. “I love adapting to different sounds.”
She even made the tough decision to remove some songs from the final tracklist for the first time. The result is a mix that ranges from the nine-minute “Selfish Behaviour” to a 99-second burst of energy on “You Don’t Wanna.” “I don’t plan song lengths—it just feels right,” she said. “When the lyrics ended with the beat, it felt like the perfect close.”
This variety keeps listeners engaged, appealing to fans who enjoy both long, intricate stories and quick, punchy tracks. “If you’re good enough as an artist, it doesn’t matter how long the song is,” she added. “If Drake put out a 30-minute song, people wouldn’t just stop listening halfway.”
Lyrically, the album blends her personal experiences with stories inspired by friends and documentaries, creating a unique and heartfelt perspective. “My older songs were all story-based,” she said. “I used to tell other people’s stories through my voice as a narrator. It’s only in the last two years that I’ve started opening up more about myself.”
The final track, “Yvonne’s Daughter,” is her most personal yet. For someone who admits, “I don’t reveal anything about anything,” it’s a raw look at her relationship with her mother. Family ties keep her grounded in Birmingham, even as her career grows in London.
“Birmingham’s slower than London,” she reflected. “It doesn’t lack talent—it just needs to be seen and heard. London has the labels, A&Rs, and events. I go back to Birmingham to slow down.”
That calm may not last long, with more projects in the pipeline and global ambitions ahead. She’s particularly excited about performing in places where fans don’t speak English but still know the lyrics.
“More than anything, I just want the album to do well,” she said. “I know how much effort went into it, and it’s a really good project. I’m confident and comfortable with it, and I can’t wait to see how people respond.”
Misdiagnosis of Chyvonne Johnson by TrueMendous is out now on High Focus Records.
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