August 1-4, Cornbury Park, Oxfordshire: with the atmosphere as much a draw as the music, this immersive weekender is offbeat, hedonistic and perhaps not as posh as you think

“It’s the first time I’ve been to this part of the country,” announces Edinburgh wunderkind DJ Barry Can’t Swim as he gazes out from the main stage. “It’s proper nice, man.”

Wilderness Festival, held on the prim and proper Cornbury Park estate on the edge of the Cotswolds, has a reputation for being one of the poshest in the country. More than just a music fest – or less, depending on your perspective – it’s almost equally focused on tunes, talks, food and oddball entertainment. Wander around at night and you’ll find three women in pink cowboy hats (aka DJ collective Femme Again) lip-syncing to Shania Twain’s ‘Man! I Feel Like A Woman!’ opposite a sports ground where two teams are having a vigorous dance-off over who’ll go first in a game of dodgeball.

Against this backdrop, it doesn’t really seem so weird that electro-funkers Ibibio Sound Machine spend Friday evening hyping up an audience that includes two punters dressed as lobsters, or that a guy in a loincloth gets his groove on to Barry Can’t Swim’s emotional house. Even returned ‘90s dance giants Faithless’ bonkers heavy metal cover of Joy Division‘s ‘Love Will Tear Us Apart’, which segues into throbbing house before the two styles merge in mind-melting fashion, sounds perfectly normal here.

Is Wilderness as posh as people say? General camping tickets are £278 before booking fees, which makes it cheaper than Reading & Leeds, and the food trucks are only as expensive as those at most festivals. There are boujie ‘dining experiences’ and suchlike on offer, but you don’t have to book those. So it’s only really ‘middle-class’ if you have preconceived ideas of what middle and working-class people like to do. Us plebs like nice stuff too, you know?

The annual Wilderness cricket match takes place on the playing field during Wilderness Festival 2024 at Cornbury Park on August 04, 2024 in Charlbury, Oxfordshire. (Photo by Jim Dyson/Getty Images)
The annual Wilderness cricket match takes place on the playing field during Wilderness Festival 2024 at Cornbury Park on August 04, 2024 in Charlbury, Oxfordshire. (Photo by Jim Dyson/Getty Images)

In any case, no-one’s too stuck-up to resist Alison Goldfrapp, who demands the audience “get [their] arses moving” to her liquid funk on Saturday night, the band blasting the Van Halen-style synth of ‘Rocket’ and drafting in a keytar – always a good sign – for a super-slinky ‘Ooh La La’. Over on the Atrium stage, London DJ Jordss plays to a small but appreciative audience that swells when she drops Diana Ross’ ‘Upside Down’ (the communal spirit is only mildly interrupted when someone dressed as an alien chases their pal through the middle of the dancefloor).

Easily the musical highlight of the weekend, though, is psychedelic soul don Michael Kiwanuka, a quietly subversive figure whose songs sound like lost ‘70s masterpieces that tackle police brutality (‘Hero’) and racial identity. The audience is packed on the main stage and as serene strings give way to a distortion-drenched ‘Hard to Say Goodbye’; it’s the beginning of what feels like a ‘Glastonbury moment’ at the wrong festival. ‘Hero’ crashes out in a squall of feedback and a howling solo tears through epic closer ‘Love & Hate’, the heady atmosphere answering the question Kiwanuka posed in earnest at the top of this sensational set: “Are you ready for some soul music?”

Indeed, hip-hop titans De La Soul cheerily demolish any faint prospect of a Sunday evening wind-down with a fuzzily feel-good set that sees rapper Posdnuos lead an enthusiastic crowd chant of “potholes in my lawn”, which probably isn’t actually much of a problem in the Cotswolds. After disco maven Jessie Ware breezily declares Wilderness her “favourite new festival”, it’s up to future-facing electronic duo Bicep to close the main stage with their hyped CHROMA show, an audio-visual bonanza that pulses with glitching, kaleidoscopic visuals and beats like controlled detonations.

Posdnuos and Maseo of De La Soul perform during Wilderness Festival 2024 (Photo by Jim Dyson/Getty Images)
Posdnuos and Maseo of De La Soul perform during Wilderness Festival 2024 (Photo by Jim Dyson/Getty Images)

Hugely ambitious and drawing perhaps the youngest main stage audience of the weekend, it’s a fitting end to a do that’s as much about the party as it is its immersive quirks. New this year, for example, is The Riddle, a dance tent and bar built around trees that sprout up to the rafters, which leads out to a chintzy garden populated by people dressed up as characters from Alice in Wonderland. This is the meeting point of the two sides of Wilderness.

By night the festival is a party paradise, with punters flocking to The Valley, a hedonistic strip deep in woodland that leads up to a triangular stage pumping out house and techno. And then there’s House of Sublime, a burlesque tent that hosts what can perhaps best be described as a BDSM dominatrix show. Yes, there’s cage dancing. By day, though, you’ll find families taking dips in the tree-lined lake, which is also not a bad way to shake a hangover (though you’ll probably want to give the Family Field a wide berth).

Obviously, with Michael Kiwanuka and Bicep as the big draws, however great they are, this isn’t a festival with a superstar musical line-up to rival that of, say, Reading & Leeds. If you’re here solely for the tunes, it’s probably a four star weekend. But if you’re looking for pure escapism – be it hedonistic or family friendly – it’s a five. Wilderness: it’s proper nice, man.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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