The O2, London, July 17, 2024: The Houston Hottie wraps her first headline tour with a powerful, arena-commanding performance

In recent years, Megan Thee Stallion’s name has often been linked with controversy. Whether that’s from her horrific shootinglegal wars with her old label, or allegedly using bots to boost streaming numbers, the Houston Hottie can’t catch a break in the public eye. But, now newly independent, she’s self-funded the ‘Hot Girl Summer Tour’ – her first-ever headline world tour and a major milestone for the artist. As it comes to a close at The O2 in London tonight (July 17), nothing can overshadow the entertaining free-for-all that is about to ensue.

The 29-year-old announces her presence with a thunderous boom, triggering a massive roar from her adoring fans. Red-hot embers flicker up the screen, soon morphing into a colossal blaze as Thee Stallion rises from the ground on a stage lift. With her hand on her hip and head to the sky, she exudes confidence while kicking things off with the powerfully brazen ‘HISS’.

After a fierce start, Megan reminds the crowd they “came here to have a motherfucking time” and, as the Hot Girl Coach, she wants London to show her “what they got”. So, to test if the city’s energy is as legendary as often told, she brings out her dancers and plays a slew of her cult classics such as ‘Freak Nasty’ and ‘Thot Shit’, the audience’s wild enthusiasm shooting through the roof. Many twirl their hips to Thee Stallion’s signature tunes, while others try to mimic the intricate choreography done by Meg and her backup, proving that, years on, these songs still have the same enthralling effect.

Throughout the night, there are numerous outfit changes and intermissions. After the first, MTS rises from the ground again, this time in an iridescent snake egg to perform the self-assured ‘Plan B’. The second time she leaves the stage, she recreates her own Instagram livestream as the camera crew randomly puts a spotlight on her fans before emerging once again in a bronze outfit.

 

The highlight of the night was the live debut of her viral song ‘Mamushi’. Megan teases the crowd – saying she “has something cute for the last ‘Hot Girl Summer’ arena tour show” – before inviting Yuki Chiba to perform their chart-climber together. The duo recreate the popular TikTok dance, sliding their hands down their arms every time the chorus hits.

The original Hot Girl’s biggest London show to date closes with her Billboard Number One ‘Savage (Remix)’, giving her all for the last dance number of her entire tour. While the outro rings through the arena and confetti flies everywhere, Megan stands on stage in glee, telling the audience she “can’t believe” she’s successfully finished her first big feat as an independent artist. The night – which is an exuberant celebration of fun, twerking and self-confidence – ends with her trademark statement that never gets old: “Real hot girl shit!”

Megan Thee Stallion played: 

‘HISS’
‘Ungrateful’
‘Thot Shit’
‘Freak Nasty’
‘Megan’s Piano’
‘Gift & a Curse’
‘Hot Girl’
‘Kitty Kat’
‘Cobra’
‘Plan B’
‘Cognac Queen’
‘Big Ole Freak’
‘Girls in the Hood’
‘BOA’
‘Sex Talk’
‘Realer’
‘What’s New’
‘Captain Hook’
‘Wanna Be’
‘WAP’
‘Mamushi’ (With Yuki Chiba)
‘Cash Shit’
‘Where Them Girls At’
‘Savage (Remix)’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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