“It’s gonna be a long night, motherfuckers!” – we’ve heard this tale before from Dave Grohl. Gargantuan, three-hour shows have been Foo Fighters’ bread and butter for a number of years, justifying what would normally be an obscenely early stage time of 7.30pm in Manchester tonight – there’s a lot to pack in.
Sixteen years after the UK granted them their first shot at a stadium, their return marks the country’s second biggest tour all summer, topped only by Taylor Swift’s Eras Tour. The common theme, it appears, is the marathon approach – packing ten albums’ worth of material into one giant spectacle.
‘Monkey Wrench’ unexpectedly opens the set, helping invigorate a modest crowd who, to be fair, have been drenched in the Manchester rain all afternoon. Windswept and scruffy, Grohl screams through his trademark long hair, joking how a haircut might be imminent: “I’m gonna look like fucking Gandalf in three years.”
New drummer Josh Freese appears comfortably settled, keeping a relatively low profile to let Grohl’s masterful showmanship take centre stage. Putting his own spin on things rather than trying to emulate the late, great Taylor Hawkins, the fast and furious bridge in ‘All My Life’ is wickedly fresh, considering the track is on its umpteenth time around the block. The set is refreshingly slick, with less story time from Grohl than usual – though the temptation to drag ‘The Pretender’ out is too hard to resist.
Front-loading the set with greatest hits, the deep cut selection is exquisite. ‘Generator’ and ‘Arlandria’ prove a raspier Grohl hasn’t lost a smidge of his emotional edge, while ‘Under You’ receives an acoustic rendition on the runway. We’re treated to an unreleased number titled ‘Unconditional’, an old demo dragged out from the vaults which slots courteously into the show, albeit difficult to unpick amidst the majestic wall of sound.
Quite possibly their defining stadium-rock number, ‘Best Of You’ continues to be world-class, lifting Old Trafford into another stratosphere. Its chant outlasts the encore and continues into the tram station and beyond – its power to unite thousands more prevalent than ever. During closer ‘Everlong’, Grohl’s broken guitar gives him a chance to momentarily morph into Bono and frolic around the stage – mic in hand – just another charming trait to add to the CV of the nicest man in rock.
Approaching thirty years as a band, Foo Fighters have adapted in the face of any adversity, ensuring their stadium show remains cohesive, exemplary and simply untouchable. While others from their time might begin to creep towards legacy act territory, Foo Fighters remain as relevant and imperious as ever – they’re only going to need even more stadiums to fill.
Foo Fighters played:
‘Monkey Wrench’
‘Learn To Fly’
‘No Son Of Mine’
‘Rescued’
‘The Pretender’
‘Times Like These’
‘Generator’
‘Stacked Actors’
‘Medicine At Midnight’
‘Walk’
‘Statues’
‘Under You’
‘My Hero’
‘This Is A Call’
‘The Sky Is A Neighbourhood’
‘Arlandria’
‘These Days’
‘All My Life’
‘Unconditional’
‘Aurora’
‘Best Of You’
‘The Teacher’
‘Everlong’
Slayyyter played her take on Turnstile’s ‘Birds’ onstage for the first time in Atlanta. You can watch footage of the performance below.
Slayyyter is currently touring with her ‘Wor$t Girl In The World’ show. She added the cover to her set at The Eastern on Monday night (September 21).
She sang ‘Birds: Slayyyter Version’ near the end of the main set, following ‘Brittany Murphy’. She then came back for an encore featuring ‘Brand New Chanel$’ and ‘Beat Up Chanel$’.
It was her first live performance of the song. She originally recorded it for Turnstile’s ‘Never Enough: Versions’, a collection of reworked tracks released on August 28.
The 22 track release brings together new interpretations of songs from Turnstile’s fourth album. Contributors include Elton John, Hayley Williams, Blood Orange, A. G. Cook, Faye Webster, Four Tet, Oklou, Floating Points, Nourished By Time, Alex G, Julien Baker and Mustafa.
Panda Bear recorded a new take on ‘Magic Man’, while Dying Fetus gave ‘Birds’ another interpretation rooted in death metal.
See Slayyyter perform the track live and listen to her studio recording here:
Slayyyter trades the original song’s hardcore intensity for a bigger electronic sound that feels at home alongside her latest album, ‘Wor$t Girl In America’.
Turnstile first released ‘Birds’ on their 2025 album ‘Never Enough’. The song won Best Metal Performance at the 2026 Grammy Awards, where the album also won Best Rock Album.
In its five star review of ‘Never Enough’, NME pointed to ‘Birds’ and ‘Sole’ as reminders of Turnstile’s hardcore beginnings. It also praised the album for “furthering their unique, pop-facing take on hardcore”.
Slayyyter will join Turnstile on another stage next month. She and Die Spitz are set to support the band at the University of Kansas in Lawrence on October 6 for the ‘Never Enough Tour Pt. 2’.
It has been a big year for Slayyyter. Her third album, ‘Wor$t Girl In America’, came out in March, and NME’s review highlighted its mix of “brash, sleazy pop” and late 2000s indie sleaze sounds.
Last month, she performed Hole’s ‘Violet’ for triple J’s Like A Version. Courtney Love called the cover “a delight” and encouraged Slayyyter to “keep wiping the floors with us”.
A few weeks later, Slayyyter took ‘Wor$t Girl In America’ to Reading Festival. NME’s live review declared that there was “undoubtedly a star before us on stage” and praised her “rasped, rocked-up delivery” and growing confidence as a performer.