February 24, various venues: the one-day event offers an abundance of weirdness and charm while affirming its position as one of the UK's best small festivals

If any one word could be used to define Bristol’s music communities, it would be ‘diversity’. From its demographic makeup to its cultural exports, the South West city is consistently open to new ideas and possibilities. Simple Things encapsulates this milieu. One of the UK’s most forward-thinking festivals, its lineups are never anything short of dazzlingly imaginative.

The 2024 edition sees Simple Things celebrating its tenth year, following a four-year break. It feels like a key chapter in the resurgence of Bristol’s live music scene following the pandemic. Times remain tough, but the last few years have seen numerous success stories, from the emergence of independent radio stations to the Bristol Beacon venue’s name being changed in order to remove its previous association with 17th century slave trader Edward Colston.

Over 10 stages spread across the city – think: a similar and equally exciting set up to The Great Escape – Simple Things offers a full day of genre-transcending brilliance. First up is Manchester’s Nina Cobham, who packs out Rough Trade. The bilingual singer-songwriter is fast becoming a major new name in UK pop and in this intimate setting, accompanied by deft guitarist Rory, it’s easy to see why so many have fallen in love with her gorgeous voice and the acute melancholy of her songs.

Antony Szmierek
Antony Szmierek live at Simple Things 2024. Credit: Naomi Williams
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Across the road in Strange Brew, New York’s L’Rain makes for a mesmerising gear shift. The experimental artist’s jazz and post-rock fusion is as colourful as the venue’s rainbow interior; the type of music you feel you could submerge yourself into. Over in SWX, meanwhile, Antony Szmierek makes for a fun, if slightly less engrossing watch. His upbeat and engaging stage presence is consistently excellent, but the absence of a live drummer means the sound feels a little thin.

A theme across the day soon emerges. For all the disparate styles on the bill, almost all tap into Bristol’s storied dance music history. As a giddy example; seminal indie heroes Les Savy Fav’s set on Bristol Beacon’s main stage is basically a party, full of joyous grooves and wild antics courtesy of frontman Tim Harrington.

flowdan
Flowdan live at Simple Things 2024. Credit: Megan Ip

This trend continues throughout several heavier sets. O.’s intense jazz crossover whips Rough Trade into a trance, while Gilla Band’s industrial post-punk makes for a gripping follow-up. The SWX crowd goes wild for the Irish band’s abrasive textures, who push-pit throughout a propulsive and hypnotic hour.

As night descends, things get increasingly more frenzied. In the charming pub Sportsman’s, Gurriers’ riotous art-punk threatens to collapse the venue’s bouncy floor. The young Dublin band set the whole room dancing in what proves to be a commanding highlight of the day.

Later in the evening come two performances of exhilarating grandeur. First, Flowdan delivers a short, potent set in the Beacon’s Lantern Hall. The east London artist made history this month as the first UK MC to win a Grammy award, and his dextrous bars further prove that he remains one of the country’s most magnetic performers. Domino signees Fat Dog close proceedings, playing in the Beacon’s foyer. The five-piece’s rave-rock sets the crowd alight, eventually becoming so feverish and out of control that security have to step in.

fat dog band
Fat Dog live at Simple Things 2024. Credit: Khris Cowley

This slickly organised event shows how varied and vibrant a day festival can be in 2024. Simple Things is a creative testament to Bristol’s cultural scene, allowing gig-goers to uncover dozens of gems, no matter their shape or form.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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