January 9, Utilita Arena: following the departure of Jordan Fish and the delay of their upcoming music, they make a blistering comeback statement on the tour’s opening night

Time is on Oli Sykes’ mind. Throughout the opening night of Bring Me The Horizon’s NX_GN WRLD TOUR at Cardiff’s Utilita Arena, the frontman rarely misses the opportunity to quip about ageing and nostalgia. In a heartfelt moment late in the set he reveals that, like many of the band’s early critics, “we didn’t think our band would last five years, let alone twenty.”

BMTH have proven their doubters wrong and then some. The four-piece are now a globe-conquering behemoth, one whose reach seems to still be growing, two decades on from their origins as the enfant terribles of deathcore. This tour will be the largest of their career, following a summer that saw them ascend to headliner status at Download Festival.

However, 2023 ended with some growing pains. Late in the year, following the news that the second instalment of their ‘Post Human’ release series – which began in 2020 – was delayed until the summer, the band parted ways with keyboardist and studio wiz Jordan Fish. Fish was a key figure in BMTH’s rise to genre-busting arena fillers from 2013’s ‘Sempiternal’ onwards, so his departure (along with the long-gestating new music) left a hint of uncertainty hanging over the band.

Bring Me The Horizon in Cardiff
Bring Me The Horizon in Cardiff. Credit: Jonti Wild

Not that you’d know it from tonight’s commanding spectacle. BMTH have always been brash, sometimes to a fault, but in the context of a live show these brazen tendencies are unleashed to thrilling effect. Amongst other OTT delights, the set features fire, hazmat-suited dancers and an on-screen character named EVE. It’s an unrelenting assault on the senses, one that shuffles through visual motifs (from a retrofuturist video game intro to gothic church backdrops) with the same wilful abandon as their unpredictable music.

The peak of this manic juxtaposition comes when, midway through the set, the band gather to perform a stripped-back rendition of the soulful ‘Strangers’. This moment of relative calm is immediately followed by ‘Diamonds Aren’t Forever’; a breakdown-strewn, giddily heavy cut from 2008’s ‘Suicide Season’. It’s a whiplash-inducing rip through BMTH’s timeline, but also a bluntly effective jolt to the senses.

Sykes eventually addresses the recent uncertainties in the band’s camp. In a strange interlude, the EVE character appears on screen and ‘asks’ Sykes about the progress of their new release. He alludes to “internal issues” and after unveiling some brief snippets of new songs, Sykes jokes that the new music may come out “in six years.”

Nonetheless, this show takes place firmly in the ‘Post Human’-verse. The set leans hard on newer tracks, with cuts like ‘Parasite Eve’ and ‘Kingslayer’ generating some of the wildest responses. The band give it their all, utilising the full dimensions of the stage, which now boasts extra space given the absence of Fish and his setup. The spotlight is, of course, often reserved for Sykes, who performs with the effortless confidence of a rock star in total command of his craft, even if, once you notice that his red suit resembles Eddie Murphy’s in Delirious; you can’t unsee it.

“I’m way too old for this shit,” Sykes announces during one of his many reflections on time and ageing. However, on the basis of tonight and in spite of any recent complications, the BMTH juggernaut is showing no signs of rust.

Bring Me The Horizon in Cardiff
Bring Me The Horizon in Cardiff. Credit: Jonti Wild

Bring Me The Horizon played:

‘DArkside’
‘Empire (Let Them Sing)’
‘MANTRA’
‘Teardrops’
‘AmEN!’
‘Kool Aid’
Shadow Moses’
‘Obey’
‘DiE4u’
‘Kingslayer’
‘sTrAnGeRs’
‘Diamonds Aren’t Forever’
‘Parasite Eve’
‘Antivist’
‘Drown’
‘Can You Feel My Heart’
‘Doomed’
‘LosT’
‘Throne’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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