ON THE RISE
ORLANDO, Fla. — Artists can find inspiration anywhere — sometimes art inspires art.
In the case of Florida songwriter Adam DeGraide, electronic art, in the form of video games, has inspired him to gather more than two dozen independent singers and musicians to create great music based on characters in those video games.
DeGraide is the organizer behind the A.D.A.M. Music Project. A.D.A.M. stands for Artists Developing Astonishing Music.
“We’ve used over 25 different independent artists who have appeared on these first 20 songs that will be released by May 5,” DeGraide said. “Right now there’s 15 songs out. It’s been amazing, from all walks of life, all different genres they come from. I have a passion for hard rock, I always have. I’m also a gamer, I play tons of games. I play everything from Horizon Zero Dawn to Mario Brothers. So I really wanted to do a project writing songs about video game characters and I decided on the game Apex Legends because I play it a ton.”
The latest album, released in February, is called “Apex Rising - Part 2,” a seven-track album featuring five different artists and sounds based on 90s hard rock with a modern twist.
“We have a ton of variety and musical experience and musical preferences and it’s a really cool project to be a part of because we’re just trying to make the best music,” DeGraide said. “So we want to make songs in the classic sense of metal, like the way I knew it, the early 1990s but with a modern twist. If you listened to ‘Motherlode,’ we produced that track the way that Mutt Lange would. We approached it as if it was Motley Crue met Def Leppard and then with a modern twist on top of it.”
The first song on the album, a track called ‘I Bring Death,’ has a sound based on some of the heavy metal sound of groups like Avenged Sevenfold and Shinedown from the late 1990s and early 2000s.
“I Bring Death” was written by DeGraide and his friend, Dameon Aranda, from Oklahoma City, and was inspired by the character “Revenant” from the game Apex Legends.
“‘I Bring Death’ in particular is a cool song because I've always loved the Vincent Price, old scary kind of sound,” DeGraide said. “And then I love what Prince did, he said ‘Dearly beloved, we are gathered here to celebrate this life.’ So it just made sense to have a play on that in the beginning with ‘I Bring Death.’ And the character we wrote about, he’s very much like the devil, so when we were doing the song, I told Dameon when you’re singing this awesome, cool, seductive melody, I'm going to mirror you in a whispered demon sounding voice as if it’s in these two demons on your shoulder whispering the lyrics to you. And I feel like we nailed it, I feel like we nailed the feel, nailed the approach. It’s just catchy enough to be liked by people who don’t like heavy metal and it’s heavy enough to be appreciated by those who like the classic sound.”
Damon Aranda’s brother, Gabe Aranda, also contributed to the album as did singers such as Hartleigh Buwick, an actress who is currently working with Sylvester Stallone in the Paramount Plus show “Tulsa King.”
Buwick sings the track “Wrecking Ball” on “Apex Rising - Part 2.”
This EP also features Chris Jackson and Tyler Anderson from a “Lion Named Roar,” Neil DeGraide from “Dirt Poor Robins,” Lacy Saunders from Tulsa, Okla., David LaChance Jr, James Conner and many others who made this music possible.
DeGraide called the A.D.A.M Music Project the “ultimate fan art project,” and said the most important thing for people to know is that they're not stopping with just the Apex video game.
“I’m already recording a new album and I've got songs about Bowser, Yoshi from Mario Brothers, Resident Evil, the Last of Us, Donkey Kong and others,” he said. “The A.D.A.M Music Project is committed to making a massive amount of music about the things we all love to do for fun, which is gaming. The most important thing for people to know is these are serious songs with serious melodies and serious musicians and the music has to stand on its own regardless of the subject matter.”
Follow the A.D.A.M. Music Project on these social media and streaming sites:
Websites:
A.D.A.M. Music Project
Spotify
Youtube
Apple Music
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Pop and soul singer Sharon Watkins is preparing to share her very first album in 2023. Working alongside producer Sam Miller (known for his work with The Hoosiers and One Direction), she is following up with her newest release, The One That Got Away, which arrives on 18 November 2022. The track is a tender acoustic ballad that tells the story of leaving behind a harmful relationship, finding strength, and welcoming a fresh start. With gentle piano arrangements and Sharon’s unmistakable soulful voice, the song captures an intensely emotional journey.
Her earlier singles, Proud and Stranded, have already connected with listeners in a big way, reaching more than 250,000 views on YouTube and 150,000 streams on Spotify. With this momentum building, Music News sat down with Sharon to talk about her music and what comes next.
Hi Sharon How are you?
Doing really well thanks! So excited about all the momentum we’ve had with our first 3 singles, honestly, it has been insane to have had BBC radio interviews, rotations, global press coverage and to have won an international song contest in such a short space of time!!
Tell us about your latest release ‘The One That Got Away’?
Well, it starts out as a real wintery piano ballad, portraying that moment when you suddenly realise that someone you're with is messing you around. Then, with the help of big strings and orchestral percussion, it develops into a powerful "I'm over you" song…. It is really a defiant two-fingers up at the ex that never appreciated you until it was too late. It moves from the turmoil of still having feelings for that person, cutting lose and moving on to triumphant recovery, knowing that you made the right decision.
The music video is visually stunning and the dance is beautiful, talk to us about the filming of this video and the creative decision to use dance to express the meaning of the track.
Thank you, that means a lot! We’re really pleased with the way the video came out. Me and my brother, Sammy J Stopford, who has been my partner in crime on this whole album project, knew very early on that we wanted a contemporary dance that portrayed the turmoil in this song. I also knew I wanted the video to express the mental turmoil you go through after finishing a relationship and the underwater medium just seamed such an ideal metaphor for that. We put out a request for dancers and choreographers on Instragram not thinking we would get much interest. One of our lessons on this project is that you can’t pore the right energy into a project if you don’t love the music and so this was the main pre-requisite for dancers…. “please only contact us if the song inspires you!”…. we couldn’t believe the response!! We ended up watching so many amazing dance videos from such talented people. Our album is about adult life lessons and so we knew we wanted a believable couple, that had a great connection and were old enough to have gone through an adult relationship and breakup. We chose Florivaldo Mossi (Michael Jackson in West End Show “Thriller”) & Ashley Cavell (Star of many shows, including ABBA Fever) as they are both incredible dancers but also fit the storyline so well. I couldn’t believe it when Choreographer, Stewart Arnold (choreographer & dancer to Kate Bush) agreed to work on the project!!
The writing in the song is very personal. Was it emotional pouring these emotions into lyrics?
Honestly, it is like an exorcism. Songwriting is how I process and deal with life’s ups-and-downs and so I would be lost without that outlet. It forces me to really dig deep on my emotions towards things. You can’t write songs about superficial stuff, otherwise it just sounds cliché.
What do you hope people take away from ‘The One That Got Away’?
I feel like it’s the song you need a friend to play you when you have broken up from someone and are feeling injured and unsure. You need someone to tell you that you missed a bullet and one day that ex will look around and realise that they lost something very special. I have had people reach out already and tell me how relatable the message is and that it has helped them… this is the biggest compliment of all!!
Talk to us about your influences as an artist.
I grew up in Manchester surrounded by an incredible 90’s music scene, in a house where my dad played everything from The Beatles to Zappa. I then spent 8 years living in the states, picking up some great American influences like Carole King. I have now made Nottingham my home, which is where I recorded the album and I have honestly really been enjoying the return in popularity of singer-songwriters like Lewis Capaldi and Tom Odell …. So all-in-all a pretty varied range of influcences… making for an eclectic pop album that I hope you all like.
Going back briefly on the video, you collaborated with some great people on the video such as Stewart Arnold who worked closely with Kate Bush and Florivaldo Mossi, noted for being Michael Jackson in Thriller Live. Tell us about your experience working with them.
It's been the stuff of dreams really. I am a massive Kate Bush fan and to work with Stewart was like a dream come true. He and I had some long conversations about our vision for this video and the turmoil I wanted to portray. His ability to translate that into dance is something amazing to watch. I had the honour of watching him choregraph the dancers on the morning of the shoot and it was like watching a master at work, the artistic ideas that he brought to this project were incredible. Flori Mossi and Ashley Cavell are both experienced dancers but seeing the way they clicked together, and their interaction and interpretation of the song just blew me away.
What can we expect from you next?
Well, we have 3 more singles coming ahead of the album launch in 2023, so make sure you follow me on Spotify to keep up with those (Sharon Watkins) and we’re also going to be doing a series of “Live Lounge” performances of our tracks ahead of the album release so follow me on socials @sharonwatkinsofficial to keep an eye out for those.
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