Tyler the Creator performs at Lollapalooza in Chicago on July 30th, 2021.

Sacha Lecca for Rolling Stone
Chicago fest announces remaining two days will require masks in indoor settings

It’s been a long 16 months without in-person concerts and festivals, and as Lollapalooza returned for Day Two at Chicago’s Grant Park on Friday, attendees and artists alike were all still feeling their way into the new normal. While official attendance numbers were not made available, the grounds did not appear to be at its typical 100,000-person capacity. Though it was busy and packed tighter near stages (and it got more crowded as the day wore on), there was still a decent amount of space away from the front of stages to socially distance and maneuver around the park, a welcome respite while in the midst of a pandemic where Covid-19 case numbers are once again rising.

Masks were required on the honor system for those who were unvaccinated (and could be obtained for free at the fest), though very few people were seen wearing them on a day that coincided with Chicago health officials recommending universal masking indoors following the uptick in Covid-19 cases nationwide. On Friday night, the festival tweeted that beginning Saturday, masks would be required in indoor spaces on the grounds.

While fans were reacquainting themselves with how to navigate crowds, the year-plus spent away from the stage gave artists plenty of time to reflect. Earlier in the day, Grandson encouraged fans to be kind to those around them. “You have no idea what that person has been through,” he said, and Giveon reveled at the opportunity for his first-ever festival performance. By nightfall, Tylerthe Creator contemplated how far he had come.

“I was gross,” the rapper said thinking back on his come-up. “I was nasty as fuck” and “ugly” he recalled.  But, he surmised, a decade after his debut studio album, Goblin, dropped, he was “super proud” of where he’s arrived. “Massa” addressed his transformation with his grooving flow building grittier as the song progressed.

Tyler has had a fascinating and stunning metamorphosis, from an irascible figure whose early depraved lyrics and antics were polarizing, to the sophisticated and charismatic artist who commanded the stage with ease as he danced, affably shared stories and set different tones for the eras of his career, via lighting, background and clothing changes.

tyler the creator

Tyler the Creator performs at Lollapalooza in Chicago on July 30th, 2021.

Sacha Lecca for Rolling Stone

His previous turn at Lollapalooza in 2018 found him admonishing the crowd for not forming a proper mosh pit, but even then his more thoughtful side had already emerged with the release of Flower Boy the year prior. This time around, he served as headliner and his ascent was well-deserved. Having released two accomplished albums since (2019’s Igor and Call Me If You Get Lost, which arrived in June), that material, coupled with songs from Flower Boy, showcased a progression from his early solo albums and Odd Future days with more personal, heartfelt lyrics, while incorporating the best of his techniques and style he’s honed through the years.

This year, he showed up onstage as a bellhop while pushing a full baggage cart. He lightheartedly searched through the luggage to change out of his uniform into something more leisurely before launching into “Corso.” Along with his top-billing came bigger production, which included a prop boat that rocked along with his more foreboding fare.

His penchant for juxtaposing vulnerability, such as on Call Me songs “Wasyaname” and “Sweet,” against going hard AF, were on display, between songs and also within them, such as during “New Magic Wand.” For the latter, he donned the blonde bowl-cut wig and suit from his Igor era and also delivered “I Think” and “Earfquake” from that LP later in the set.

But before digging into material from his recent past, he dedicated his first run of songs to his latest acclaimed LP. “Uh OK, I guess you like that shit,” he commented, feeding off the crowd’s hands-in-the-air approval, before saying that he had some other songs to deliver. “I’m gonna run through them now.” Flower Boy fans were treated to a tender “See You Again,” “911” and “Boredom” — while written before Covid, they resonated in the longing and loneliness that befit the times, as well as the frenetic “Who Dat Boy.”

He explained that Flower Boy was after his “ugly phase,” but for his old-school fans, he also dropped a “select few” early bars, including Goblin‘s “She,” “Tron Cat,” “Yonkers,” and Wolf‘s “IFHY,” “Bimmer” and “Tamale.”

He capped off the night with the one-two punch of “I Thought You Wanted to Dance” and “Runitup,” a song tailor-made for an uplifting field-wide sing-along.

“We ain’t nothing to you, but we something to them,” he rapped on the confident closer. “When you in your room and you starin’ at the ceiling/Dreaming, I want you to know there’s no ceilings/I want you to notice that feeling/I want you to go for it/I want you to reach with no fearing.”

If you told early vehement detractors who witnessed early chaotic, petulant Odd Future shows that within a decade they may become fans, it’s likely they would’ve balked. But Tyler reminded critics that there can be redemption following youthful ignorance, something for which most of us are not exempt. Deciding to own it and coming out a better artist is a revelation.

Tyler, the Creator Lollapalooza 2021 Set List

1. “Sir Baudelaire”
2. “Corso”
3. “Lemonhead”
4. “Wusyaname”
5. “Lumberjack”
6. “Massa”
7. “Sweet”
8. “See You Again”
9. “911”
10. “Boredom”
11. “Who Dat Boy”
12. “She”
13. “Tron Cat”
14. “Yonkers”
15. “Bimmer”
16. “Tamale”
17. “IFHY”
18. “Igor’s Theme”
19. “I Think”
20. “Earfquake
21. “New Magic Wand”
22. “I Thought You Wanted to Dance”
23. “Runitup”

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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