The O2, August 5: The BTS singer’s first solo tour puts him in the role of variety show host, delivering emotionally rich performances between fun and games

In another life, Jin would still be a superstar. Instead of being one-seventh of BTS, though, he’d be the affable host of a variety show, turning charisma and humour into ratings gold. Tonight, at the first of two London shows on his ‘#RUNSEOKJIN_EP.TOUR’ outing, he lives that fantasy.

This is not your typical concert, nor your usual K-pop extravaganza. Instead, it feels like you’re inside an episode of Jin’s Run Jin series, the web show he created as a spin-off from BTS’ own Run BTS. The logo for the programme remains in the corner of the big screens throughout the night, and when the singer first appears on stage for buoyant versions of ‘Running Wild’ and ‘I’ll Be There’, he jumps around a lightning-shaped podium with a big game-show style button on it.

Between performances, he leads the crowd in a series of “challenges” – a telepathy game where he has to guess a word through fans’ gestures alone, another where he has to figure out the song from the crowd’s a cappella singing. “Korean’s difficult for you too, huh?” he quips after fans struggle to recreate the rap verses in ‘Boy With Luv’. Compared to the usual flash of K-pop shows, where dramatic, cinematic VCRs often appear at regular intervals to uphold the narrative of the night, Jin’s is refreshingly down-to-earth, with only one video game-themed clip running right before the encore.

Jin’s performances aren’t without some extra razzle-dazzle, though. Many come accompanied by pyrotechnics and explosions of streamers, or during a snippet of BTS’ ‘Dynamite’, rainbow-coloured confetti explosions that mirror a scene in the music video. ‘Super Tuna’, meanwhile, sees him performing dressed in an inflatable alien costume – a “prize” the crowd earns during the first game of the evening. As he finds out what he’ll be wearing, he tilts his head and laughingly winces, as if bemusedly regretting his choices leading up to this moment.

Jin
Jin live in London. Credit: BIGHIT MUSIC

The challenges and games – and Jin the variety host – are only half of the night’s story. On the flipside is the role that Jin is more commonly known for – phenomenal performer. He shines brightest when he’s engaged in emotionally rich songs, like a beautiful rendition of ‘Abyss’, which finds him seated at a paint-splattered purple piano, lost in the melancholy of the song. He’s equally commanding for the thundering ‘Another Level’, but ‘Rope It’’s endless lasso moves, his arm circling his head, becomes a little awkward.

As fun as the rest of the show is, it’s the closing section – no games, just quality songs – that really hits. A medley of BTS songs – the aforementioned ‘Dynamite’, ‘Butter’, ‘Mikrokosmos’ and ‘Spring Day’ – is received rapturously, fans screaming back every word of each song. ‘The Astronaut’, ‘Epiphany’ and ‘Moon’, meanwhile, showcase what Jin does best – soaring, sentimental songs that allow his voice to dazzle.

Before he wraps up the show for good with a sweet version of ‘To Me, Today’, he takes a moment to reflect. “I think five or six years ago, we sang ‘Epiphany’ here, right?” he says, referring to BTS’ 2018 concerts at this same venue. As he continues, he promises to come back “next time” – a pledge that whips up even more excitement in the stands, given his group’s impending March 2026 return. As a badge he wears at the start of the concert declares, stay tuned for that, and the burgeoning growth of Jin’s fun-filled solo career.

Jin
Jin live in London. Credit: BIGHIT MUSIC

Jin played: 

‘Running Wild’
‘I’ll Be There’
‘With The Clouds’
‘Falling’
‘Don’t Say You Love Me’
‘Super Tuna’
‘I Will Come To You’
‘Abyss’
‘Background’
‘Another Level’
‘Loser’
‘Rope It’
‘Dynamite’ / ‘Butter’ / ‘Mikrokosmos’ / ‘Spring Day’
‘The Astronaut’
‘Nothing Without Your Love’
‘Epiphany’
‘Moon’
‘To Me, Today’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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