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New York — The moment Royal Deb walks into a room, everything changes. It's as if someone turned the lights on and turned the volume up. The air shifts. Smiles spread. Music practically starts playing on its own. That’s the kind of presence Debbian Henriques-Barr—known to the world as Royal Deb—carries with her. She’s not just the life of the party; she is the party. And her latest single, "Boss Lady," is the musical embodiment of that energy.
Born in St. Ann, Jamaica, Royal Deb grew up steeped in the pulse of reggae. From the streets echoing Bob Marley to impromptu dance parties that lasted until dawn, music was more than just sound—it was life. Now based in the U.S., she’s channeling that rich heritage into a bold and spicy style all her own, bringing a fiery diva touch to reggae that's impossible to ignore.
Notably, Royal Deb is the cousin of Grammy-winning reggae and dancehall superstar Sean Paul Henriques, with whom she can’t wait to work and meet. Her confidence radiates not just in conversation but in every beat of “Boss Lady.” People don’t just hear her music, they feel it. The track is an anthem—a call for women to own their power. “I am a boss of many things,” she says. “Everybody is a boss of themselves, boss of their own. You're in charge of your own destiny. You're in charge of your life. You're in charge of making things for yourself.” It’s a message Royal Deb lives by.
"Boss Lady" isn't just another song. It's upbeat, full of flavor, and makes you want to move—not just on the dance floor, but in your life. “Any lady can be a boss lady if you put your mind away,” she says.
Her music carries the energy of someone who refuses to let life dim her light. “I can walk into a room… the place would be dead. And the minute I walk in, they were like, oh, she’s here. Let’s go. And all of a sudden, we have a party that cannot stop.” That electricity is what she pours into her performances. Whether it's a rooftop in New York, a backyard party of 100 people, or a packed tavern where the crowd literally puts their forks down to pay attention, Royal Deb knows how to ignite a space.
Listeners don’t just hear her songs—they feel them. “They said, Debbie, you have to realize, you’re a performer. You go to places… and the minute I get up on the stage, they have encouragement in the air. I’m jumping. Jump. Jump. Come on. Let’s go!”
"Boss Lady" also reflects a deeper evolution in her artistry. “I live much higher,” she says. “It’s more natural, more beat. That’s the route I’m going.” The song’s rhythmic flow, mixed with her reggae roots and a hint of rapping energy, shows she’s not confined by tradition—she’s expanding it.
Beyond her music, Royal Deb’s spirit is contagious. “I like to just do what I feel like I wanna do. I do what I wanna do when I want.” She’s driven by authenticity and self-love, never phased by negativity. “I don’t listen to all the negativity… Never reply. You don’t respond. Let them put the negative. Let them put the positive. I don’t care. I’m doing me.”
That unshakable confidence pours out in everything she does. She's not trying to be anyone else—and that's exactly what makes her magnetic. From performing reggae classics to collaborating with top-tier producer, Andre Betts, who has produced for icons like popstar Madonna, Jamaican artist Barrington Levy, vocal powerhouse Chaka Khan, and legend Lionel Richie, she's both rooted and rising.
Royal Deb is more than an artist—she’s a force. And with “Boss Lady,” she’s inviting every woman to step into her power, turn up the volume, and own the room. As she puts it best: “Good, better, best. Never let it rest, until your good is better and your better is best.”
And that’s the Royal Deb way.
Check out “Boss Lady” and follow Royal Deb on her socials!
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ON THE RISE
Clinton Brand III – better known as CBIII – is a California-based rapper. His new single, titled “I Won’t Quit,” is a motivational and relatable message for everyone “going through it.”
The track, with a beat by Tunna Beats, has a Blurry Face vibe. It starts with a violin and the soft “ahh”s of featured singer Alex Brinkley. When the beat drops, piano, bass and drums enter along with CBIII’s lyrical meditations on “overthinking, contemplating, and debating” why he “won’t quit.”
As the final line makes clear, the song is a study in contradictory mindsets. There’s the fear of failure – what if I’m not good enough? – and then the contrast of relentlessness as stated in the title.
The lyrics of the song’s final quattrain are especially strong. Beginning with an example of CBIII’s wordplay (phenomenal and astronomical anomaly), the final message is one of inspiration: I’m tired of this, so I’m going to make it better.
This struggle with nagging self-doubt and overthinking makes “I Won’t Quit” very relatable. In the end, CBIII wants listeners to be inspired, to not give in when they find themselves in similar circumstances.
Brand’s inspiration for “I Won’t Quit” was intensely personal. Following the death of his parents at a young age, he was raised by his grandmother and then was placed in foster care. A recent visit found his grandmother’s memory fading; this was painful, considering that she had once been his biggest supporter.
This episode left him feeling abandoned, in a dark place.
He says, “I wrote the song ‘I Won’t Quit’ because at that time I was suicidal. I didn’t have nobody else to turn to because my grandma didn’t really care anymore.”
The vulnerability expressed in the lyrics made CBIII unsure if he wanted to release the song at all. He says, “I actually sat on the song for like five months before even thinking about releasing it because it’s so close to home that I wasn’t even sure if I was going to have the courage to share it.”
Now that the song is out, its vulnerability is its strength. Brand’s struggle is real, and the general contours – missing family support, doubting yourself, knowing you need to persevere – will be familiar to many.
In addition to his personal desire to live up his dream of greatness, Brand has another reason not to give up: his younger brother, who is currently in foster care. Knowing his brother looks up to him, he wants to remind him that giving in to doubt is the easy way out.
Brand says, “I want to encourage him, to show him that if you set your mind to it, bro, there’s nothing you can’t do.”
In the end, CBIII wants listeners to learn from his pain, to ask themselves, “What if I don’t give up?”
Stream “I Won’t Quit” now, wherever you listen to music.
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