April 14, Indio, California: despite a muted crowd response, the rapper puts on one of the most creative sets of the festival

“Express yourself,” a whispered voice hushes through the main stage as the lights flicker. Doja Cat is about to take to the main stage to headline the final night of Coachella 2024, and when she emerges at the end of the runway in a hazmat suit, you know she’s going to do as those two words say.

For the rapper, expressing herself often means doing things others might not – either because her form of expression is too off-the-wall for the rest of the world or too controversial. Tonight, she proves the former spirit is well and truly alive, bringing a touch of brilliant weirdness to the desert.

After the opening two songs, she takes off the white suit that leaves only her face visible to reveal a body suit covered in long locks of blonde hair. Ominous tones roll out over the field as she crawls up to the main stage before ‘Demons’ cuts in, and she’s joined by dancers dressed in yeti costumes. If these are the demons she’s rapping about, they don’t look too bad – cuddly, almost – and she embraces them fully, climbing on one’s shoulders to deliver the final parts of the track.

This is just the beginning of the Doja Cat spectacle tonight, which includes multiple outfit changes and stage antics that get increasingly madcap. After a commanding ‘Tia Tamera’, she disappears behind a curtain, only her silhouette visible, as the buzzing sound of an electric razor whirrs, and she pretends to shave off the thigh-length blonde hair she’s been whipping around until now. When she emerges, she sports a shaved head and a look that can only be described as high fashion cyborg.

Doja Cat
Doja Cat CREDIT: Arturo Holmes/Getty Images for Coachella

As the performance enters its final throes, she’s joined by a very special, unusual guest – the gigantic skeleton of a dinosaur. It rolls down the runway after her as she airs ‘WYM Freestyle’, looking like she’s about to be its next victim. Before the track is up, though, it appears to decide Doja is too formidable an opponent and retreats back to where it came from.

Formidable is exactly what the star is tonight, crafting a fiery set that bounces through her rap-focused songs and never lets the energy drop. ‘OKLOSER’, which gets its live debut tonight, is an infectious highlight, while ‘Balut’ drops the tempo to something a little more soulful but still powerful. When she brings out living human guests to join her on stage, she doesn’t come close to being overshadowed.

21 Savage appears for ’n.h.i.e.’, while Teezo Touchdown ups the weird, vocalising into a flower that seems to require his whole head to be submerged in its petals. A$AP Rocky makes his second appearance of the weekend for a ferocious ‘URRRGE!!!!!!!!!!’, trading bars with his host from the top of a scaffolding tower. Earlier in the evening, South African a cappella group The Joy bring light to ‘Shutcho’.

It’s unfortunate that the crowd tonight isn’t much bigger than it is – or that, other than the fans down the front, its energy isn’t far higher. Sure, it’s the final night of the weekend and the chilly desert winds are roaring, but the reception for Doja is disappointingly flat. Perhaps that’s because she doesn’t give the casual viewers what they want – her pop hits. There is no ‘Say So’ in this set, nor a rendition of ‘Kiss Me More’ – with or without a cameo from SZA. ‘Paint The Town Red’, her latest smash, is saved until the penultimate track in the setlist, but even when its opening notes drop, the response is muted.

 

Regardless, Doja sticks to her guns throughout and closes the performance in the kind of way that leaves the audience confused. After a brief break from the stage, the rapper reappears back at the end of the runway, which has now turned into a ring full of slimy, grey mud. She and her dancers get stuck into the mess as she closes the set with ‘Wet Vagina’, somehow not slipping and sliding through it but nailing the choreography.

As Doja strides back to the main stage and blows a kiss goodbye, the crowd hesitates, wondering, “Is that it?” They get their answer when the lights finally go out – a subdued ending, perhaps, but one that comes after 90 minutes of pure pageantry.

Doja Cat played:

‘Acknowledge Me’
‘Shutcho’
‘Demons’
‘Tia Tamera’
‘Fuck The Girls (FTG)’
‘Gun’
‘OKLOSER’
‘Ouchies
‘n.h.i.e.’
‘Attention’
’97’
‘Balut’
‘Need To Know’
‘MASC’
‘Streets’
‘Agora Hills’
‘Ain’t Shit’
‘WYM Freestyle’
‘URRRGE!!!!!!!!!!’
‘Paint The Town Red’
‘Wet Vagina’

 

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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