Celine is one of the most beloved performers in the world. Having broken attendance records with her Vegas shows, she’s also created a wardrobe of successful fragrances over the past decade. She sat down with Dave in New York for a candid discussion about perfume, family and beauty.

Dave: What’s the best thing about being famous?

Celine: The best thing about being famous is I arrived last night in New York City and asked for eight tickets to Lion King tonight for my son to go and see the show and it was possible.

Dave: What’s the worst thing about being famous?

Celine: I asked for eight tickets to go see the Lion King and I can’t go because I’m busy (laughs), No, I don’t know. It depends how you see things, you know. It can be that everything I might say for the worst thing can be nothing for some people. For example, for many people to be a little a sick and to be home isn’t a big deal. But those people may not have a job that you have to use a vocal instrument. For me to get congested or feel sick is very dramatic. When my sinuses and my throat and my lungs are not well, it becomes dramatic. I wish I could become a guitar player. When my guitar strings are not there I can just change them.

I recently had a micro-plasma pneumonia and it is very hard to find. But it’s very easy to cure. As a singer you say you have bronchitis because it’s easier for people to understand. It’s not my style to cancel shows. It’s not fun to be sick, and it’s so hard to cancel a show. I still enjoy what I’m doing, and I know how much involvement it took for them to come. It’s a whole experience coming to one of my shows.

 

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Dave: What are your first memories of scent?

Celine: I remember buying for myself, Chanel No.5. Five has become over the years, and I don’t know why, my lucky number. And because it was perfume with the number five in it, Chanel No. 5, then it had to be my perfume. I was very interested, like everyone, in Marilyn Monroe. And I saw a picture once when I was a teenager of Marilyn Monroe in bed wearing Chanel No. 5 and I started practicing that every night. I was sitting in bed, spraying Chanel. And then when I started to have a crush and he was wearing Polo Ralph Lauren all of the time, I started spraying my pillow with it.

Dave: You’ve created many successful fragrances. What is it is about fragrance you find most interesting?

Celine: My dad has passed a number of years ago and it happens still today that I smell him. His smell: It comes out of nowhere so strongly. I don’t even know if it was the cologne of my dad but it his cologne or whatever he was wearing, his own smell mixed with that, his personality, it is very difficult to describe. Like the smell of child, it’s very hard to describe. My mom is also like that. She has her own smell: breath, saliva, sweat mixed with whatever perfume she wears. It is something very unique to her. I’m finding with time that, I wish to find my own signature scent. I know a few people who have been wearing the same perfume for years. You put their coat in the closet and their scarf smells of their scent, their coat smells of it. And if you go to their house, it smells of it. You think of them and you know how they smell. I find this so interesting. I wish one day I could find my own scent. Me, I’m still following fashion.

I think perfume is such a comfort zone. I love when my son comes home and he says, “Oh mom, I missed your smile and your smell.”

Dave: I read that you don’t wear fragrance when performing.

Celine: When I sing I don’t not wear perfume. For example, when the stage crew uses Purell and I put the microphone close to my nose, it’s too strong and I kind of gag. It does that to me. The alcohol comes out even if it’s very soft. They used to do these things to make me feel fancy – they’d clean the microphone in case there is lipstick or something on it, and they’ll clean it with a product that had like cinnamon in it or something and it was just too strong. Or, you know there are like 40 dancers on stage and they are all wearing their favourite smell, and I’ll be singing something like “Seduces Me.” I sit on a chair and they all come half-dressed near me, sweating, smelling their own thing, their own scent – it’s a great bouquet. But I just stand there and look and enjoy, but I can’t perform. It’s too overwhelming for my vocal chords. My nose inhales that strongly and then I can’t project

Dave: Is there a childlike appeal to beauty?

Celine: You know, my son was very interested in scent and beauty as a child. He would very often look in my drawer and smell things. I’m keeper and I try perfumes and beauty products. It’s fun, it’s fun! He’d go through my old makeup box and he’d say, “Can I paint your face mom?” The love for a mother for a child and a child for a mother is so amazing and so strong.

Dave: What do you treasure most?

Celine: My family, oh gosh, my mom. I can’t wait. We have a few celebrations for the holidays we always do a big party every year for my family. Believe it or not my mother, Therese, is cooking for all of us and we are almost 180. She wants to cook. And we have a golf course in Quebec. We have two 18-holes, so we are equipped with a room to fit everybody and we have a big kitchen in the back with a chef there during the year helps us, so my mom’s there and she helps them and she’ll say, “Ok, now it’s ready, don’t put that there, help me to do this.” She does half of it at her house before, so she’ll prepare the meat pies and put them in the freezer and all her sweet relish, like ketchup, homemade ketchup, she prepares it all in advance. And I told her, “You don’t’ you think this is a little much,” and she said, “No, this is my gift. And I want to do it. And we’re gonna have a holiday this year just the brothers and sisters, no companions, no children. Just the brothers and sisters at my mom’s place, and she’ll be cooking again, I guess. And we’ll have a gift-exchange between us.

Dave: It must be hard to be away from your family for so long when you tour.

Celine: I’m so used to it. I mean, I don’t want to be. And the hardest part is when I’m home and I don’t want to leave. But, my mom comes to visit quite a lot. And every time we go on vacation I bring her. So I don’t wait 3 months, or 6 months before seeing my mother. The rest of my family, some members work with me on tour so I see some of them, but of course I miss them. But, I started to travel and tour so young that I think I got used to that routine of seeing them every six months. So it became quite normal. And now every time I see them there is like three newborns. So we are 180 now, and we don’t invite like, friends of friends. It’s just brothers and sisters and children, I think we’re up to like 36 nieces and nephews now.

 

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Dave: Do you have your mother’s recipes?

Celine: We have plans for her to show me – I love to cook. I don’t get to do it, I mean, I don’t take the time because I don’t have the time, but it’s something that I do enjoy. I remember our first house in Florida, and I wasn’t very very busy and we moved it and I was doing it all, I was cleaning my house and I was cooking because I had time to do so and I so enjoyed every moment of it. In the morning leave the house like that, go play golf and then come in and figure out what we were going to have lunch and dinner and because I wasn’t used to that it became really relaxing to do so. Once it starts to become a routine, then it’s probably another deal. If you do too much of one thing it’s probably becomes a bore. For me to pack and to not be at home, it’s not that much fun.

Dave: Does the touring become for you?

Celine: Let’s say it becomes mental. I mean you have to physically and vocally concentrate, and discipline yourself. Once you do the same thing so much of the time it’s almost like you’re sitting in on it and someone else is doing it. You can’t just sit on adrenaline, you might be surprised that you forget your words and you forget a whole song. You have to be on the edge, sharp, all of the time. When I forget my words, I make them up and make them laugh and think, “Okay, here we go! 150,000 times later.”

Dave: What is your best beauty advice?

Celine: I want them to feel strong about themselves. A lot of people underestimate themselves. Not a lot of people say things like “Oh, you look good” or “thank you for helping me.” Every woman should feel she is important that she makes a difference and that she is loved. That’s success, you know, feeling good. And for those women that don’t get the chance to hear these things, I hope they find someone who they can relate to and feel strong. I want them to feel strong about who they are.

As they prepare to unveil their fourth album, ‘Joy In Short Moments’, The Snuts have spoken with NME about how stepping away from touring gave them the chance to reflect on some of life’s biggest challenges and bring greater attention to mental health.

Their first album since 2024’s upbeat ‘Millenials’ follows a rare break from the road over the past year. During that time, frontman Jack Cochrane also experienced a major change in his personal life as he welcomed his first child.

Along with getting used to fatherhood, the singer began thinking about deeper questions that the demanding touring lifestyle had previously left little room to consider. His reflections on growing up, dealing with loss and understanding what success really means gradually found their way into his writing, eventually shaping the direction of the band's more personal new album.

Fans were first introduced to the album earlier this year through ‘Summer Rain’, an emotional track exploring postnatal depression and the “fear of the future”. They later returned during the summer with the more hopeful ‘Defibrillator’, encouraging listeners to move beyond negative thoughts about themselves and find comfort in connecting with other people.

The Snuts, 2026.
The Snuts, 2026. CREDIT: Sam McGill

Speaking to NME about the creative shift behind their fourth record, Cochrane explained: “By taking a conscious break from life on the road and making records, my world opened up to let so much more of the real world in,” he said. “For the first time I was living then writing, not writing while trying to live.”

He also described how the change helped the band approach recording differently, adding: “It unlocked a new process that the band had been crying out for,” he continued. “The studio sessions were set up to allow us to be friends and not colleagues. Distraction and external pressures were completely eradicated from the recording environment, allowing us to trust our gut and have the conversations we needed to as humans.”

In the remainder of the interview, Cochrane also discusses his new role as an ambassador for mental health charity CALM and talks about starting a podcast designed to encourage more artists to speak honestly about their personal struggles.

NME: Hi Jack, congratulations on the new album. You’ve said that this record was about addressing the topics that you previously tried to hide from. What kinds of questions did you find yourself confronting?

Jack Cochrane: “I would say mainly, ‘What do I need to be happy?’… Eeek! It’s a big one I know, but having set out with the title ‘Joy In Short Moments’, I was able to spend my time searching for them and allow joy to do what joy does: compound and relieve the stresses of the modern world.”

That’s not the easiest question to find yourself confronting. Did you manage to find any answers along the way?

“Ultimately yes. With the completion of this record I was able to find a much happier healthier version of myself I had been so long yearning for.”

The album sees you deal with new themes, but musically we also see you return to the guitar-led sound from your early days. Did revisiting those roots make you notice how much has changed since you were starting out?

“For sure. We were able to remove any snobbery from the process. We’re no longer new kids on the block and with that came a new found ability to be really honest about the kind of noises we wanted to make and the type of artists that had originally inspired us.”

The Snuts 'Joy In Short Moments' artwork
The Snuts ‘Joy In Short Moments’ artwork. CREDIT: Press

This album goes hand in hand with you becoming an ambassador for CALM and launching your own podcast dedicated to checking in with fellow artists. Why was it important for you to get involved in the conversation about mental health?

“I think conversations and role models are absolutely essential for young people. I wanted to have more and do my best to be one. Every song on this record was born out of unfiltered, open and honest conversation.”

From talking to people on your podcast, including Louis Tomlinson, and using your platform to open up this dialogue, is there anything interesting that you’ve noticed?

“I think that more often than not, young men are finding it difficult to combat the struggles they are facing in this modern world. To me it feels like there are less and less spaces and opportunities to have meaningful, healing conversations…”

Having had those conversations yourself and explored them on the album, it must be somewhat daunting to now put it out into the world. Is there something that you hope people take from it?

“I’d like people to feel less alone after hearing the record and the themes intertwined with it. I think music is more than just heartbreak and I hoped in the writing of this record I would be able to highlight some more universally relevant topics.”

You have your headline tour coming up next month. What can we expect from the shows?

“Big smiles and big sound all round! It will be the most self assured Snuts tour to date.”

‘Life In Short Moments’ is out now Happy Artist Records in partnership with Virgin Music Group. Their UK and Ireland tour kicks off next month with an opening night in Dundee. Visit here for tickets and check out a list of tour dates below.

NOVEMBER 2026
19 – Dundee, Livehouse
20 – Aberdeen, Beach Ballroom
21 – Edinburgh, Corn Exchange
23 – Dunfermline, Alhambra Theatre
24 – Newcastle, O2 City Hall
26 – Sheffield, Octagon Centre
27 – Nottingham, Rock City
29 – Norwich, UEA
30 – Hull, City Hall

DECEMBER 2026
1 – Bristol, Prospect Hall
3 – Leeds, O2 Academy
4 – Manchester, O2 Victoria Warehouse
8 – Birmingham, O2 Academy
9 – Portsmouth, Guildhall
10 – London, O2 Academy Brixton

JANUARY 2027
26 – Belfast, Limelight
27 – Galway, Róisín Dubh
28 – Dublin, Academy

 
 
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