Sphere at the Venetian Resort, September 29: This stunning Vegas residency could push the future of live music performances forward

Ever since the colossal satellite screens of Zoo TV first crash landed into our consciousness in the early 90s, U2 have consistently pushed the technological envelope to the very edge whether that be by erecting 100 foot LED screens, giant lemons, cocktail sticks or claws.

Now, they’ve made the much hyped Las Vegas Sphere – a $2.3bn, 18,000 seater sci-fi structure which boasts 160,000 speakers and the biggest wraparound LED screen you’ve ever seen in your life – their new home for the next few months. They’ll perform 25 dates at the venue through to December, with the Sphere’s future to include sports events, music performances and more. Plans for a twin venue in London’s Stratford have advanced despite concerns about light pollution: no issue here, mind.The buzz around this venue has swirled like a desert sandstorm in recent months as giant space helmets, the Stars and Stripes, baby faces and even the moon have been projected on to the outside of this mind boggling forum, which is situated perfectly alongside the blinding lights of the Las Vegas strip.

Entering the inner sanctum of the Sphere for the first time and taking in the sheer scale of the screen itself, truly takes your breath away.

U2 at the Sphere, Las Vegas
U2 at the Sphere, Las Vegas. Credit: Stu Fish
 
U2 at the Sphere, Las Vegas
U2 at the Sphere, Las Vegas. Credit: Rich Fury

And of course despite the immense pressure on tonight’s opening show, brimming with a who’s who of stars including everyone from Bryan Cranston and Matt Damon to the likes of Paul McCartney, Jeff Bezos and LeBron James, U2 can always be relied upon to deliver a solid state of the art stage show. They pull off a dazzling series of technological tricks right from the outset as whirring drones whizz past the audience while everything from giant helicopters, falling letters, widescreen desert landscapes and even a projection of the Sphere itself come hurtling towards the audience.

The first half as expected is dominated by hits from ‘Achtung Baby’ with ‘Zoo Station”s thudding intro kicking proceedings off nicely as Bono – returning as his Fly alter-ego – slowly spins on a tiny turntable while The Edge, Adam Clayton and stand-in drummer Bram van den Berg (covering for Larry Mullen Jr. while he faces back surgery) colour in the sonics superbly.

Once the band roll into ‘Even Better Than The Real Thing’, a dizzying collage display in the style of Peter Blake featuring everyone from Elvis, to Nicolas Cage to The Queen’s Gambit actress Anya Taylor-Joy, slides down the screen.

Despite the early onslaught of breathtaking visuals, surprisingly the band almost abandon them for a good middle section of the show with the likes of ‘Rattle And Hum”s ‘All I Want Is You’, ‘Desire’ and ‘Angel Of Harlem’, which Bono dedicates to Macca (with a snippet of ‘Love Me Do’), being gently slipped into the set.

Even Achtung’s double punch of ‘Acrobat’ and the outstanding ‘Ultra Violet’ is devoid of any giant backdrop as the focus becomes squarely placed on all four members of the band.

U2 at the Sphere, Las Vegas
U2 at the Sphere, Las Vegas. Credit: Stu Fish
U2 at the Sphere, Las Vegas. Credit: Rich Fury

Of course Larry Mullen Jr’s absence from the line up “for the first time since 1978” is clearly noticeable tonight particularly on stadium slaying numbers like ‘Where The Streets Have No Name’ where his trademark drumstick clacking ahead of the spine tingling intro was a staple in U2’s set for many years. Van den Berg, who is celebrating his birthday tonight, has very big shoes to fill and he knows it. But he does a sterling job of picking up the baton from the long time drummer and co-founding member.

Wrapping up the show with ‘Elevation’ and new Blondie-cribbed single Atomic City’, Bono channels Elvis with a white Vegas style dinner jacket, swaggering against a giant cinematic backdrop of the bustling strip itself.

Reaching its cinematic climax, it feels like the band, venue and audience are transported to the vast depths of the Mojave Desert itself as they rattle off ‘Where The Streets Have No Name’, ‘With Or Without You’ and ‘Beautiful Day’. Edge previously pointed out that U2 are taking the live concert experience “to the next level” and this opening night does a fine balancing act of doing just that while also ensuring their music remains very much at the forefront.

And this is just the start of a stunning residency which will only continue to blossom with each passing night in this city of blinding lights.

U2 at the Sphere, Las Vegas
U2 at the Sphere, Las Vegas. Credit: @FlyByChicago
 
U2 in Las Vegas
U2 at the Sphere in Las Vegas CREDIT: Sam Jones

U2 played:

‘Zoo Station’
‘The Fly’
‘Even Better Than The Real Thing’
‘Mysterious Ways’
‘One’/’Purple Rain’/’Love Me Tender’
‘Until The End Of The World’
‘Who’s Gonna Ride Your Wild Horses’
‘Tryin’ To Throw Your Arms Around The World’
‘All I Want Is You’
‘Desire’/’Love Me Do’
‘Angel Of Harlem’/’Into The Mystic’/’Dancing In The Moonlight’
‘Love Rescue Me’
‘So Cruel’
‘Acrobat’
‘Ultraviolet (Light My Way)’
‘Love Is Blindness’
‘Elevation’/’My Way’
‘Atomic City’
‘Vertigo’
‘Where The Streets Have No Name’
‘With Or Without You’
‘Beautiful Day’/’Sgt. Pepper’s Lonely Hearts Club Band (Reprise)’/’Blackbird’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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