Singer explains how summer vibes and the Madchester classic “Loaded” inspired her first single since 2017

Lorde offered a full breakdown of her long-awaited new single, “Solar Power,” during an interview with Zane Lowe on Apple Music One Friday, June 11th.

The track, Lorde said, was borne during a summer on Martha’s Vineyard, when she came back from a long day of swimming and began playing around with a Yamaha DX keyboard. She said the melody reminded her of Robby Williams’ song “Rock DJ,” and when she later took the song’s skeleton to producer Jack Antonoff, she set about capturing a distinct summer vibe.

“We had all the windows open. It was summer. And then we just followed it through,” Lorde said. “I sampled cicadas on my phone for the last few summers. I was like, it has to have the cicadas in it. I really wanted to capture [that] there’s something so specific about the New Zealand summer.”

Along with the Robby Williams nod, Lorde cited Primal Scream’s “Loaded” as a major influence on the track. While Lorde said she arrived at the melody organically, she cited the 1990 Madchester classic as “100% the original blueprint for this,” and said Primal Scream’s Bobby Gillespie even offered his approval.

 

“I wrote the song on the piano and then we realized like, this is, it sounds a lot like ‘Loaded,’” Lorde said. “It’s just one of those crazy things that like, they just were the spiritual forebears of the song. I reached out to Bobby and he was so lovely about it. And he was like, you know, these things happen. You caught a vibe that we caught years ago. And he gave us his blessing.”

Elsewhere in the interview, Lorde spoke about inviting Phoebe Bridgers and Clairo to provide backing vocals on the song, marking the first time she’s had other vocalists sing on one of her songs. “I just knew it had to be a gang,” she said, adding, “the sentiments were not just mine alone to deliver. So yeah, it really it’s everything I hoped it would be in terms of having other people on it. It’s fun not to be alone. Finally.”

And Lorde offered a bit of a teaser for her forthcoming album, saying it, too, was inspired by both a steady process of rejuvenation and New Zealand summers. “I think people realize that about me now, I’m one who has to go away and figure it out and I’ll be back and I’ll bring you a full universe when I come back, but it takes me a minute,” she said. “And I feel like you can hear that in the work and the whole album. When we do sit down and talk about it, it just felt light and casual and playful, and that’s the zone that I’m in.”

A week ago marked the 100th birthday of B.B. King, and in celebration Joe Bonamassa and Josh Smith have put together a new album titled B.B. King’s Blues Summit 100. The record showcases many of King’s most memorable songs, brought to life once again by some of the finest Blues musicians of today. The project will be rolled out gradually, with 32 songs arriving in monthly batches leading up to the official release in February next year.
 
This first release introduces the opening five tracks from the album. Bonamassa has been a passionate admirer of King’s music for years, and it was B.B. King himself who gave a 12 year old Joe Bonamassa one of his earliest breaks, sharing the stage with him all those years ago.
 
“Very few musicians can be said to define the very style they perform in, and B.B. King is one of those rare figures,” Bonamassa explains. “When B.B. was alive and performing, he was the essence of the blues – he was the sun that every other star revolved around. Only a handful of artists become that guiding light for their genre, but he was without question that beacon.”
 
The opening set highlights five standout guest performers: Bobby Rush, Michael McDonald, Susan Tedeschi with Derek Trucks, George Benson, Kenny Wayne Shepherd, and D K Harrell.
 
Each of the five songs is a King classic, performed with real passion and skill. “Why I Sing The Blues” features Bobby Rush on vocals, “To Know You Is To Love You” showcases Michael McDonald alongside Susan Tedeschi and Derek Trucks, George Benson reconnects with his Blues roots on “There Must Be A Better World Somewhere,” Kenny Wayne Shepherd with Noah Hunt bring energy to “Let The Good Times Roll,” and the collection closes with D K Harrell delivering “Everyday I Have The Blues.”
 
The project has the unmistakable atmosphere of a heartfelt tribute, unlike some collections that feel routine or predictable. Every track feels full of life and sincerity. These first five songs come across vibrant and inspired, setting the tone for what is to come. It already leaves you eager to hear the next installment arriving next month.
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