Pusha T and Malice showcase new Let God Sort Em Out songs and revisit past classics during NPR visit

The reunited Clipse continued their promo tour in support of their new album Let God Sort Em Out with a visit to NPR’s Tiny Desk on Friday.

The duo of Pusha T and Malice were joined by an NPR-enlisted backing band that included the Lox drummer Daru Jones, keyboardists Darryl Woodson and Briley Harris, DJ Yoo Q!, and a pair of backup singers for the six-song set, which featured two songs apiece from 2002’s Lord Willin’, 2006’s Hell Hath No Fury, and their just-released first LP in 16 years.

A pair of Lord Willin’ tracks — “Virginia” and their hit “Grindin’” — bookended the performance, with Hell Hath No Fury’s “Keys Open Doors” and “Momma I’m So Sorry” then giving way to the Let God Sort Em Out one-two punch of “Chains & Whips” and “Birds Don’t Sing.”

Let God Sort Em Out marks Clipse’s first album since 2009’s Til the Casket Drops. “I feel like I don’t think we’re ever in a rush to put out the music, because when it’s ready and when the time is right, we know it’s right,” Pusha T told Rolling Stone earlier this year. 

“We didn’t foresee these twists and turns, but I think it always works out for the best. One thing that we always know, is that the music is incredible. So we don’t stress the back office stuff. We’ve always just gotten through off of the greatness of the music.”

The Tiny Desk gig also serves as a preview for the duo’s upcoming tour, which begins August 3 in Boston and will keep the Thornton brothers on the road through September 10 in Detroit.

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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