Justin Timberlake has paid tribute to D’Angelo, whose three solo albums — his debut Brown Sugar, 2000’s Voodoo, and 2014’s Black Messiah — reshaped the landscape of soul music and helped ignite a new era. Following D’Angelo’s passing on Oct. 14 at 51, Timberlake shared how the visionary’s work impacted his own musical journey and how he had the opportunity to meet him backstage at Radio City Music Hall.

“I’ll never forget hearing Brown Sugar for the first time. It changed me. You changed me,” wrote Timberlake in his letter posted to Instagram Stories, calling the record the “most pivotal moment in establishing confidence in my own voice.”

“For the first time, I heard a sound that reflected the sounds I grew up with – early R&B but *now* it was intertwined with a modern edge,” he continued. “The chords and arrangement carried a mixture of church/jazz/funk, the harmonies delicately dancing with one another. It sat in my spirit and always will.”

Timberlake went on to praise Voodoo as his “favorite mixed album of all time.” He added, “The legendary players and collaborators. The sounds, the way it made colors dance around my head. It grabbed me. It shook me. I was changed once again.”

The “Selfish” singer also said that the Voodoo tour stop at Radio City was “one of the best concerts” of his life. “You. Quest. Pino. Poyser. And everyone on that stage had just ripped the faces off that crowd,” Timberlake reminisced. “And then I was lucky enough to grab a sacred moment with you backstage. And tell you how in awe of you I was.” The singer said that his previously posted photo of him and D’Angelo was taken at that exact moment and when they met, he was “kind, under-spoken.” Timberlake added, “I will never forget that.”

While Timberlake said he could go on about D’Angelo’s breadth of work including his “favorite Lauryn collab,” to “put it the way I know best in this moment: you took R&B and put it in all capitals.”

“Your contribution will always be remembered. Sending love and prayers to your family. You will be missed deeply. 1 of 1. Rip trailblazer,” wrote Timberlake before signing off, “With love. One of your biggest fans.”

Timberlake joins a flood of artists across genres that have honored D’Angelo in tributes including Lauryn Hill, Beyoncé, Nile Rodgers, Missy Elliott, and more.

Reneé Rapp is seen as a “huge inspiration” by SZA.

The 25-year-old artist performed SZA’s Good Days in the BBC Radio 1 Live Lounge, accompanied by two acoustic guitarists and a harp player. SZA, 35, was deeply moved by the rendition.

She posted a short video of the moment on Instagram Stories and wrote: “Renee is a HUGE inspiration, energy, voice spirit.”

During her chat with the BBC, Renee shared her thoughts about the track. She said: “I mean, I love SZA. I mean, she was one of my favorite artists in high school. And she's remained one of my favorite artists to this day. I think she's amazing. She's also, I mean, she's an incredible songwriter, but I think because she has so much swag. People don't realize how good of a singer she is. She's a fantastic vocalist and is really, really, really articulate. And I don't cover a lot of songs anymore. So I wanted to cover something that was, like, slightly challenging and also really vocally impressive, and frankly, hard for me to do.”

Renee is currently in the middle of promoting her second album, Bite Me, and opened up about how much more enjoyable it was to create compared to her first project.

She explained: “I mean, I feel like everything was incredibly different. I stopped listening to people that don't make music, because if you don't make music, then why the hell am I listening to you. And I also think the biggest difference, I think I just got a lot better. I think I have just become a better songwriter. I think I understand how to make pop music now in a way that I didn't really before. And I was very sure about what this album was and thematically, what it needed.

“So I felt like I was quite like, headstrong in like, what was gonna work and what wasn't. Because, nobody knows something better than yourself. I think a lot of things were different. I also just, like, had a lot of fun making it, like, I made it with like, three people, mostly, like, it was always like, four of us in the studio all the time, and we got so close, and some of us were already so close. So it was also just like a mess. It was such a mess, like we were just tweaking every day. It was so fun. And I don't think I enjoyed making the first one as much.”

CONTINUE READING