NEWS
NBA YoungBoy was in Atlanta a few nights ago for the MASA Tour, and as expected, he delivered an intense show. His concerts have been packed from city to city, with the kind of high energy only his fans can bring. But just like the rest of this tour, the stop in Atlanta didn’t go by without its share of drama. Not long ago, his Chicago date was also called off.
After receiving the key to the city of Atlanta on Wednesday night under questionable circumstances, YoungBoy quickly saw the mood shift. State Farm Arena confirmed that his show scheduled for Saturday was officially canceled.
The venue didn’t provide a specific explanation, but it’s not hard to see why they might have made this decision. During his Wednesday set, YoungBoy performed “I Hate YoungBoy,” a track that directly calls out major Atlanta names like Lil Baby, Gucci Mane, and 21 Savage. The song also takes aim at Chicago artists
For YoungBoy’s fans, the cancellation is a big letdown. Those who attended the first night probably feel lucky, but the Saturday crowd won’t get the same chance. Ticketmaster has confirmed refunds for anyone who bought their passes through their platform, softening the blow a little.
This setback adds to the list of issues the rapper has faced during this run. Still, he has plenty of remaining stops, with the MASA Tour continuing through the end of November. His fanbase is loyal and strong, and a canceled show won’t stop crowds from filling other venues.
This moment in YoungBoy’s career is still a powerful one, and the support he’s received has been huge. Hopefully, the rest of the tour will go smoothly from here. For now, everyone’s waiting to see if State Farm Arena will give an official explanation for the sudden cancellation.
NEWS
Music photographer Jill Furmanovsky said she wasn’t taken aback by the overwhelming excitement surrounding the Oasis reunion tour.
The photographer has been capturing the Wonderwall hitmakers for more than thirty years and shared that the Oasis Live '25 Tour, which brought Noel and Liam Gallagher back on stage together for the first time in 16 years, worked so well because the concerts have always been “about the audience”.
Jill, who first crossed paths with Oasis at one of their early shows at the Cambridge Corn Exchange in 1994, explained to NME: “It didn’t catch us off guard, because Oasis have always been about the crowd. Always. There was never much to shoot on stage.
“Even at the Cambridge Corn Exchange, the performance itself was simple, but the people in the crowd knew every word and were completely swept up in it.
“And that hasn’t really changed over time. They just bring out that songbook and deliver it. Liam is still magnetic and captivating, even when he keeps it minimal. It remains incredibly powerful. That’s the essence of their show.”
Furmanovsky, who has photographed icons like Bob Dylan and Led Zeppelin over the course of her fifty-year career, added: “What they’ve done with this new tour, the production, and the visuals… it’s something special.
“The mix of generations in the crowd is also striking. I went with my 13-year-old granddaughter, and there were plenty of kids her age singing along word for word. It’s incredible.
“‘Biblical’ is the term people throw around. It sounds almost silly, but when two brothers who’ve been at odds for years come together again, there really is something biblical about that alone. Combine it with what they’re putting on stage… it’s unlike anything else.”
Jill’s latest book Trying To Find A Way Out Of Nowhere reflects her years documenting Oasis, and she shared that no current act matches what the Supersonic band represents. She was also able to photograph them once again at one of their massive Wembley Stadium shows during the reunion tour.
She said: “There aren’t many artists today who can step into the space Oasis occupies and actually live up to it.
“We’re in a different time now, a kind of in-between phase. It feels like the closing of a rock ‘n’ roll chapter. That doesn’t mean talent or creativity is gone. It’s like with painting — we still have great impressionists, but we’re no longer living in the impressionist era.”
