NEWS
NBA YoungBoy was in Atlanta a few nights ago for the MASA Tour, and as expected, he delivered an intense show. His concerts have been packed from city to city, with the kind of high energy only his fans can bring. But just like the rest of this tour, the stop in Atlanta didn’t go by without its share of drama. Not long ago, his Chicago date was also called off.
After receiving the key to the city of Atlanta on Wednesday night under questionable circumstances, YoungBoy quickly saw the mood shift. State Farm Arena confirmed that his show scheduled for Saturday was officially canceled.
The venue didn’t provide a specific explanation, but it’s not hard to see why they might have made this decision. During his Wednesday set, YoungBoy performed “I Hate YoungBoy,” a track that directly calls out major Atlanta names like Lil Baby, Gucci Mane, and 21 Savage. The song also takes aim at Chicago artists
For YoungBoy’s fans, the cancellation is a big letdown. Those who attended the first night probably feel lucky, but the Saturday crowd won’t get the same chance. Ticketmaster has confirmed refunds for anyone who bought their passes through their platform, softening the blow a little.
This setback adds to the list of issues the rapper has faced during this run. Still, he has plenty of remaining stops, with the MASA Tour continuing through the end of November. His fanbase is loyal and strong, and a canceled show won’t stop crowds from filling other venues.
This moment in YoungBoy’s career is still a powerful one, and the support he’s received has been huge. Hopefully, the rest of the tour will go smoothly from here. For now, everyone’s waiting to see if State Farm Arena will give an official explanation for the sudden cancellation.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
