“This is a rock concert!” Dave Growl excitedly told more than 20,000 fans as the Foo Fighters blazed through their first live set in front of an adoring crowd in over a year

In a stadium of 25,000 fans standing shoulder to shoulder eagerly awaiting their first star-studded concert in over a year, no one was more excited than Dave Grohl.  

“This is a fucking rock concert!” the Foo Fighters frontman said multiple times between the band’s set, as if he still couldn’t believe it himself. “In the last year, I’ve been having this dream that’s happening now.”

The Foos’ set was the closer for the night of May 2nd, following performances from Jennifer LopezJ Balvin, and Eddie Vedder (along with H.E.R.’s performance filmed from outside the stadium) for Global Citizen’s Vax Live: The Concert to Reunite The World at SoFi Stadium in Los Angeles. Organizers have called the event the country’s first-large scale music event for a Covid-compliant audience. (The special airs this Saturday, May 8th at 11 p.m. ET/PT.)

The country’s first sanctioned show of this size wasn’t without restriction. The 25,000 people in attendance was far lower than the 70,000 the L.A. stadium can seat, and attendees had to show proof of vaccination before they’d be allowed through the gate. Attendees were masked and alcohol and concessions weren’t available yet, but for the first time in a year, thousands of fans were allowed to sit within inches of one another to catch a show. After having received their Covid-19 vaccinations, those in the crowd are at a lesser risk than anyone to get infected, but Global Citizen still had zero margin for error. 

“Nervous is an understatement, everything had to be buttoned up,” Global Citizen CEO Hugh Evans tells Rolling Stone about preparing the event for health compliance. “We had to make sure everyone was fully vaccinated, we needed temperature checks and rapid testing on site, contact tracing, and limited capacity in every area of the production. It’s very intense, but we did it because we wanted to demonstrate that if you take the vaccine, this is the pathway to open up.”

Vax Live has two messages its performers and celebrity speakers preached throughout the night: Everyone in the U.S. should be getting a vaccine, and countries with more vaccines and resources must help other countries in need rather than hoard supplies.

“If you’re a government, please don’t stockpile, please make [the vaccine] available to the countries that need it, please distribute it ASAP,” Vedder, the first performer of the event, said before breaking into a cover of “I’m a Patriot. “And if you’re a drug company, we thank you for your inventions; we’re so grateful for the rollout. If you really want to be heroes, it’d be great if you could distribute the vaccine at cost.”

Government and world leaders — including President Joe Biden, Canadian Prime Minister Justin Trudeau, and Pope Francis — all made video appearances, calling for heightened unity in the effort to beat the pandemic by getting vaccinated and by helping nations in need of resources. 

Among the concert’s highlights, the Foo Fighters brought out AC/DC’s Brian Johnson as a surprise guest to perform “Back in Black,” a fitting move to usher in the return of live rock & roll, and the band played hits “Times Like These” “Best of You.” Predictably, but perhaps impossible to avoid performing at an event such as Vax Live, the band also played “My Hero,” dedicating the track to the essential workers who carried the country for the past year and made the concert possible. 

Elsewhere among an intricate flowery setup was Jennifer Lopez’s surprise rendition of “Sweet Caroline” — with lyrics delightfully on the nose, evoking a post-pandemic world in which hands can actually touch another’s hands. Lopez brought out her mother, who sang “Sweet Jennifer,” instead of Caroline, the same way she’d sing the song to her as a lullaby when Lopez was a child. 

Balvin gave a trippy, stellar set, performing from a gigantic rotating moon assembled on-stage before Lopez would come out once again with dozens of colorfully dressed dancers to perform “Ain’t Your Mama.” 

Vax Live had the star power befitting Los Angeles’s first live event in over a year. Selena Gomez hosted the evening, Sean Penn introduced Vedder, and Prince Harry spoke on the importance of combating misinformation surrounding the vaccine and the need to help less-resourced nations get doses. 

David Letterman joked about SoFi’s Spaceport design and about getting his beard vaccinated, and with plenty of award show-style schtick, Ben Affleck came onstage with Jimmy Kimmel, who donned a revealing Robin costume as a reference to Affleck’s role as Batman in recent films.   

The concert came with all the idiosyncrasies that usually accompany such an event that’s being pre-taped to air later on TV: Gomez would have to start back from the top of an introduction if she fumbled a word or if producers wanted another take, and fans had to wait for intricate stage setups between performances, which prevented the night from ever finding a true rhythm the way a normal concert would.

The concert is intended to be viewed as an edited and polished television broadcast but, in a way, the concert isn’t even the point. The night was really more of a symbol of what can happen when enough people get their vaccines — even more than a bespoke musical extravaganza.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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