“This is a rock concert!” Dave Growl excitedly told more than 20,000 fans as the Foo Fighters blazed through their first live set in front of an adoring crowd in over a year

In a stadium of 25,000 fans standing shoulder to shoulder eagerly awaiting their first star-studded concert in over a year, no one was more excited than Dave Grohl.  

“This is a fucking rock concert!” the Foo Fighters frontman said multiple times between the band’s set, as if he still couldn’t believe it himself. “In the last year, I’ve been having this dream that’s happening now.”

The Foos’ set was the closer for the night of May 2nd, following performances from Jennifer LopezJ Balvin, and Eddie Vedder (along with H.E.R.’s performance filmed from outside the stadium) for Global Citizen’s Vax Live: The Concert to Reunite The World at SoFi Stadium in Los Angeles. Organizers have called the event the country’s first-large scale music event for a Covid-compliant audience. (The special airs this Saturday, May 8th at 11 p.m. ET/PT.)

The country’s first sanctioned show of this size wasn’t without restriction. The 25,000 people in attendance was far lower than the 70,000 the L.A. stadium can seat, and attendees had to show proof of vaccination before they’d be allowed through the gate. Attendees were masked and alcohol and concessions weren’t available yet, but for the first time in a year, thousands of fans were allowed to sit within inches of one another to catch a show. After having received their Covid-19 vaccinations, those in the crowd are at a lesser risk than anyone to get infected, but Global Citizen still had zero margin for error. 

“Nervous is an understatement, everything had to be buttoned up,” Global Citizen CEO Hugh Evans tells Rolling Stone about preparing the event for health compliance. “We had to make sure everyone was fully vaccinated, we needed temperature checks and rapid testing on site, contact tracing, and limited capacity in every area of the production. It’s very intense, but we did it because we wanted to demonstrate that if you take the vaccine, this is the pathway to open up.”

Vax Live has two messages its performers and celebrity speakers preached throughout the night: Everyone in the U.S. should be getting a vaccine, and countries with more vaccines and resources must help other countries in need rather than hoard supplies.

“If you’re a government, please don’t stockpile, please make [the vaccine] available to the countries that need it, please distribute it ASAP,” Vedder, the first performer of the event, said before breaking into a cover of “I’m a Patriot. “And if you’re a drug company, we thank you for your inventions; we’re so grateful for the rollout. If you really want to be heroes, it’d be great if you could distribute the vaccine at cost.”

Government and world leaders — including President Joe Biden, Canadian Prime Minister Justin Trudeau, and Pope Francis — all made video appearances, calling for heightened unity in the effort to beat the pandemic by getting vaccinated and by helping nations in need of resources. 

Among the concert’s highlights, the Foo Fighters brought out AC/DC’s Brian Johnson as a surprise guest to perform “Back in Black,” a fitting move to usher in the return of live rock & roll, and the band played hits “Times Like These” “Best of You.” Predictably, but perhaps impossible to avoid performing at an event such as Vax Live, the band also played “My Hero,” dedicating the track to the essential workers who carried the country for the past year and made the concert possible. 

Elsewhere among an intricate flowery setup was Jennifer Lopez’s surprise rendition of “Sweet Caroline” — with lyrics delightfully on the nose, evoking a post-pandemic world in which hands can actually touch another’s hands. Lopez brought out her mother, who sang “Sweet Jennifer,” instead of Caroline, the same way she’d sing the song to her as a lullaby when Lopez was a child. 

Balvin gave a trippy, stellar set, performing from a gigantic rotating moon assembled on-stage before Lopez would come out once again with dozens of colorfully dressed dancers to perform “Ain’t Your Mama.” 

Vax Live had the star power befitting Los Angeles’s first live event in over a year. Selena Gomez hosted the evening, Sean Penn introduced Vedder, and Prince Harry spoke on the importance of combating misinformation surrounding the vaccine and the need to help less-resourced nations get doses. 

David Letterman joked about SoFi’s Spaceport design and about getting his beard vaccinated, and with plenty of award show-style schtick, Ben Affleck came onstage with Jimmy Kimmel, who donned a revealing Robin costume as a reference to Affleck’s role as Batman in recent films.   

The concert came with all the idiosyncrasies that usually accompany such an event that’s being pre-taped to air later on TV: Gomez would have to start back from the top of an introduction if she fumbled a word or if producers wanted another take, and fans had to wait for intricate stage setups between performances, which prevented the night from ever finding a true rhythm the way a normal concert would.

The concert is intended to be viewed as an edited and polished television broadcast but, in a way, the concert isn’t even the point. The night was really more of a symbol of what can happen when enough people get their vaccines — even more than a bespoke musical extravaganza.

The closing hours of Reading 2026 have finally arrived. Florence + The Machine brought the rain during ‘Dog Days Are Over’ at The Grid, opening the heavens and leaving the festival site completely soaked. The weary fans who have stayed behind are wet, exhausted and clearly feeling the effects of the weekend. What they need now is one final enormous celebration to make the wait worthwhile.

The Gallery tent comes alive as the speakers blast ‘Favourite’ by Friday’s headliners and fellow countrymen Fontaines D.C., receiving the kind of reaction usually reserved for ‘Mr Brightside’ at a drunken wedding reception. Moments later, Kneecap display their familiar statement accusing Israel of carrying out genocide against the people of Palestine and Lebanon, with support from the UK government. It captures the Belfast rap trio perfectly, combining serious political messages with an unapologetic party atmosphere.

“We use our platform to talk about what we believe is right,” Mo Chara explains during the performance, before recognising those who “aren’t so fucking lucky” and whose voices have been suppressed. He soon encourages the audience to roar “fuck Netanyahu” and “free free Palestine”. Later, he starts a powerful chant of “Aaaaaa-ndy Buuurn-ham’s a waaaaaaan-ker” to the melody of ‘Seven Nation Army’, targeting our new Prime Minister over his claim that “a united Ireland is off the table”. Laughing, he asks: “The BBC won’t broadcast that, or will they?” As it turned out, they did not.

Kneecap fans at Reading 2026. Credit: Andy Ford for NME
Kneecap fans at Reading 2026. Credit: Andy Ford for NME

Away from the headlines and the controversy, there is no denying the connection Kneecap have built with their audience. Politics may shape the conversation, but the crowd also came to enjoy themselves, ready for a rave after the rally. The performance begins carefully with the heavy rumble of ‘Smugglers & Scholars’, before exploding during the Grian Chatten collaboration ‘Better Way To Live’ and the threatening energy of ‘Sick In The Head’. “Are ya ready for a mad one?” Mo Chara shouts. The response is already obvious.

The atmosphere becomes increasingly chaotic as the hip hop rhythm of ‘Cold At The Top’ and the hypnotic trance sounds of ‘An Ra’ send the entire tent into motion. The trio jokingly thank the UK for everything it has given Ireland, listing UKIP, fish and chips, a mental health crisis, Jimmy Saville, HP Sauce and Bloody Sunday. However, the show reaches another level once the second half begins. The explosive ‘Sayonara’ brings the ‘beef’ to ‘IBEEFA’, while ‘Get Your Brits Out’ and ‘Guilty Conscience’ give the crowd every reason to obey Móglaí Bap’s demand to “oooopen up the piiiiiit”.

 

Kneecap fans at Reading 2026. Credit: Andy Ford for NME
Kneecap fans at Reading 2026. Credit: Andy Ford for NME

Anyone watching closely may have questioned why the cameras continued to focus on Móglaí Bap and Mo Chara. The pair eventually reveal that they have spent recent weeks performing alongside a “provisional” DJ Próvai. Wearing the familiar tricolour balaclava, the temporary replacement handles his role as the crowd agitator with confidence while their bandmate enjoys some paternity leave. “Some things are more important than music, and that’s family,” they explain. How sweet. Móglaí Bap quickly destroys the tender moment by adding: “As you might know, the Brits took all our potatoes from Ireland; they took all our cocaine,” before declaring, “but we still have all our caaandy.” The group then charge directly into one of the biggest tracks ever written about extremely powerful ketamine.

‘Liar’s Tale’ sparks another huge reaction with its response to Keir Starmer, “genocide armer”, while the group warn that “you’re not getting away with doing nothing”. It is a politically charged message hidden inside an irresistible anthem from musicians who have experienced the “belly of the beast” through the legal system. Their latest album, ‘Fenian’, has helped Kneecap fully embrace the celebration that has always been part of their identity. Their live production now feels capable of filling arenas, blending the intimacy of a late night lock in with the rhythmic force and visual scale of The Chemical Brothers, the reckless electronic punk spirit of The Prodigy, and the fearless political honesty of Public Enemy. The spectacular visuals complete the experience.

Kneecap fans at Reading 2026. Credit: Andy Ford for NME

Kneecap fans at Reading 2026. Credit: Andy Ford for NME

Closing with the powerful combination of ‘Fenian’, ‘H.O.O.D.’ and the enormous ‘The Recap’, Kneecap bring our final celebration at Reading to a thrilling conclusion while also finishing their last festival appearance of the summer. “It’s been a pleasure to spend it with you mad c**ts,” Mo Chara says before leaving the stage. The feeling is mutual.

Return to NME here for the newest reports, reviews, photographs, conversations and further coverage from Reading & Leeds 2026.

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