The entertainment world has reacted to the news that a ceasefire has been reached between Israel and Palestine in Gaza.
Yesterday (January 15), US president Joe Biden confirmed the deal, which will take effect this Sunday (January 19) and will see the withdrawal of Israeli forces in Palestine, along with the release of all the remaining hostages. The United Nations also responded that the deal allows the ramping up of the delivery of aid to Palestinians, per BBC.
Model Bella Hadid, who is of Palestinian descent – and has continually advocated for an end to the war with sister Gigi – shared on Instagram Stories a clip of Palestinians celebrating the deal. “My heart is in pieces”, she wrote. “There’s just so much to say”.
Rapper Macklemore, who released the singles ‘Hind’s Hall’ and ‘Hind’s Hall 2’ in benefit of Palestinian aid, shared his elation on social media with a clip of children hearing the news. “Tears….CEASEFIRE!!! FREE PALESTINE”, he wrote.
Scream actress Melissa Barrera, who was dropped from the horror film franchise after sharing a social media post in support of Palestine, shared a string of emojis expressing her relief and excitement, adding: “Until liberation”.
Kehlani, while celebratory, acknowledged the anxieties around the ceasefire deal while calling it a part of “first steps”.
“I know we all feel still deeply incredibly worried and mistrusting of the regime and its potentials, but also rn, imma cry at all the Gazan joy and relief,” she wrote on Threads, “worth celebrating. deeply.”
Paloma Faith expanded on these sentiments, writing in an Instagram Story she’s “almost sad and scared about the ceasefire now”.
“It worries me what they will do before the ceasefire and the aftermath and trauma endured by all those families who have witnessed unspeakable things, been tortured, lost family members, all the orphaned children, the childless parents, the PTSD they will live with forever,” she wrote.
“No where to live, no where to go, a wasteland…. It’s unthinkable and unforgivable”.
Other artists also stood firm on the seriousness of the fatalities in Palestine, along with what the country still faces. Primal Scream shared an Instagram Story with a picture of wounded Palestinian children, writing that the deal is a “ceasefire in name only”.
Rap trio Kneecap tweeted that “we must not forget what Israel has done”.
“They need to be sanctioned and their leadership arrested and prosecuted,” they wrote. “They’ve murdered 100,000 people, mostly kids, and left Gaza as an unliveable wasteland.”
Reuters reported that, since the ceasefire was announced, airstrikes were intensified in Gaza by Israeli forces.
Over the last year, the conflict also drew criticism from the likes of Roger Waters – who attacked Thom Yorke and Jonny Greenwod for their stance on the war – along with Massive Attack, Young Fathers, Brian Eno, and Fontaines D.C., some of whom, along with R.E.M, Bastille and others, read out letters from Palestinians suffering in Gaza as part of a ‘Voices For Gaza’ initiative in early 2024.
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Fontaines D.C. members Carlos O’Connell and Tom Coll have been behind the production of the forthcoming second album from French indie outfit Film Noir. To introduce the project, the band has unveiled the paired singles ‘VIENS TIENS TOI’ and ‘VEGITA’, which you can listen to below.
The Fontaines D.C. guitarist and drummer worked alongside Film Noir at La Frette Studios just outside Paris. The renowned recording space is also where Arctic Monkeys created their two most recent albums, ‘Tranquillity Base…’ and ‘The Car’.
O’Connell is partnered with Film Noir vocalist Joséphine de La Baume, who is also known for her work as an actor, filmmaker and model. Together, they share two children, with their first child serving as the inspiration for Fontaines’ 2025 track ‘It’s Amazing To Be Young’.
Reflecting on the project while announcing his role in the album, O’Connell shared on social media: “In early 2020 I walked into a gig in a club in Paris and was introduced to a band called Film Noir. I fell in love with the singer, I went on to make babies with her to to fall in love twice again with them.
“A little while back myself, [Coll] and @filmnoirmusic went to La Frette and recorded their upcoming record.”
The guitarist continued: “Producing this record was one of the most beautiful experiences I’ve had. Blessed to have so many. This album means the world to me & I hope it’ll mean something to many more.”
Film Noir have offered an early look at the still untitled album through the release of ‘VIENS TIENS TOI’ and ‘VEGITA’. O’Connell handled production duties on both tracks, while Coll contributed drums. O’Connell also took care of mixing on ‘VEGITA’.
Opening with a light acoustic arrangement, ‘VIENS TIENS TOI’ gradually unfolds into a dreamy sound shaped by shoegaze influences. In contrast, ‘VEGITA’ leans into a brighter, surf inspired feel that complements de La Baume’s floating vocal performance.
The group has also released a behind the scenes video capturing moments from the recording sessions for their sophomore album, which can be viewed below. At this stage, no official release date has been announced.
Back in spring 2020, O’Connell collaborated with Film Noir on a rendition of Lee Hazlewood’s ‘For A Day Like Today’ (via LiveForever). When the track arrived, the band described the guitarist as “a great supporter of the European rock scene and a common friend”.
Film Noir first emerged with their debut EP, ‘Vertiges (Men Of Glory)’, in 2019, followed by ‘Tendrement’ a year later. Their first full length album, ‘Palpitant’, arrived in 2022.
Outside of music, Joséphine de La Baume portrayed Marie in the 2011 film adaptation of One Day alongside Anne Hathaway. She has also appeared in Apple TV’s The New Look and the Polish period feature Chopin, a Sonata in Paris.
O’Connell also produced the self titled debut album from Dead Dads Club, the new project led by former Palma Violets singer Chilli Jesson. Released in 2026, that record was also created at La Frette Studios.
Speaking with NME earlier this year, O’Connell explained that the French studio “feels like a home”. He continued: “There’s nothing about it that feels corporate or constrained by time. My mind goes into this creative mode in which I can hear things in a certain way, and it doesn’t stop until I leave the building.”
Jesson also spoke about the experience, saying: “It was really organic. Carlos, on one of the tours we were on together, was working on a Film Noir album, and he was always mixing it and playing around with sounds. He’d just come out of the studio at La Frette and to see that process, with the production, I was like, ‘Holy shit.’ I’d been in a world where it was all on the computer, and then suddenly he’s talking about a fucking bass drum that’s two metres long.’”
More recently, Fontaines D.C. contributed music to the soundtrack for Peaky Blinders: The Immortal Man. The band also appeared on the collaborative charity release ‘Help(2)’, which supports War Child.
The group are preparing to return to the stage this summer for their first performances in nearly a year, beginning with three headline concerts in Spain before taking on their first ever top billing appearances at Reading & Leeds 2026.
Their schedule also includes a headline performance at Electric Picnic in Ireland, alongside appearances at European and American festivals including Frequency, La Route du Rock and Shaky Knees.
Discussing new material with NME at the beginning of the year, O’Connell revealed: “We’ve been writing, it’s been fun. We’re at [Reading & Leeds] and there are a couple of shows before that. I think if the music is there, it could get busy.”
Asked whether any fresh songs could appear during the Reading & Leeds performances, he responded: “I’d say so. If there is stuff written, then I would say so, yeah. That’s what we used to do all the time, play the new stuff live, songs that weren’t even finished. It’s a good way to test the songs.”
O’Connell was also asked whether elements of the visual production from the ‘Romance’ era might carry over into the band’s 2026 shows. “I think ‘Romance’ was so intense in every [way]… the visual, the production, the setlist… It wasn’t just about the music,” he explained.
“It’s almost a bit of the identity of the band now, but I guess that’s the decision to make. Does that become the identity of the band, or actually, it’s just a phase and you reinvent it? I don’t know.”
He went on to add: “I personally like the idea of revisiting some old stuff at Reading & Leeds, making the setlist maybe a bit more ‘Dogrel’ heavy. I’m excited about that. I’ve been listening to music like that much more. This morning I was listening to Sonic Youth. I want to go [in] that direction, but we’ll see, because anything could happen now, literally anything.”
‘Romance’ ultimately secured the Number Two spot on NME‘s list of the 50 best albums of 2024, finishing just behind Charli XCX’s ‘Brat’.
