NEWS
Megan Thee Stallion has sued a YouTuber who alleging she spread lies about her case with Tory Lanez and their creation of deepfake porn.
As per Billboard, the Texas-born singer and rapper – whose real name is Megan Pete – has filed a lawsuit against YouTuber Milagro Gramz – real name Milagro Elizabeth Cooper – after claiming that she is a “mouthpiece and puppet” for Lanez and accused Cooper of “churning out falsehoods”.
The suit also claimed that the YouTube personality was carrying out a public campaign to “denigrate, belittle, insult, and spread false statements” about the ‘Savage’ singer and included allegations of “cyberstalking, intentional infliction of emotional distress, and invasion of privacy.”
Pete’s attorneys at the law firm Quinn Emanuel have alleged that Cooper had intentionally spread lies and misinformation about the case by questioning if the rapper was actually shot in the feet, claiming that Pete had been “caught trying to deceive the courts” and that the weapon used by Lanez during the incident had supposedly gone missing.
The rapper’s lawyers stated that Cooper’s posts had “recklessly disregarded the truth and suggested that the firearm was never presented in court because it had allegedly disappeared. It has not. The firearm remains in the custody of the Los Angeles Police Department,” (per Stereogum).
They also accused Cooper of allegedly sharing a link to an AI-generated deepfake porn video of the ‘WAP’ singer. Though she is not being accused of creating the video, Pete’s lawyers did claim that she had “willfully and maliciously promoted” the video by encouraging her followers to watch it (as per Stereogum). The attorneys also cited a Florida statute that banned “altered sexual depictions” of real people.
Lanez – real name Daystar Peterson – was sentenced to 10 years in prison last August an incident that took place in 2020, when the singer and rapper was shot in both feet by Lanez after attending a party.
The ‘Traphouse’ singer was found guilty of all three charges pegged against him: one count of assault with a semiautomatic firearm; one count of carrying a concealed, loaded, and unregistered firearm in a vehicle; and one charge of discharging a firearm with gross negligence.
Pete has opened up about the whole incident in her new documentary Megan Thee Stallion: In Her Words, which was released today (October 31) via Amazon Prime Video, a previous press release for the film read: “The documentary will provide viewers with an intimate perspective into Megan’s life and career. From delving into Megan’s upbringing in Texas to chronicling key milestones in her career, the project will shed light on the many facets of the Houston native’s multilayered personality.
“With a mix of rare archival footage and fresh verité video, the documentary will highlight Megan’s rise from viral freestyling phenom to iconic cultural powerhouse. Beyond amplifying the Houston native’s journey to success, the project will also touch on how Megan overcame various personal hurdles to thrive in her professional career.”
In other news, Megan Thee Stallion recently released her latest LP ‘Megan: Act II’. In a five-star review of the LP, NME shared: “On ‘Act II’, Megan confirms why she’s “the baddest bitch out right now” once again. Despite all the adversity that has plagued her in recent years, she firmly stands atop the rap world as the princess of rap, gazing down from her pedestal while polishing her tiara – maybe there’s a coronation on the horizon very soon.
NEWS
Fontaines D.C. members Carlos O’Connell and Tom Coll have been behind the production of the forthcoming second album from French indie outfit Film Noir. To introduce the project, the band has unveiled the paired singles ‘VIENS TIENS TOI’ and ‘VEGITA’, which you can listen to below.
The Fontaines D.C. guitarist and drummer worked alongside Film Noir at La Frette Studios just outside Paris. The renowned recording space is also where Arctic Monkeys created their two most recent albums, ‘Tranquillity Base…’ and ‘The Car’.
O’Connell is partnered with Film Noir vocalist Joséphine de La Baume, who is also known for her work as an actor, filmmaker and model. Together, they share two children, with their first child serving as the inspiration for Fontaines’ 2025 track ‘It’s Amazing To Be Young’.
Reflecting on the project while announcing his role in the album, O’Connell shared on social media: “In early 2020 I walked into a gig in a club in Paris and was introduced to a band called Film Noir. I fell in love with the singer, I went on to make babies with her to to fall in love twice again with them.
“A little while back myself, [Coll] and @filmnoirmusic went to La Frette and recorded their upcoming record.”
The guitarist continued: “Producing this record was one of the most beautiful experiences I’ve had. Blessed to have so many. This album means the world to me & I hope it’ll mean something to many more.”
Film Noir have offered an early look at the still untitled album through the release of ‘VIENS TIENS TOI’ and ‘VEGITA’. O’Connell handled production duties on both tracks, while Coll contributed drums. O’Connell also took care of mixing on ‘VEGITA’.
Opening with a light acoustic arrangement, ‘VIENS TIENS TOI’ gradually unfolds into a dreamy sound shaped by shoegaze influences. In contrast, ‘VEGITA’ leans into a brighter, surf inspired feel that complements de La Baume’s floating vocal performance.
The group has also released a behind the scenes video capturing moments from the recording sessions for their sophomore album, which can be viewed below. At this stage, no official release date has been announced.
Back in spring 2020, O’Connell collaborated with Film Noir on a rendition of Lee Hazlewood’s ‘For A Day Like Today’ (via LiveForever). When the track arrived, the band described the guitarist as “a great supporter of the European rock scene and a common friend”.
Film Noir first emerged with their debut EP, ‘Vertiges (Men Of Glory)’, in 2019, followed by ‘Tendrement’ a year later. Their first full length album, ‘Palpitant’, arrived in 2022.
Outside of music, Joséphine de La Baume portrayed Marie in the 2011 film adaptation of One Day alongside Anne Hathaway. She has also appeared in Apple TV’s The New Look and the Polish period feature Chopin, a Sonata in Paris.
O’Connell also produced the self titled debut album from Dead Dads Club, the new project led by former Palma Violets singer Chilli Jesson. Released in 2026, that record was also created at La Frette Studios.
Speaking with NME earlier this year, O’Connell explained that the French studio “feels like a home”. He continued: “There’s nothing about it that feels corporate or constrained by time. My mind goes into this creative mode in which I can hear things in a certain way, and it doesn’t stop until I leave the building.”
Jesson also spoke about the experience, saying: “It was really organic. Carlos, on one of the tours we were on together, was working on a Film Noir album, and he was always mixing it and playing around with sounds. He’d just come out of the studio at La Frette and to see that process, with the production, I was like, ‘Holy shit.’ I’d been in a world where it was all on the computer, and then suddenly he’s talking about a fucking bass drum that’s two metres long.’”
More recently, Fontaines D.C. contributed music to the soundtrack for Peaky Blinders: The Immortal Man. The band also appeared on the collaborative charity release ‘Help(2)’, which supports War Child.
The group are preparing to return to the stage this summer for their first performances in nearly a year, beginning with three headline concerts in Spain before taking on their first ever top billing appearances at Reading & Leeds 2026.
Their schedule also includes a headline performance at Electric Picnic in Ireland, alongside appearances at European and American festivals including Frequency, La Route du Rock and Shaky Knees.
Discussing new material with NME at the beginning of the year, O’Connell revealed: “We’ve been writing, it’s been fun. We’re at [Reading & Leeds] and there are a couple of shows before that. I think if the music is there, it could get busy.”
Asked whether any fresh songs could appear during the Reading & Leeds performances, he responded: “I’d say so. If there is stuff written, then I would say so, yeah. That’s what we used to do all the time, play the new stuff live, songs that weren’t even finished. It’s a good way to test the songs.”
O’Connell was also asked whether elements of the visual production from the ‘Romance’ era might carry over into the band’s 2026 shows. “I think ‘Romance’ was so intense in every [way]… the visual, the production, the setlist… It wasn’t just about the music,” he explained.
“It’s almost a bit of the identity of the band now, but I guess that’s the decision to make. Does that become the identity of the band, or actually, it’s just a phase and you reinvent it? I don’t know.”
He went on to add: “I personally like the idea of revisiting some old stuff at Reading & Leeds, making the setlist maybe a bit more ‘Dogrel’ heavy. I’m excited about that. I’ve been listening to music like that much more. This morning I was listening to Sonic Youth. I want to go [in] that direction, but we’ll see, because anything could happen now, literally anything.”
‘Romance’ ultimately secured the Number Two spot on NME‘s list of the 50 best albums of 2024, finishing just behind Charli XCX’s ‘Brat’.
