Last Summer, Hot97 had a shake-up at the radio station, which led to the dismissal of names like Ebro, Peter Rosenberg, Laura Stylez, and even DJ Enuff. At the time, there were fears that Funk Flex would be let go as well, although that turned out not to be the case.

Not long after he departed from the radio station, DJ Enuff told TMZ that he believed Flex had a hand in getting him fired. This led to widespread debate, with Peter Rosenberg claiming that Funk Flex had nothing to do with it. Furthermore, Rosenberg suggested that the corporate branch of the station wanted everyone to turn on each other.

Now, almost a year later, Funk Flex is leveling a response against DJ Enuff. In fact, he is accusing the long-time DJ of taking payola. For those who may not know, payola is the act of taking money and then playing specific songs or albums on the radio in return. Effectively, it is a bribe.

Funk Flex Makes Accusations Against DJ Enuff

"DJ ENUFF / HEAVYHITTERS I GOT U FIRED?," Funk Flex asked. "DID FRENCH MONTANA PAY U 25k FOR THE HEAVYHITTER CONFERENCE CALL? DID MAINO PAY YOU 40k FOR THE MIXSHOW LIST ADDS? WAS NORE OFFERED A “DISCOUNT” OF $2,500 FOR A MONTH OF SPINS? DID MYLES BRANDO PAY U 10K TO PERFORM AT MIXSHOW MEETING AND GET ADDED TO MIXSHOW LIST? WAS DJ WAVY ASKED TO PAY $2,500 TO SPIN ON SUMMER MIX WEEKEND?"

These are serious allegations, especially when you consider how payola is a crime that can come with grave penalties. For instance, if someone were to be convicted of the act, they could face five-figure fines and even jail time.

At press time,DJ Enuff has yet to respond to the allegations.

Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.

The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.

He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.

“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”

Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.

He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.

Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”

Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.

During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."

Rosalía joked that Bono had invented a few words of his own.

She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”

She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.

She added: “Bono is a legend.

“It's amazing.”

Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.

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