Blossomsmania is in full force at this cheery, beery gig, which has something of the atmosphere of an indie Last Night of the Proms

In the 11 years since they began rehearsing in the bass player’s grandfather’s scaffold yard, Blossoms have completed a metamorphosis from bowl-cutted indie psychedelic types to dewy-eyed keyboard-driven bouncing pop. The Stockport quintet’s four No 1 albums position them somewhere between early Arctic Monkeys and a poppier New Order. They’ve built up a loyal and loud fanbase, who hold two-pint glasses of lager aloft tonight and have clearly come for a cheery, beery sing-song.

The audience bellow every line of opener Your Girlfriend and even yell along with the instrumental bits of I Can’t Stand It. Vocalist Tom Ogden doesn’t bother with the first verse of The Keeper, knowing the crowd will sing it for him. The atmosphere is something like an indie-pop Last Night of the Proms, although sonically, with the musicians almost inaudible at times, it’s more like hearing a pub full of people singing to a jukebox.

In a white flowing scarf reminiscent of Night Fever-era Bee Gees, Ogden has no qualms about encouraging Blossomsmania, urging the crowd to “scream!” or dividing them into sections to encourage them to yell. You can tell which are the slighter numbers – Perfect Me, or Care For – because the audience quieten and it’s suddenly possible to fully hear the band.

Blossoms on stage

Blossoms have been touring medium-sized venues for a while now, and will need to find an extra gear to get to the next level. They could become funkier, making full use of Charlie Salt’s nimble bass lines, which, when audible, are reminiscent of Chic’s Bernard Edwards. I Like Your Look is basically that band’s I Want Your Love reincarnated for the indie disco.

The songs aren’t big on emotional heft or profound insights but are often insanely catchy. The new Gary improbably concerns the real life theft of a fibreglass gorilla – a replica of which duly appears on stage, “Scaled down to six feet, so we could get it in the building,” Ogden explains. The crowd grow louder, and singles bangers There’s a Reason Why (I Never Returned Your Calls) and Charlemagne produce the biggest sing-songs of the night.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

CONTINUE READING