The set featured Chuck Berry's "Little Queenie," Hank Williams' "Cold, Cold Heart," and a reunion with drummer Jim Keltner

Before Bob Dylan even walked onstage Friday night to kick off the summer Outlaw Music Festival tour at Ameris Bank Amphitheater in Alpharetta, Georgia, word circulated through the fan community that big changes were afoot in Dylan World. Super fan Ray Padgett was on site with early reports that gospel-era drummer Jim Keltner was taking over from Jerry Pentecost, and pedal steel player Donnie Herron was out after a 19-year stint in the band.

But nobody was prepared for the remarkable show that followed, which was one of the most surreal and unpredictable nights in the 36-year history of the Never Ending Tour. After three years of playing a static set built around his 2020 LP, Rough and Rowdy Ways, and select deep cuts from the past, Dylan presented a completely new show heavy on Fifties covers and his original tunes from the past two decades. The only songs recorded prior to the turn of the millennium were 1990’s “Under the Red Sky” and 1975’s “A Simple Twist of Fate.”

The tone for the night was set when he opened with a cover of Willie Dixon’s 1955 blues standard “My Babe.” Later in the evening, he broke out Chuck Berry’s 1959 classic “Little Queenie,” the Fleetwoods’ 1959 hit “Mr. Blue,” the 1951 Hank Williams masterpiece “Cold, Cold Heart,” and Sanford Clark’s 1956 rockabilly hit “The Fool.”

There’s no record of him playing any of them throughout the course of his career. There wasn’t a single selection from Rough and Rowdy Ways, but he did break out four songs (“Early Roman Kings,” “Long and Wasted Years,” “Pay in Blood,” and “Scarlet Town”) from 2012’s Tempest.

Willie Nelson is headlining every night of the Outlaw tour, but hours before showtime, news hit that that he was under the weather and would be missing the first four shows “per doctor’s orders.” Lukas Nelson and the Family Band subbed in. That meant fans who bought tickets hoping to see the elder Nelson and hear their favorite Dylan Sixties tunes were in for a long evening. They did, however, get to see Robert Plant and Alison Krauss cover Led Zeppelin’s “Rock and Roll” and “The Battle of Evermore,” along with “Gone Gone Gone,” “Please Read the Letter,” and “Rich Woman” from their own albums. Celisse took the stage first.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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