The last time Olivia Rodrigo played at The O2 arena in London, she was still wearing her L plates. Her performance of ‘Driver’s License’ at the 2021 Brit Awards was her first-ever live performance, broadcast on national television and to her peers – it can be brutal in here. Tonight (May 14), she arrives bolshy, brilliant and occasionally chaotic; time as a teenager moves quickly, recklessly, and now, three years later aged 21, she knows that better than most.

Heading to see the ‘Guts‘ World Tour is akin to catching a big summer blockbuster on the silver screen. It rolls into town, dominating discourse, and much of tonight’s key set-pieces and have already been shared – extensively – on social media feeds and Instagram’s For You tab since the tour kicked off in the US earlier this spring. The two exceptions are Olivia’s personalised messages on her white tank-top – “Bad idea, innit?” – and a brief wardrobe malfunction during ‘Love Is Embarrassing’; “I almost just flashed you! That’s so embarrassing,” she laughs at the song’s conclusion.

Much like her pop contemporaries, Rodrigo’s shows offer a refuge from the outside pressures of the world, a message that resonates with her young crowd (and a few parents who relish the chance to show up their child on the big screen.) “If I was giving my 18 year-old advice,” she says, “it’d be to not worry so much.” This show thrives when it, in fact, worries way too much: opening gambit ‘Bad Idea, Right?’, ‘Ballad Of A Homeschooled Girl’ and ‘Brutal’ are lovingly neurotic, punchy and large in their arena-sized execution. ‘All-American Bitch’ flips the script from self-loathing to some well-deserved finger pointing at societal expectations for young women: “I don’t get angry when I’m pissed / I’m the eternal optimist”.

NEW YORK, NEW YORK – APRIL 05: Olivia Rodrigo performs onstage during the Olivia Rodrigo Sold-Out GUTS World Tour at Madison Square Garden on April 05, 2024 in New York City. (Photo by Kevin Mazur/Getty Images for Live Nation)
Hitting arenas on only your second album does come with drawbacks. There are a few too many deep cuts that don’t quite fill the room, though ‘Lacy’ and ‘Jealousy, Jealousy’ fare better than rest, as do debut album cuts ‘Traitor’ and ‘Favourite Crime’. The staging throughout is impressive and eye-catching, including a moment that features Rodrigo riding on the crescent of a large half-moon that’s suspended through the crowd. The general hue of purple throughout the venue – on sparkling cowboy hats and feather boas – could well have turned green with the envy at the core of breakup anthems ‘Good 4 U’ and ‘Deja Vu’, two undeniable highlights.

It’s the songs that pick at the deepest wounds that resonate with tonight’s crowd. ‘Vampire’’s stunning build from a piano ballad to jaunty clap-back to the people who should know better is one of many howl-along moments. The raw regret of ‘Drivers Licence’ brought her to this venue a few years ago, but now, it’s sung with both the lived experience and confidence that comes only from someone who’s moved on to even bigger and better things; there’s no denying that Rodrigo has certainly done that and will continue to do so.

Olivia Rodrigo played:

‘Bad Idea Right?’
‘Ballad Of A Homeschooled Girl’
‘Vampire’
‘Traitor’
‘Drivers License’
‘Teenage Dream’
‘Pretty Isn’t Pretty’
‘Love Is Embarrassing’
‘Making The Bed’
‘Logical’
‘Enough For You’
‘Lacy’
‘So American’
‘Jealousy, Jealousy’
‘Happier’
‘Favorite Crime’
‘Deja Vu’
‘The Grudge’
‘Brutal’
‘Obsessed’
‘All-American Bitch’
‘Good 4 U’
‘Get Him Back!’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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