March 15, The O2: two weeks after making history on the arena’s stage at the BRITs, the London singer returns with an orchestra-backed performance that’s nothing short of a triumph

The last time we saw RAYE on this stage, she was making history. Two weeks ago, she picked up a record-breaking six BRIT Awards during the annual ceremony held at London’s The O2, including the coveted trophy for British Album of the Year. Tonight, her first time headlining the same venue (in a show that sold out in less than a day, no less), feels like another key moment in the artist’s musical history.

Joined on stage by the Heritage Orchestra and vocal group Flames Collective, RAYE is here to put on a show dubbed ‘My 21st Century Symphony’ for the second time following a previous version at the Royal Albert Hall last year. It sees her critically acclaimed debut album, ‘My 21st Century Blues’, given the orchestral treatment, with huge, cinematic arrangements accompanying each of the songs.

It’s a triumphant celebration of an album that RAYE had to fight to put out. In 2021, while signed to a major label, she revealed on social media: “I have been on a 4 ALBUM RECORD DEAL since 2014 !!! And haven’t been allowed to put out one album.” Several weeks later, she announced that she’d split from said label and was now an independent artist, and in 2022 started sharing new music. In early 2023, the singer was finally able to share her first album, a powerhouse project that’s further elevated by the orchestra accompaniment.

RAYE’s joy at performing tonight is evident from the moment she runs on stage and exclaims, “What the fuck!” before launching into a soaring rendition of ‘Oscar Winning Tears’. Throughout, her effortless vocals – reminiscent of Amy Winehouse or nostalgic jazz club singers – fly across the orchestra, melismatic runs soaring through the huge arena and scat singing incorporated. In between songs, though, the star is all breezy charm, easily entertaining the crowd like fellow pop heroes Adele or Lewis Capaldi.

Raye
RAYE live at The O2 CREDIT: Jean Yuzheng Zhang @jeanyuzhengart

The new arrangements are magnificent. Pulsating ‘Black Mascara’ is a shimmering smash – sweeping strings and rousing choral arrangements bring theatrical drama to the song before it launches into its floor-filling, euphoria-driven finale. The jazzy ‘Worth It’ feels straight out of an old Hollywood movie, and ‘Buss It Down’ sees RAYE encourage the audience to take on the role of a gospel choir.

It’s ‘Ice Cream Man’, a powerful and honest song about experiences of sexual assault, that’s the most affecting moment of the evening. Introducing it, RAYE reflects, “[It’s] the saddest song I ever wrote, and it’s a song I wish I didn’t have to write”, later adding it “doesn’t get any easier to sing”. When she ends the song by switching the lyrics to sing, “I see some very fucking brave, strong women, in here tonight”, it feels like a collective moment of catharsis.

As the performance closes with an encore of left-field pop juggernaut ‘Escapism’, RAYE reflects, “I hope you had as beautiful night as I just did”, describing our evening together as “what dreams are made of”. A triumphant performance from a live sensation, this was a career-defining show for RAYE.

RAYE played: 

‘Overture (Introduction)’
‘Oscar Winning Tears’
‘Hard Out Here’
‘The Thrill Is Gone Requiem’
‘The Thrill Is Gone’
‘Five Star Hotels’
‘Mary Jane vs Graeme Blevins’
‘Mary Jane’
‘Environmental Anxiety’
‘Body Dysmorphia’
‘Ice Cream Man’
‘Dani’s Interlude’
‘Flip A Switch’
‘Black Mascara’
‘Prada’
‘Let There Be Light’
‘Worth It Prelude’
‘Worth It’
‘Buss It Down’
‘Escapism’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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