Metro Boomin is in support of the decision.

In a surprising turn of events, renowned producer Metro Boomin has expressed his relief over the recent decision by Universal Music Group (UMG) to sever ties with TikTok. The news, which surfaced on Tuesday (January 30), revealed a disagreement leading to the removal of UMG's entire catalog from the popular social media platform. Reacting to the announcement, one Twitter user noted, "Wow, just like that, the TikTok era of music is over." Metro Boomin stumbled upon the tweet and responded with a GIF featuring LeBron James exclaiming, "It's About Damn Time," a sentiment shared by many in the music industry.

Furthermore, taking the opportunity to elaborate on his perspective, Metro Boomin later posted his thoughts on the matter. "I love the creativity and appreciation the kids show for the music on TikTok, but I don’t like the forced pandering from artists and labels that results in these lifeless and soulless records," he expressed. The producer's candid remarks shed light on the dichotomy within the music industry's relationship with TikTok. While acknowledging the platform's ability to showcase creativity and generate appreciation for music among younger audiences, Metro Boomin highlighted his disdain. He perceives the artificial and insincere approach by some artists and labels in creating content specifically tailored for TikTok.

Metro Boomin Is Not A Fan Of TikTok Era Of Music

Furthermore, the decision by UMG to part ways with TikTok has sparked conversations. People are debating about the evolving dynamics between the music industry and social media platforms. Metro Boomin's perspective adds a valuable voice to the ongoing discourse. Emphasizing the delicate balance between authentic artistic expression and strategic marketing efforts in the digital age.

Moreover, as the TikTok era undergoes a transformation with major players like UMG stepping back, it remains to be seen how this shift will impact the music landscape and the creative freedom of artists. Metro Boomin's candid take serves as a glimpse into the complexities of navigating the intersection of artistry and digital platforms. Urging for a more genuine and soulful approach in the creation of musical content for the next generation. What are your thoughts on this situation? Let us know on HNHH!

Maroon 5 officially launched the second weekend of American Express presents BST Hyde Park with a headline performance on London's Great Oak Stage on Friday, 3 July 2026. Taking a short break from their ongoing global Love Is Like tour, the multi-platinum American pop rock band delivered an energetic sold out concert for thousands of fans. The milestone performance reflected just how far the group has come since making its London debut at the intimate Barfly venue in 2005.

Frontman Adam Levine guided the six member band through an uninterrupted set packed with worldwide hits, kicking things off with "Harder To Breathe" after an opening audio tribute to The Beach Boys. The energy stayed high as the group launched into fan favorites including "Animals" and "One More Night," with Levine making his way along the runway to connect with fans gathered at the front of the stage. As the evening sky over London began to glow, "Sunday Morning" provided one of the night's standout moments, featuring an extended guitar showcase from lead guitarist James Valentine. The audience then joined together for huge singalongs to "She Will Be Loved" and the Cardi B collaboration "Girls Like You." The main performance wrapped up with the instantly recognizable whistle melody of "Moves Like Jagger," before an encore featuring "Payphone" and "Sugar" brought the night to an unforgettable finish.

The main stage also welcomed a crowd pleasing set from pop rock band OneRepublic during the late afternoon. Frontman Ryan Tedder performed a string of beloved hits spanning nearly twenty years, including "Stop and Stare," "Apologize," and the hugely successful European streaming favorite "Counting Stars." He also treated fans to a solo medley highlighting songs he has written for artists including Beyoncé and Adele.

Earlier in the day, Jess Glynne attracted a huge audience with spirited performances of chart hits "I’ll Be There" and "Hold My Hand," while R&B singer Ella Eyre impressed with powerful renditions of "Space" and a soulful take on "Crazy." The day's varied lineup also featured opening rock performances from Reading quartet Only The Poets, along with dynamic alternative sets by Bradley Simpson, Pedro Santos, and electronic pop duo VOILÀ across the festival site.

Photo credit: Sienna Lorraine Gray

 
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