NEWS
50 Cent's efforts to secure a $1 million default judgment against ex Shaniqua Tompkins is not going well. In fact, things are effectively at a stalemate despite the latter missing deadlines to respond to it. If you didn't know this is tied to a life rights agreement she signed in 2007 with G-Unit Books.
A Manhattan commercial court has come to the conclusion that the entity has yet to show enough proof to secure said judgment. This comes to light exclusively through Grouchy Greg Watkins of AllHipHop.
While 50 Cent's team claims the life rights agreement was okay for both sides, Tompkins has argued recently that's not so true. In late January, she claimed she was forced into signing it. Allegedly, 50 Cent's former manager Chris Lighty, tracked her down and threatened her. "During this encounter, Mr. Lighty told me that I would suffer severe consequences if I did not sign the agreement."
While this ruling is certainly not ideal from the rapper's point of view, it's not totally over yet. However, it does signify that 50 Cent will need to try and find more evidence to support his case.
The G-Unit mogul sued his longtime ex last year, accusing her of "wrecking" the agreement she signed those years ago. He says she did by speaking about their relationship in interviews and in social media posts.
50 alleged all of this information she spilled should've exclusively belonged to him and nullified the agreement. Speaking of, it allegedly gave G-Unit Books broad, exclusive, and continuous control over Tompkins' life story, name, and likeness.
To compensate for such stipulations, Tompkins received an $80,000 advance and the promise of future royalties from a planned book.
Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.
The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.
He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.
“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”
Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.
He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.
Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”
Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.
During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."
Rosalía joked that Bono had invented a few words of his own.
She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”
She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.
She added: “Bono is a legend.
“It's amazing.”
Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.
