NEWS
50 Cent's efforts to secure a $1 million default judgment against ex Shaniqua Tompkins is not going well. In fact, things are effectively at a stalemate despite the latter missing deadlines to respond to it. If you didn't know this is tied to a life rights agreement she signed in 2007 with G-Unit Books.
A Manhattan commercial court has come to the conclusion that the entity has yet to show enough proof to secure said judgment. This comes to light exclusively through Grouchy Greg Watkins of AllHipHop.
While 50 Cent's team claims the life rights agreement was okay for both sides, Tompkins has argued recently that's not so true. In late January, she claimed she was forced into signing it. Allegedly, 50 Cent's former manager Chris Lighty, tracked her down and threatened her. "During this encounter, Mr. Lighty told me that I would suffer severe consequences if I did not sign the agreement."
While this ruling is certainly not ideal from the rapper's point of view, it's not totally over yet. However, it does signify that 50 Cent will need to try and find more evidence to support his case.
The G-Unit mogul sued his longtime ex last year, accusing her of "wrecking" the agreement she signed those years ago. He says she did by speaking about their relationship in interviews and in social media posts.
50 alleged all of this information she spilled should've exclusively belonged to him and nullified the agreement. Speaking of, it allegedly gave G-Unit Books broad, exclusive, and continuous control over Tompkins' life story, name, and likeness.
To compensate for such stipulations, Tompkins received an $80,000 advance and the promise of future royalties from a planned book.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
