50 Cent's efforts to secure a $1 million default judgment against ex Shaniqua Tompkins is not going well. In fact, things are effectively at a stalemate despite the latter missing deadlines to respond to it. If you didn't know this is tied to a life rights agreement she signed in 2007 with G-Unit Books.

A Manhattan commercial court has come to the conclusion that the entity has yet to show enough proof to secure said judgment. This comes to light exclusively through Grouchy Greg Watkins of AllHipHop.

50 Cent X Mary J. Blige X A Boogie Wit Da Hoodie Perform At Tottenham Hotspur Stadium
LONDON, ENGLAND - JULY 3: 50 Cent performs onstage during a concert at Tottenham Hotspur Stadium on July 3, 2025 in London, England. (Photo by Katja Ogrin/Getty Images)

While 50 Cent's team claims the life rights agreement was okay for both sides, Tompkins has argued recently that's not so true. In late January, she claimed she was forced into signing it. Allegedly, 50 Cent's former manager Chris Lighty, tracked her down and threatened her. "During this encounter, Mr. Lighty told me that I would suffer severe consequences if I did not sign the agreement."

Why Is 50 Cent Suing Shaniqua Tompkins?

DaBaby & Friends - Billion Dollar Baby Birthday Bash
CHARLOTTE, NORTH CAROLINA - JANUARY 22: 50 Cent performs during DaBaby & Friends - Billion Dollar Baby Birthday Bash at Spectrum Center on January 22, 2025 in Charlotte, North Carolina. (Photo by Prince Williams/WireImage)

While this ruling is certainly not ideal from the rapper's point of view, it's not totally over yet. However, it does signify that 50 Cent will need to try and find more evidence to support his case.

The G-Unit mogul sued his longtime ex last year, accusing her of "wrecking" the agreement she signed those years ago. He says she did by speaking about their relationship in interviews and in social media posts.

50 alleged all of this information she spilled should've exclusively belonged to him and nullified the agreement. Speaking of, it allegedly gave G-Unit Books broad, exclusive, and continuous control over Tompkins' life story, name, and likeness.

To compensate for such stipulations, Tompkins received an $80,000 advance and the promise of future royalties from a planned book.

 
 
Harry Styles has reached a new zenith in his career, achieving his biggest opening week to date and securing a rare Official Chart Double. His fourth studio album, Kiss All The Time. Disco, Occasionally., has stormed to Number 1 on the Official Albums Chart, while the lead single "American Girls" simultaneously claimed the top spot on the Official Singles Chart.

A Career-Defining Debut

According to Official Charts Company data, Styles’ latest LP shifted over 183,000 units in its first seven days. This phenomenal result comfortably eclipsed the debut of his previous blockbuster, Harry’s House, and stands as the biggest opening week for a male solo artist since Ed Sheeran’s ÷ (Divide) in 2017.

The record’s physical appeal was equally staggering; Styles achieved his personal best on vinyl with over 66,000 copies sold, making it the fastest-selling vinyl of 2026. This surge in "Harry-mania" even pulled Harry’s House back into the Top 40 at Number 31.

11 Weeks of British Brilliance

Styles’ success is the crowning achievement of a historic run for homegrown talent. For the first time in a decade, the Number 1 album position has been held exclusively by British artists for the first 11 weeks of the year. Harry joins an elite line of 2026 chart-toppers including Olivia Dean, Robbie Williams, Louis Tomlinson, Charli xcx, Mumford & Sons, and Gorillaz.

Martin Talbot, CEO of the Official Charts Company, hailed the milestone, noting that British talent is "more than holding its own" in the global stratosphere. This domestic dominance aligns with a recent BPI report showing UK recorded music revenue has hit a record high of £1.57bn.

Singles Round-Up

Beyond the top spot, Styles dominated the Singles Chart with two additional tracks, "Aperture" (4) and "Ready, Steady, Go!" (5), landing in the Top 5. Elsewhere, a viral "Gymskin" influencer trend propelled Madonna’s "Into The Groove" back into the Top 20 for the first time since 1985, while Tame Impala and BLACKPINK’s JENNIE scored a new peak at Number 17 with "Dracula."
CONTINUE READING