BLACKPINK’s Lisa recently stepped away from her packed schedule to visit Punch, the viral monkey, during a trip to Japan.

The singer and actor stopped by Ichikawa City Zoo in Chiba Prefecture, located just outside Tokyo, over the weekend on Saturday March 7. While there, she shared photos from the visit, including moments where she saw the monkey that has recently captured attention online.

Punch is a young macaque who gained widespread attention on social media after videos showed him being picked on by other monkeys in his enclosure. Zoo staff later gave him a plush toy for comfort, and he has since been seen carrying the stuffed animal around almost constantly.

During her visit, Lisa brought along a stuffed orange orangutan that closely resembled Punch’s own toy. She was seen lifting it up so the baby macaque could notice it from his enclosure.

She also shared her excitement about the trip through Instagram Stories, uploading several photos of herself posing with the plush toy.

The outing comes during an especially busy stretch for Lisa, who recently reunited with her fellow BLACKPINK members to release a long awaited EP titled ‘DEADLINE’.

The project, described as a mini album, includes last summer’s popular single ‘Jump’ along with additional tracks titled ‘Me And My’, ‘Go’, ‘Champion’, and ‘Fxxxboy’.

The release follows the group’s return to the stage for a huge stadium tour last year after Lisa, Rosé, Jisoo and Jennie had each focused on their own solo projects in previous years.

Lisa is also continuing to build her acting career. She is currently working on a new film titled Tygo in South Korea and has been rumored to join a Netflix romantic comedy inspired by Notting Hill.

She previously landed a major role in the third season of the HBO series The White Lotus, where she appears alongside Patrick Schwarzenegger, Walton Goggins, Aimee Lee Wood, Jason Isaacs and several other cast members.

 
 

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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