"Each night of The Saviors Tour we're playing both 'Dookie' and 'American Idiot' in full," reads a statement from the band.

Green Day will welcome fans to paradise on their forthcoming The Saviors Tour, by playing Dookie and American Idiot in full each night.

Just days out from the release of Saviors, the pop-punk veterans confirm they’ll perform the classic albums on each and every date of the stadium tour, along with “a bunch of your other favorites, new and old, all summer long.”

Hints have been flying left and right, though Rock Hall inductees announced details for the first time this week.

Timing is everything. Dookie this year celebrates its 30th anniversary with the release of a deluxe edition and a surprise club show in Las Vegas last October, where the trio performed the 1994 LP in full, from “Burnout” to “F.O.D.,” and, of course, the hidden track “All By Myself”.

Frontman Billie Joe Armstrong told the crowd at Fremont Country Club that 2024 would be a massive year for the band and its fans. “We are doing a big tour next year,” explained on the night. “It is going to be Green Day, Smashing Pumpkins, Rancid and Linda Lindas.”

American Idiot is enjoying its own milestone, its 20th anniversary. The band threw a lyrical grenade during their set Dec. 31 on ABC’s Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest, when they tweaked the politically charged lyrics to the title track, for a swipe at Donald Trump and the MAGA movement.

Released in 2004, American Idiot was the first of the band’s three No. 1 albums, logging three weeks at No. 1 on the Billboard 200, and, for a time, allowing Armstrong, Tré Cool and Mike Dirnt to authoritatively boast at being the world’s biggest rock band.

The North America leg is slated to start July 29 at Nationals Park, Washington, DC. Before that, a tour of the U.K. and Europe is locked-in with Nothing but Thieves, the Hives, Donots, the Interrupters, and Maid of Ace, kicking off May 30 at O Son Do Camiño in Monto Do Gozo, Spain.

Produced by Live Nation, this will be the band’s first major tour since the 120-date 2016–17 Revolution Radio tour and the 29-date, 2021–22 Hella Mega Tour alongside Weezer and Fall Out Boy.

The trek is announced ahead of the release of Saviors this Friday, Jan. 19. The band’s 14th studio album, Saviors is the followup to 2020’s Father of All Motherf—ers, which peaked at No. 4 on the Billboard 200 chart.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

CONTINUE READING