The success story of London's enviable jazz scene celebrate 2023 with a historic, joyful show at the iconic venue

The lights are out at the Royal Albert Hall. Through the pitch black, the voice of Ezra Collective drummer and bandleader Femi Koleoso delivers a message: “We’re about to turn this room into the most joy-filled place.” Spotlights hit the grand circle, where trumpeter Ife Ogunjobi and tenor saxophonist James Mollison launch the opening melody of ‘Ego Killah’ amid the plush red velvet seats of an enraptured audience. Bassist TJ Koleoso meanders coolly onstage, wielding his guitar like a weapon, and pianist Joe Armon-Jones settles in behind him. When Femi blasts into life, his younger brother pumps his fists gleefully. An air of triumph lingers throughout the night, in a landmark celebration of London’s blossoming jazz scene.

Ezra Collective, formed in 2011 by a group of friends from Janine Irons and Gary Crosby’s legendary jazz programme Tomorrow’s Warriors, recently rubberstamped their status as this scene’s biggest success story by winning the 2023 Mercury Prize for ‘Where I’m Meant To Be’. Their wide-ranging influences — typifying the movement’s eclecticism — are heard tonight in the Afro-funk rhythm of ‘No Confusion’, the salsa groove of ‘Victory Dance’ (performed in the pit inside a crowd corridor of their own making), and the horn section’s borrowing of the melody from Damian Marley’s dub classic ‘Welcome To Jamrock’.

Ezra Collective performing live in LondonEzra Collective performing live in London. Credit: Joseph Okpako/WireImage

A stream of guests roll in and out; Emeli Sandé brings soft, lounging vocals to ‘Siesta’, grime legend JME forgets a couple of bars but adds a “Serious!” bounce to ‘Quest For Coin’, while Loyle Carner‘s arrival for ‘What Am I To Do?’ is greeted with huge cheers, particularly during a second verse which he freestyles on the spot. Each band member gets their chance to shine, hyping each other’s solos energetically and skanking constantly.

Their decade-plus-long journey weighs heavily throughout the night. “It’s so beautiful that with my same brothers, we’ve managed to go from pub to slightly bigger pub, tiny club to bigger jazz club… now we’re here at Royal Albert Hall!” Koleoso tells the crowd in an emotional interlude. They’re the first-ever jazz act to go from playing RAH’s 200-capacity Elgar Room to selling out the main auditorium – it feels significant.

Femi promises “We’re not at the top of the mountain yet,” but the group’s lofty status is reflected by a hint toward the next generation; for explosive, confetti-laden penultimate track ‘Juan Pablo’, the quintet are joined onstage by KINETIKA, a huge group of talented young dancers and instrumentalists who amplify the climax of two hours of vibrant, expressive London jazz. Just like we were promised, Ezra Collective’s milestone show is defined by joy.

Ezra Collective played:

‘Ego Killah’
‘Welcome to My World’
‘Lady’
‘Togetherness’
‘Siesta’
‘Love in Outer Space’
‘I Have a God’
‘You Can’t Steal My Joy’
‘Hear My Cry’
‘Victory Dance’
‘Everybody’
‘Pure Shade’
‘No Confusion’
‘Life Goes On’
‘What Am I To Do’
‘Quest for Coin’
‘São Paulo’
‘Shaking Body’
‘Juan Pablo’
‘Chapter 7’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

CONTINUE READING