Essential emerging acts from across the globe grace Reykjavík, among them Blondshell, Kneecap and Lime Garden

There’s an exhilaration in being part of a crowd that has seen something that most of the world doesn’t know about – yet. It’s a feeling that burns bright inside the 300-capacity Gaukurinn, a dive bar-like venue in Reykjavík, as Fókus perform on the opening night of Iceland Airwaves 2023. Having formed less than a year ago, the teenage band’s youthful garage rock-inspired sound is appealingly rough around the edges: sprawling, triumphant and lightly unhinged, they close their 30 minute set with a jam session-like rendition of a currently-unnamed, yet joyous and shouting pop song. Complete strangers leave the room beaming at each other, in awe of what they’ve just seen.

It’s this element of surprise that has kept new music fans returning to Iceland Airwaves time and time again throughout the festival’s 24-year history. A fresher’s week fizz of excitement and unpredictability courses through the dozen-odd venues that make up the event, while surprise off-programme gigs regularly occur at the eleventh hour. While Fókus’ may invite punters on stage, Palace Muses take things to another extreme; the vocal trio host an audience of two dozen for a surprise “rehearsal party” at their downtown apartment, where they roadtest new material by singing entirety a capella in the most intimate of settings.

jazzygold

Homegrown artists continue to wield heaviness – songs of heartbreak and unrest – with an often playful touch. In between attempts to flog her unconventional merch items, which include toothbrushes and eye masks, Elín Hall’s scintillating songs find a dramatic backdrop in the candlelit Frikirkjan Church. On the eve of her second LP ‘Heyrist í Mér?’ (‘Can You Hear Me?’), she gives a speech on the importance of the Icelandic Music Export, which helps artists like Hall, who was born and raised in the capital, forge a path into the country’s live scene. Supersport, who make neo psych-inspired pop in the vein of Superorganism or Kero Kero Bonito, share this sentiment, as frontman Bjarni Daníel shouts out the government-funded music initiative while performing in the round at Hotel Borg.

There is a sense of devotion, then, at the heart of Iceland Airwaves; evident in its attendees and performers, who seem delighted that such a festival even exists in their country. Yet you sense that acts from elsewhere across the globe feel similarly, too. With three summers-worth of touring under their belt since the end of lockdown, Leeds’ Yard Act may be a well-oiled festival act by now, but frontman James Smith’s jagged dance moves and David Byrne-like awkwardness still delight. Recent NME Cover star Blondshell and her West Coast grunge-rock anthems make for another hour of pure feeling: her set’s most powerful moment comes when she quietly screams into the mic during ‘Dangerous’, a release of fury, anxiety and ennui all at once.

yard act live
Yard Act live at Iceland Airwaves 2023. Credit: Florian Trykowski

An icy-cold Friday night is enlivened by Monikaze, who increases the BPM with real abandon. In the shadows of purposefully low, murky stage lights, the Lithuanian DJ and producer headbangs as she attacks a series of pounding bass loops with the hyperactive enthusiasm of Danny L Harle. It’s both relentless and giddily entertaining. Lime Garden are a bright blast of indie joy, airing the funky and danceable material of their forthcoming debut ‘One More Thing’ (due February 2024) in Gaukurinn. They will hopefully get the opportunity to scale up to bigger stages next festival season, as should Jazzygold, a Faroe Islands-raised vocalist whose smouldering R&B is embellished with moments of arresting choreography.

The energy unfortunately doesn’t carry over for some of the more palatable acoustic pop acts that dominate a portion of the lineup. Returning to the festival for a second consecutive year, Una Torfa gets off to a punchy start at Reykjavík Art Museum, only for the tempo to sag in the middle to noticeable disinterest from the crowd. Moments like this may be few and far between, but they further highlight the real MVPs of the weekend: the innovative and often pulverising artists who arrive with a point to prove.

 

One such name is Kneecap, whose guttural intensity incites chucked pints galore: an experience that pulls you into the moshpit and doesn’t let go until the final throb of bass ebbs out of the speakers. Here, the Belfast trio rightly affirm their current stature as an unmissable live act, and speak on what it means to be rapping in Irish, a minority language, in a country as geographically isolated as Iceland.

kneecap
Kneecap live at Iceland Airwaves 2023. Credit: Cat Gundry-Beck

Iceland Airwaves succeeds by tapping into the culture and heritage of Reykjavík and expanding on it by booking some of the most exploratory new names worldwide. Elisapie sums this up brilliantly on Saturday evening: born and raised in Salluit, a small village in Nunavik, Canada that is only accessible by plane, the singer is evidently over the moon to be sharing her Inuktitut rendition of Blondie’s ‘Heart Of Glass’. It makes for a glorious, emotional set that illuminates this festival’s wide-ranging remit.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

CONTINUE READING