April 4, London Koko: In a career-spanning set, the bassist pays nods to his past and teases fans with new music

When it comes to instrumentalists pushing the boundaries of their sound, few keep the levels of integrity and surprise quite as strongly as Thundercat. The alias of Los Angeles bass virtuoso Stephen Bruner, the musician is no stranger to the live stage, having been touring since he was a teen, accumulating a healthy number of hits, and already joined forces with some of the biggest names in music: Kendrick LamarTame Impala and more.

Now at the midway point of his four sold-out shows in Camden and in the final stretch of his European tour dates, no one would blame him for playing it safe with last night’s show in London. However, the set seems to prove the opposite, with the singer, songwriter and bassist steering clear of back-to-back hits, and instead showcasing a sonically-rich snapshot of his extensive career.

“I feel like playing some other shit tonight” he exclaims to the crowd, standing between keyboardist Dennis Hamm and drummer Justin Brown, illuminated by a simple portable light placed next to him. And he goes to make good on that promise – taking to the stage for what proves to be a night of contrasts. Some fan favourites have been omitted to make space for tracks from across his early career. It doesn’t stop there though, as these are soon counterbalanced by a run of unreleased songs from his long-awaited album – which he promises us is definitely on the way.

Thundercat performs at KOKO in April 2024 in London, England.
Thundercat performs at KOKO in April 2024 in London, England. (Photo by Joseph Okpako/WireImage)
Above all else, it is the subtle ease in which he showcases his technical ability that stands out as the highlight on the night. Instead of belting along to each of his lyrics, the audience instead watch intently, as each track is reinvented with extensive improvisational solos and the musician shows off the jazz skills he has gathered over his 25-year career.

“We’re up here going for blood!” he declares to the crowd after creating a technical whirlwind with ‘Interstellar Love’ and ‘How Sway’, pushing his six-string bass to its limits just two songs into the set. That being said, this is far from a pretentious jazz show, with the bassist constantly showing a playful side to the audience, teasing them about the long-awaited new album and showcasing a new tongue-in-cheek song which is somewhat of a “shoutout to anybody with ADHD and ADD”.

There is time to hone in on a more serious note too – with Thundercat taking a moment to share a moving anecdote about longtime friend and inspiration Pedro Martins, as well as carve out time to pay tribute to his late friends, urging the audience to take a moment to appreciate what little time we have with those who we love.

While some of the charm of Thundercat shows is undeniably lost by removing some fan favourites and reinterpreting each song on the setlist with virtuosic and spontaneous improvisation, the London set shows that the bass legend is still at the top of his game, and able to captivate his audience in a way quite unlike anyone else in 2024.

Thundercat’s setlist was:

‘Great Scott’
‘Interstellar Love’
‘How Sway’
‘Uh Uh’
‘Overseas’
‘Daylight’
‘A Fan’s Mail’
New music
New music
‘Isn’t It Strange’
‘A Message For Austin’
‘Thousand Knives’
‘Dragonball Durag’
New music
‘DMT’ (Flying Lotus song, feat. Heidi Vogel)
New music
‘Heartbreaks+Setbacks’
‘Friendzone’
‘Funny Thing’
‘Walk On By’
‘Them Changes’
‘Show You The Way’
‘No More Lies’

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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