Slowthai has pleaded not guilty plea to two charges of rape, stemming from an alleged incident in September 2021.
The 28-year-old artist entered his plea in a British court on Thursday (June 15).
Born Tyron Frampton, the hip-hop artist was charged last month with the oral and vaginal penetration of a woman without her consent.
Frampton’s co-defendant, Alex Blake-Walker, pleaded not guilty to one count of rape and two sexual assaults, the BBC reports.
Both men are accused of raping the same woman, but Blake-Walker is also accused of sexually assaulting another woman.
Both men were released by Oxford Crown Court, and have been placed on conditional bail until their trial begins in July 2024.
During that earlier court appearance, where he appeared before Oxfordshire, England, magistrates court via video link, The Guardian noted, Frampton did not enter a plea and only confirmed his real name, date of birth and Northampton address.
Prosecuting lawyer Adam Yar Khan said at the time that the rape charge must be heard at crown court, due to it being an indictable-only offense.
Slowthai made his break into the music mainstream with his Mercury Prize-nominated 2019 album, Nothing About Great Britain, which hit the U.K. top 10. The following year, he collected the “hero of the year” at the 2020 NME Awards, though the talking point from the evening was his behavior towards host Katherine Ryan, which erupted into a fracas with members of the audience. He later admitted in an apologetic tweet that his actions were “shameful”.
Slowthai’s popularity soared. His sophomore album, 2021’s Tyron, topped the Official U.K. Albums Chart, and, in the same year, he earned a Grammy Award nomination for dance recording. Earlier in 2023, his Ugly LP peaked at No. 2.
When the allegations were made public, the rapper was quietly scrubbed from the lineup for the U.K. summer festivals, including Glastonbury, Reading and Leeds, and Australia’s mid-winter event, Splendour In The Grass, and he withdrew from a July 8 concert at Wembley Stadium with Blur.
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There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
