The K-pop superstars will drop "Take Two" on June 9.

BTS is back.

In celebration of their 10th anniversary, the K-pop superstars will drop “Take Two,” a new digital single, on June 9.

The title of “Take Two” is a nod to BTS progressing into “their second chapter,” reads a statement from their reps at HYBE, and is said to be an “ode to their fans” — ARMY.

Bandmate SUGA participated in the production of the new recording, with RM and j-hope contributing to the songwriting, the statement continues.

As previously reported, the South Korea-formed phenomenon will celebrate their milestone with BTS 10th Anniversary FESTA. The annual event coincides with the date of the group’s debut (June 13, 2013), and will roll out from today, culminating in a grand finale June 17 in Seoul.

BTS FESTA at Yeouido, in the South Korean capital, will be open to the public.

Formed around Jin, Suga, J-Hope, RM, Jimin, V, and Jungkook, BTS made its first Billboard chart appearance in 2013, when “No More Dreams” debuted at No. 14 on World Digital Song Sales (before climbing to No. 2 seven years later). Since then, the group has broken numerous records, including the most Hot 100 No. 1 debuts among groups and the most top 10 debuts among groups. All seven members have now scored solo hits on the Billboard Hot 100.

With BTS having tallied six Hot 100 No. 1s, and Jimin notching his first with “Like Crazy,” BTS joined the Beatles and the Supremes as the only groups with at least six leaders and at least one member having led the list solo.

The hits have dropped around the globe. In the U.K., BTS has bagged five top 10 appearances on the national albums survey, including two No. 1s. The septet has also hit the top 10 on the Official U.K. Singles Chart on four occasions.

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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