Nick Cave paid tribute to his friend and occasional collaborator, Mark Lanegan, in his Red Hand Files newsletter. Lanegan, who fronted Screaming Trees before embarking on a solo career, died Tuesday at the age of 57.
“I encountered Mark many times over the years — we engaged in some extremely dubious escapades back in the Nineties; he sang ‘White Light/White Heat’ and ‘Fire and Brimstone’ with Warren [Ellis] and me on the Lawless soundtrack; he recorded my favorite ever Nick Cave cover — an astonishing version of ‘Brompton Oratory’; we did something together for the Jeffrey Lee Pierce record, I think; and he toured and hung out with us on the Bad Seeds’ 2013 Australian tour,” Cave wrote.
With Lanegan, the feeling was mutual. In his 2020 memoir, Sing Backwards and Weep, he describe Cave’s music as one of his biggest inspirations. “I’d been a huge fan of Nick Cave for years,” Lanegan wrote. “I felt a deep connection to his music, and he and the Bad Seeds had been a central influence on the solo records I’d been toiling away at for some years now.”
Cave continued his tribute by praising the way Lanegan duetted with him on one of the Bad Seeds’ classic songs on the 2013 Australian tour. “Go online and watch Mark sing Blixa [Bargeld’s] ‘father’ part with me in ‘The Weeping Song’ on that tour,” Cave wrote. “As a frontman, I move around a lot on stage, I can’t help it, it is a habitual nervous thing, a kind of neurotic compensation for a voice I have never felt that comfortable with. But watch Mark, watch how he walks onto the stage, plants himself at the mic stand, one tattooed fist halfway down the stand, the other resting on top of the mic, immobile, massive, male. When the time comes to sing, he simply opens his mouth and releases a blues, a blues lived deeply and utterly earned, and that voice tears right through you, his sheer force on stage absolutely humbling. A greatness, Mark, a greatness — a true singer, a superb writer and beautiful soul, loved by all.”
A few days after Lanegan’s death, drummer Barrett Martin also paid his respects on Instagram. Martin joined Screaming Trees in time to record their Sweet Oblivion album, which contained the group’s breakthrough hit, “Nearly Lost You,” as well as its 1996 follow-up Dust. He was also a member of Mad Season, the supergroup that featured Alice in Chains’ Layne Staley and Pearl Jam’s Mike McCready; Lanegan co-wrote and performed on two songs from their only album, 1995’s Above.
“Mark was full of contradictions to be sure, but how else could he be, when he was destined to sing the blues?” Martin wrote. “Only those who understand the darkness of humanity can also sing about its light, and Mark could sing both, superbly. Because of that contradiction, we [in Screaming Trees] understood Mark in a way that only a literal band of brothers can understand, because we saw it all, firsthand, together, in those decades on the road and in the studio.
“Mark had a voice for the ages, truly one of the great American vocalists of all time,” he continued. “Critics often claimed that his voice came from whiskey drinking, but Mark sang like that when he was young and sober, an ancient voice transplanted inside a young man’s body. By the way, we never saw Mark touch a drop of whiskey — gin & tonic was his preferred drink, and a lot of cigarettes.”
Martin went on to write that after Screaming Trees broke up in 2000, the band joked that its members could finally become friends and that they kept in touch occasionally. When Lanegan published Sing Backwards and Weep — which contains several brutal passages about his Trees bandmates — Martin wrote that it took some time to make sense of it. “After the initial shock wore off, we all made peace and laughed at Mark’s wry sense of humor and great storytelling style,” he wrote. “Mark had the ability to tell the most horrific of stories, yet have you chuckling out loud as he spun the yarn to its conclusion. He had that sharp wit that all great writers have, because he also had a keen view into the hearts of people – and he showed us the full spectrum of humanity.”
Lanegan’s frequent collaborator, Isobel Campbell, also remembered Lanegan fondly in an essay for The Guardian. Between 2006 and 2010, Lanegan and the former Belle and Sebastian member recorded three albums together. “People said we were beauty and the beast,” she wrote. “Yet I witnessed your beauty and I could frequently inhabit beast. Light and dark. Angel and devil. Of our records, you said you were ‘happy for me to do the heavy lifting.’ Yet you brought my songs to life.”
Earlier this week, Eddie Vedder also paid tribute to Lanegan at one of his solo concerts, in Seattle. “There are a lot of really great musicians, some people know Seattle because of the musicians that have come out of the great Northwest,” he told the audience. “Some of those guys were one-of-a-kind singers. Mark was certainly that and with such a strong voice.”
NEWS
Little Mix’s Jesy Nelson has asked the public for help after her car, which had vital medical equipment for her daughters inside, was taken.
The singer shared back in January that her twin daughters, Ocean Jade and Story Monroe, had been diagnosed with spinal muscular atrophy (SMA), an uncommon genetic illness that leads to gradual muscle weakness.
She has spoken honestly about how difficult it has been adjusting to caring for her children, and has since used her platform to raise awareness for SMA. On Sunday (April 19), she explained that some of the key equipment she relies on to care for her daughters is now missing after her vehicle was stolen from outside her home.
Posting on her Instagram Stories, Nelson said her black Land Rover Defender with the registration JJ73SSY was taken from her driveway “in the early hours of the morning” in Brentwood, Essex.
“Please if any of you have seen or know of any information, can you DM me or contact the police,” she wrote. “I have so much of my girls’ hospital equipment in that car that’s really needed.”
When she first opened up about her daughters’ diagnosis in January, she described it as “the most gruelling three, four months and endless appointments”, before confirming doctors had told her the twins have “SMA type 1”.
“It does affect every muscle in the body, down to legs, arms, breathing, swallowing,” she said, adding that both daughters were having trouble feeding and were unable to move their legs freely.
Nelson also shared that doctors at Great Ormond Street Hospital told her the girls were “probably never going to be able to walk. They probably will never regain their neck strength, so they will be disabled.”
In April, she marked a major step forward after the government confirmed that newborn screening for SMA will begin in October this year, earlier than the originally planned 2027 rollout. “We need to keep pushing to make sure every baby has the opportunity to have this heel prick test at birth,” she said.
According to the charity SMA UK, around 47 babies in the UK were born with the condition in 2024, while about one in 40 people are believed to carry the gene linked to the disease.
Nelson left Little Mix in 2020, explaining that being part of the group had taken a “toll” on her mental health. She later launched her solo career with her debut single ‘Boyz’ featuring Nicki Minaj in 2021, followed by ‘Bad Thing’ in 2023.
