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Bad Seeds leader pays tribute to late Screaming Trees frontman in Red Hand Files newsletter, calls Lanegan’s “Brompton Oratory” his “favorite ever Nick Cave cover”

Nick Cave paid tribute to his friend and occasional collaborator, Mark Lanegan, in his Red Hand Files newsletter. Lanegan, who fronted Screaming Trees before embarking on a solo career, died Tuesday at the age of 57.

“I encountered Mark many times over the years — we engaged in some extremely dubious escapades back in the Nineties; he sang ‘White Light/White Heat’ and ‘Fire and Brimstone’ with Warren [Ellis] and me on the Lawless soundtrack; he recorded my favorite ever Nick Cave cover — an astonishing version of ‘Brompton Oratory’; we did something together for the Jeffrey Lee Pierce record, I think; and he toured and hung out with us on the Bad Seeds’ 2013 Australian tour,” Cave wrote.

With Lanegan, the feeling was mutual. In his 2020 memoir, Sing Backwards and Weep, he describe Cave’s music as one of his biggest inspirations. “I’d been a huge fan of Nick Cave for years,” Lanegan wrote. “I felt a deep connection to his music, and he and the Bad Seeds had been a central influence on the solo records I’d been toiling away at for some years now.”

Cave continued his tribute by praising the way Lanegan duetted with him on one of the Bad Seeds’ classic songs on the 2013 Australian tour. “Go online and watch Mark sing Blixa [Bargeld’s] ‘father’ part with me in ‘The Weeping Song’ on that tour,” Cave wrote. “As a frontman, I move around a lot on stage, I can’t help it, it is a habitual nervous thing, a kind of neurotic compensation for a voice I have never felt that comfortable with. But watch Mark, watch how he walks onto the stage, plants himself at the mic stand, one tattooed fist halfway down the stand, the other resting on top of the mic, immobile, massive, male. When the time comes to sing, he simply opens his mouth and releases a blues, a blues lived deeply and utterly earned, and that voice tears right through you, his sheer force on stage absolutely humbling. A greatness, Mark, a greatness — a true singer, a superb writer and beautiful soul, loved by all.”

 

A few days after Lanegan’s death, drummer Barrett Martin also paid his respects on Instagram. Martin joined Screaming Trees in time to record their Sweet Oblivion album, which contained the group’s breakthrough hit, “Nearly Lost You,” as well as its 1996 follow-up Dust. He was also a member of Mad Season, the supergroup that featured Alice in Chains’ Layne Staley and Pearl Jam’s Mike McCready; Lanegan co-wrote and performed on two songs from their only album, 1995’s Above.

“Mark was full of contradictions to be sure, but how else could he be, when he was destined to sing the blues?” Martin wrote. “Only those who understand the darkness of humanity can also sing about its light, and Mark could sing both, superbly. Because of that contradiction, we [in Screaming Trees] understood Mark in a way that only a literal band of brothers can understand, because we saw it all, firsthand, together, in those decades on the road and in the studio.

“Mark had a voice for the ages, truly one of the great American vocalists of all time,” he continued. “Critics often claimed that his voice came from whiskey drinking, but Mark sang like that when he was young and sober, an ancient voice transplanted inside a young man’s body. By the way, we never saw Mark touch a drop of whiskey — gin & tonic was his preferred drink, and a lot of cigarettes.”

Martin went on to write that after Screaming Trees broke up in 2000, the band joked that its members could finally become friends and that they kept in touch occasionally. When Lanegan published Sing Backwards and Weep — which contains several brutal passages about his Trees bandmates — Martin wrote that it took some time to make sense of it. “After the initial shock wore off, we all made peace and laughed at Mark’s wry sense of humor and great storytelling style,” he wrote. “Mark had the ability to tell the most horrific of stories, yet have you chuckling out loud as he spun the yarn to its conclusion. He had that sharp wit that all great writers have, because he also had a keen view into the hearts of people – and he showed us the full spectrum of humanity.”

 

Lanegan’s frequent collaborator, Isobel Campbell, also remembered Lanegan fondly in an essay for The Guardian. Between 2006 and 2010, Lanegan and the former Belle and Sebastian member recorded three albums together. “People said we were beauty and the beast,” she wrote. “Yet I witnessed your beauty and I could frequently inhabit beast. Light and dark. Angel and devil. Of our records, you said you were ‘happy for me to do the heavy lifting.’ Yet you brought my songs to life.”

Earlier this week, Eddie Vedder also paid tribute to Lanegan at one of his solo concerts, in Seattle. “There are a lot of really great musicians, some people know Seattle because of the musicians that have come out of the great Northwest,” he told the audience. “Some of those guys were one-of-a-kind singers. Mark was certainly that and with such a strong voice.”

A singer who claims Jason Derulo sexually harassed her and then turned “deeply hostile” when she rebuffed his advances has resurrected her previously dismissed lawsuit against the platinum-selling artist and Atlantic Records by filing it in New York.

Emaza Gibson, known professionally as Emaza Dilan, first sued Derulo and Atlantic in October 2023 in Los Angeles, but a California judge dismissed the complaint last year, ruling that Gibson had signed artist agreements with clauses agreeing that all legal disputes would be confined to New York courts. Gibson’s new lawsuit, filed Thursday in Manhattan state court, includes the same allegations but now cites New York laws for her claims of discrimination, retaliation, hostile work environment, breach of contract, and intentional infliction of emotional distress.

“This case arises out of a recording deal gone wrong due to egregious sexual harassment, broken promises, and retaliatory career sabotage,” the new 49-page lawsuit obtained by Rolling Stone alleges. “What began as a dream opportunity quickly descended into a nightmare of quid pro quo sexual harassment and intimidation.”

In the new complaint, Gibson, 27, alleges that Derulo reached out to her via direct message in August 2021 and said he wanted to sign her for his new joint venture linking Atlantic Records with his own label, Future History. Gibson claims Derulo, 35, promised he would personally mentor her and collaborate with her on multiple albums, which caused her to feel “over the moon” at the prospect of Derulo “leveraging his star power to boost her introduction to the market.”

Gibson says the professional relationship took an unexpected turn when Derulo allegedly pressured her to drink alcohol with him during late-night meetings and purportedly made sexually explicit comments to her on Nov. 2, 2021. She claims Derulo told her that if she wanted to “make it” in the music industry, she would have to take part in what the lawsuit describes as “ritualistic sex acts.” Gibson says she made it clear she wasn’t interested, and Derulo “became increasingly disinterested and aloof” after that.

Lawyers for Derulo, Future History, Atlantic, and Derulo’s longtime manager, Frank Harris, did not respond to requests for comment. Derulo previously denied Gibson’s claims against him, stating in an Instagram post that the allegations were “completely false and hurtful.”

With her refiled lawsuit, Gibson clearly is not backing down. “Derulo exploited his power, implying that plaintiff’s success was conditioned on participating in degrading sexual rituals and cocaine use,” the New York complaint states. “When plaintiff resisted Derulo’s advances and later complained about his misconduct, defendants retaliated by withdrawing support, stalling her music releases, and ultimately terminating her contract under pretextual circumstances.”

The lawsuit further alleges Derulo “physically intimidated” Gibson “by lunging at her and screaming in her face without provocation.” Gibson claims Derulo “deliberately sabotaged her dream and career when she didn’t submit to him sexually, an abuse of power that likely any reasonable member of the community would find despicable.”

Speaking with Rolling Stone when she first filed her claims in 2023, Gibson said her alleged experience with Derulo dashed her dreams. “This is super devastating for me. [Professional singing] is something I always wanted to do since I was a little girl. Jason was one of my favorite artists on the pop scene. I accept this amazing offer only to find out the person I looked up to would put me through such a traumatic situation,” she said.

“We are fully committed to defending Jason’s innocence against these blatantly false and baseless claims. If these false accusations are refiled in New York, we are confident that the New York court will ultimately dismiss the case and prove Jason’s innocence. The court was correct in dismissing the lawsuit in California,” Derulo’s legal team said in a statement to Rolling Stone last year, after the case was fully dismissed in Los Angeles.

In his Instagram statement, Derulo said he stood “against all forms of harassment” and remained “committed to supporting people following their dreams” in the entertainment industry. “I’ve always strived to live my life in a positively impactful way, and that’s why I sit here before you deeply offended by these defamatory claims,” he said.

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