Nick Cave paid tribute to his friend and occasional collaborator, Mark Lanegan, in his Red Hand Files newsletter. Lanegan, who fronted Screaming Trees before embarking on a solo career, died Tuesday at the age of 57.
“I encountered Mark many times over the years — we engaged in some extremely dubious escapades back in the Nineties; he sang ‘White Light/White Heat’ and ‘Fire and Brimstone’ with Warren [Ellis] and me on the Lawless soundtrack; he recorded my favorite ever Nick Cave cover — an astonishing version of ‘Brompton Oratory’; we did something together for the Jeffrey Lee Pierce record, I think; and he toured and hung out with us on the Bad Seeds’ 2013 Australian tour,” Cave wrote.
With Lanegan, the feeling was mutual. In his 2020 memoir, Sing Backwards and Weep, he describe Cave’s music as one of his biggest inspirations. “I’d been a huge fan of Nick Cave for years,” Lanegan wrote. “I felt a deep connection to his music, and he and the Bad Seeds had been a central influence on the solo records I’d been toiling away at for some years now.”
Cave continued his tribute by praising the way Lanegan duetted with him on one of the Bad Seeds’ classic songs on the 2013 Australian tour. “Go online and watch Mark sing Blixa [Bargeld’s] ‘father’ part with me in ‘The Weeping Song’ on that tour,” Cave wrote. “As a frontman, I move around a lot on stage, I can’t help it, it is a habitual nervous thing, a kind of neurotic compensation for a voice I have never felt that comfortable with. But watch Mark, watch how he walks onto the stage, plants himself at the mic stand, one tattooed fist halfway down the stand, the other resting on top of the mic, immobile, massive, male. When the time comes to sing, he simply opens his mouth and releases a blues, a blues lived deeply and utterly earned, and that voice tears right through you, his sheer force on stage absolutely humbling. A greatness, Mark, a greatness — a true singer, a superb writer and beautiful soul, loved by all.”
A few days after Lanegan’s death, drummer Barrett Martin also paid his respects on Instagram. Martin joined Screaming Trees in time to record their Sweet Oblivion album, which contained the group’s breakthrough hit, “Nearly Lost You,” as well as its 1996 follow-up Dust. He was also a member of Mad Season, the supergroup that featured Alice in Chains’ Layne Staley and Pearl Jam’s Mike McCready; Lanegan co-wrote and performed on two songs from their only album, 1995’s Above.
“Mark was full of contradictions to be sure, but how else could he be, when he was destined to sing the blues?” Martin wrote. “Only those who understand the darkness of humanity can also sing about its light, and Mark could sing both, superbly. Because of that contradiction, we [in Screaming Trees] understood Mark in a way that only a literal band of brothers can understand, because we saw it all, firsthand, together, in those decades on the road and in the studio.
“Mark had a voice for the ages, truly one of the great American vocalists of all time,” he continued. “Critics often claimed that his voice came from whiskey drinking, but Mark sang like that when he was young and sober, an ancient voice transplanted inside a young man’s body. By the way, we never saw Mark touch a drop of whiskey — gin & tonic was his preferred drink, and a lot of cigarettes.”
Martin went on to write that after Screaming Trees broke up in 2000, the band joked that its members could finally become friends and that they kept in touch occasionally. When Lanegan published Sing Backwards and Weep — which contains several brutal passages about his Trees bandmates — Martin wrote that it took some time to make sense of it. “After the initial shock wore off, we all made peace and laughed at Mark’s wry sense of humor and great storytelling style,” he wrote. “Mark had the ability to tell the most horrific of stories, yet have you chuckling out loud as he spun the yarn to its conclusion. He had that sharp wit that all great writers have, because he also had a keen view into the hearts of people – and he showed us the full spectrum of humanity.”
Lanegan’s frequent collaborator, Isobel Campbell, also remembered Lanegan fondly in an essay for The Guardian. Between 2006 and 2010, Lanegan and the former Belle and Sebastian member recorded three albums together. “People said we were beauty and the beast,” she wrote. “Yet I witnessed your beauty and I could frequently inhabit beast. Light and dark. Angel and devil. Of our records, you said you were ‘happy for me to do the heavy lifting.’ Yet you brought my songs to life.”
Earlier this week, Eddie Vedder also paid tribute to Lanegan at one of his solo concerts, in Seattle. “There are a lot of really great musicians, some people know Seattle because of the musicians that have come out of the great Northwest,” he told the audience. “Some of those guys were one-of-a-kind singers. Mark was certainly that and with such a strong voice.”
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Lola Young has joined forces with Campaign Against Living Miserably (CALM) to release a new T shirt for the charity’s Lifelines collection.
The shirt supports CALM’s suicide prevention work, with proceeds helping to fund vital resources such as its helpline and CALMzone mental health app.
CALM introduced the Lifelines range last year, with Fontaines D.C., Blossoms and Inhaler also contributing their own designs to the collection.
Young’s design includes the words, “There’s a flicker of light. There’s always morning after the night”, taken from her track ‘Flicker Of Light’.
“I wrote this song about realising there is hope. I have often felt like there isn’t, but there is always a reason to keep going,” Young said. “That’s even when you don’t want to get out of bed, you do, and that is amazing, and you’re still here, and you’re still alive, and if anything, that’s something to be proud of.”
CALM CEO Simon Gunning also shared his appreciation for the collaboration, saying: “We couldn’t be more grateful to Lola for supporting ‘Lifelines’ and showing just how powerful music can be as a force for good.”
Priced at £30, the T shirts come in both standard and boxy fits and are available to purchase here.
Young has regularly spoken about her experiences with mental health. She returned to performing earlier this year after calling off her 2025 tour because of exhaustion. The decision followed her collapse during a performance in New York City. During her time away, she later discussed receiving support for addiction and attending AA meetings as part of her recovery.
In an interview with NME in May, Young explained that she believes “all healing journeys are never ending”, although she is now “definitely in a much better place”. She also said she feels “excited and ready to perform and to release music”.
Reflecting on the encouragement she received after publicly discussing those challenges, Young said: “My fans inspire me in the same way I hope to inspire them. I feel like I’ve never tried to be especially honest… it just comes very naturally to me.”
“I don’t really have any other choice but to be honest, so if people connect to that, and that’s amazing.”
Several musicians have also applauded the ‘Messy’ singer for honestly addressing the pressure placed on touring performers. Lily Allen said she was “in awe” of the BRIT and Grammy winner, while Victoria Canal credited Young with bringing greater attention to the damaging impact demanding tour schedules can have on artists’ mental wellbeing.
When NME asked whether musicians were beginning to establish firmer boundaries around their health, Young replied: “I never intended it to start a movement, but I hope that it does in some way.”
