NEWS
Nikki Sixx
FilmMagicUPDATE (2/8): Pearl Jam and Mötley Crüe’s extremely 1991 feud got a little bit more ridiculous as video of Eddie Vedder taking a not-so-subtle jab at Tommy Lee’s drum theatrics at a recent show began to circulate online. The comments came during Vedder’s solo show with his backing band the Earthlings in New Jersey this past Sunday, Feb. 7, a couple days after Mötley Crüe bassist Nikki Sixx called Pearl Jam “one of the most boring bands in history” (this was after Vedder dissed the hair metal giants in a New York Times interview). While on stage, Vedder introduced a solo from Earthlings/Red Hot Chili Peppers drummer Chad Smith by quipping to the audience, “That drum kit, that silver, beautiful machine that he is the engine of, does not need to elevate or rotate to do its job — let me just point that out!”
In their heyday, Mötley Crüe’s stadium shows were packed with all sorts of theatrics and pyrotechnics, though arguably none were more famous and outrageous than Lee’s flying, rotating drum kit.
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Nikki Sixx has fired back at Pearl Jam after Eddie Vedder called Mötley Crüe “vacuous” and said he “despised” the band during a recent interview.
Vedder kicked off the increasingly rare ‘grunge vs. hair metal’ war of words when, speaking to the New York Times recently, he compared the Seattle scene to the his tenure loading gear at a San Diego venue during the peak of glam metal.
“I’d end up being at shows that I wouldn’t have chosen to go to — bands that monopolized late-’80s MTV. The metal bands that — I’m trying to be nice — I despised. ‘Girls, Girls, Girls’ and Mötley Crüe: Fuck you. I hated it. I hated how it made the fellas look. I hated how it made the women look. It felt so vacuous.”
Vedder also credited Guns N’ Roses with bringing “some teeth” to the pre-grunge rock era, made a subtle swipe at actress Heather Locklear (Crüe drummer Tommy Lee’s ex-wife) and quipped that “the only person who wore a bustier in the ’90s that I could appreciate was Perry Farrell.”
The Pearl Jam singer’s disses finally reached Nikki Sixx Friday, with the Mötley Crüe bassist tweeting in response, “Made me laugh today reading how much the singer in Pearl Jam hated @MotleyCrue. Now considering that they’re one of the most boring bands in history it’s kind of a compliment isn’t it?”
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
