NEWS
Azealia Banks performs on January 25, 2019 in London, England.
Matthew Baker/Getty ImagesAzealia Banks took aim at Kanye West on Monday (Nov. 22), sharing her uncensored thoughts on the rapper in a new interview.
Chatting with Rolling Stone, the topic of ‘Ye came up, as the “212” MC discussed how she came this close to naming her recent track “F— Him All Night” after her nemesis. The reason? “Because Kanye trolled me a lot,” she said. (Instead, the single’s cover art points all 10 fingers at West thanks to some creative nail art.)
“Listen to my music. Listen to the last five years of Kanye West’s music. I’m superior,” Banks continued. “I don’t have to talk about that which is beneath me. He’s been, I guess, selling sneakers and doing outrageous shit, everything but the music. When Kanye puts some music out that is important, then I guess we can have that conversation. But right now, he’s kind of just like a cultural figure.”
The rapper didn’t hold back in her opinions on TikTok either, explaining that she doesn’t use the social platform because she’s “not a f—ing con artist.”
“It’s the most devalued art form in all the art forms,” Banks said of music in the industry’s current state. “Because with streaming and everything, people are getting desperate, and they’re doing everything else but making good music. Doing videos and all this other stuff, but it’s like, the music sucks. … Once everyone started doing three hours of makeup to do a 15-second TikTok, I kind of tuned out.”
Another thing the star doesn’t tune into? Cancel culture. She says the very idea of it “doesn’t really exist. Only God can cancel something. Just because you don’t like it, doesn’t mean that it’s canceled, it just means you don’t f—ing like it, and that’s OK.”
Read Banks’ full interview with Rolling Stone here.
London four piece Keo are on course to land their first UK Number 1 album with Put A Smile On For Me. After building a loyal audience over the past two years, the London band now lead this week’s Official Albums Chart update. Their debut record explores love, guilt, and self destruction.
Nothing But Thieves are close behind at Number 2 with their fifth album, Stray Dogs. The Southend band are hoping for a second straight Number 1 after Dead Club City reached the top in 2023. Taylor Swift is at Number 3 with The Life Of A Showgirl, helped by the expanded The Encore edition. Olivia Rodrigo’s You Seem Pretty Sad For A Girl So In sits at Number 4, while Soft Cell’s Danceteria opens at Number 5. It is the synth pop duo’s final album together following Dave Ball’s death last year.
Europe could reach Number 9 with Come This Madness, giving the Swedish rock band its first UK Top 10 album in four decades. A 30th anniversary reissue of Alice In Chains’ MTV Unplugged is at Number 13 in the midweek update, with Orbital’s Glastonbury 1994 set at Number 14. Julia Jacklin is heading for her first Top 40 album as The Gem reaches Number 18, while Suede’s Coming Up returns at Number 23 after its 30th anniversary physical release.
Also on track for Top 40 places are Nessa Barrett’s Tough Love at Number 29, the companion soundtrack to LINKIN PARK: UNSHATTER at Number 30, and Dublin band Gurriers’ Nobody’s Coming To Save You at Number 31. Blondshell, Kneecap, Tina Turner, and Leon Bridges also appear in the lower half of the midweek chart.
The official positions will be announced when the final Albums Chart is published on Friday.
