Why Don't We

Pamela Littky

Why Don’t We’s management team has split up and has now filed opposing lawsuits to keep the other out of the business -- and the band is taking sides.

Randy Phillips and his former longtime partner David Loeffler are suing each other over the boy band’s management and control of their companies Signature Entertainment and PDM III -- which have the exclusive right to “direct and control” both the band and the solo careers of its five members, as well as of the group’s music, its masters and all its revenue streams. And, according to a lawsuit Loeffler filed on Aug. 17, the five members of Why Don’t We -- Jack Avery (Age 19), Corbyn Besson (20), Zach Herron (17), Jonah Marais (20) and Daniel Seavey (19) -- are now refusing to sign a recording agreement with Atlantic Records or perform as a group until Phillips is reinstated as the group’s sole manager.

Phillips is a longtime veteran and former AEG Live CEO who has promoted tours for Bon JoviJustin BieberKanye WestThe Rolling Stones and Prince.

Loeffler is a longtime music manager, touring executive and film producer who directed Why Dont We’s 2019 film, Unbelievable.

Why Don’t We formed in September 2016, with the band's business set up as two manager-managed LLCs, Signature Entertainment and PDM III, with ownership stakes for all five group members. The LLCs would retain the rights to manage all aspects of the group and its individual members' careers and own their creative output, while categorizing the five members as salaried employees, according to the management agreement each member signed. The LLCs also fund and exclusively manage solo artist EBEN.

The next year, Phillips relinquished his role managing one of the LLCs, Signature Entertainment, in order to accept a job running LiveStyle, the company that emerged out of EDM promoter SFX's bankruptcy. Phillips returned to manage Why Don't We in 2020 and says Loeffler “abnegated his prior agreement to allow Plaintiff to reassume the role of manager [of Signature Entertainment],” according to a lawsuit filed against Loeffler on Thursday in Los Angeles Superior Court.

NoLifeShaq, Zias & B.Lou, ScruFaceJean, and many more have turned on The Boy.

No matter what you thought of the Kendrick Lamar and Drake battle, there was only one undisputed winner by the end of it all: the reaction community in the worlds of streaming and YouTube. Your favorite content creators broke down the bars, reacted to all the most shocking moments, and helped this showdown become one of hip-hop's most culturally significant and resonant moments in a long time... For better or worse. See, the battle's technically not over yet, but only because the 6ix God's idea of victory is clearly quite different. In his federal defamation lawsuit against Universal Music Group – his label – for releasing K.Dot's "Not Like Us," he named various content creators who allegedly helped boost the track's widespread popularity and, as a result, its supposedly defamatory nature.

 

Furthermore, the specific allegation that Drake brings up in this highly controversial lawsuit is that UMG "whitelisted" copyright claims for YouTubers, streamers, etc. concerning "Not Like Us." This means that they would be able to monetize their content without facing a copyright claim from UMG over "Not Like Us," and this isn't really an allegation because various creators have backed this up. But a few important (alleged) caveats that people are talking about online need to be clear. First, "whitelisting" supposedly happens on behalf of a record label behind a song like the West Coast banger, and UMG is instead the distributor of that track. Secondly, as rapper and online personality ScruFaceJean brings up as seen in the post below, tracks like "Push Ups" were also "whitelisted" by its team.

The Reaction Community Drags Drake's Lawsuit Through The Mud

Along with Jean, many other of your favorite content creators spoke out against this Drake lawsuit. Zias! and B.Lou, for example, spoke with their lawyer about the possibility of countersuing for emotional distress, as they found the Toronto superstar's accusations and his implication of them very disturbing and misguided. NoLifeShaq also dragged The Boy through the mud, calling him "soft" and positing that, whether "whitelisting" happened or not, they would react to "Not Like Us" accordingly as they did to his own tracks.

In addition, it's important to bring up that many others fans have pointed to how Drake excitedly used streamers to generate hype and reaction clips for his own diss tracks against Kendrick Lamar. The most direct example is with Kai Cenat, whom he texted to "stay on stream" before dropping "Family Matters." Ironically, the Twitch giant appears in this clowned-upon defamation lawsuit as an example of what the OVO mogul's accusations and implications are. And one more thing: there is no direct link between monetization and algorithmic boosting on sites like YouTube. With all this in mind, content creators seem to feel almost insulted at the idea that they only reacted to the two biggest rappers in the world beefing with each other because one of them would allow them to make money. If Drizzy knew the first thing about the reaction community, maybe he wouldn't have included this...

CONTINUE READING